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&#13;
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&#13;
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&#13;
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                <text>&lt;p&gt;&lt;strong&gt;A l’occasion des 20 ans de publication du Batia Moûrt Soû (1995)&lt;/strong&gt;, une trentaine d’artistes répondent à l’appel lancé par Achille Chavée :&lt;br /&gt;« Qu’allons-nous devenir avec la culture obligatoire? » (Au demeurant, Le Daily-Bul, 1969)&lt;/p&gt;&#13;
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&lt;p&gt;Avec un focus sur le&lt;span&gt;&amp;nbsp;&lt;/span&gt;&lt;strong&gt;Cabaret des âmes&lt;/strong&gt;, rubrique de Fanchon Daemers qui revisite l’histoire des anarchistes, de Liège à Mons en passant par La Louvière.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;-----------------------------------------------------------&lt;br /&gt;&lt;br /&gt;&lt;em&gt;Journal jovial, crédule, saugrenu mais outrecuidant ! paraît quatre fois par an dans le Hainaut, à Ville-sur- Haine (ça ne s’invente pas) en plus. Une vision décalée de la politique, de l’art, une forme d’irrévérence, des dessinateurs, des caricaturistes, tout cela nous prouve que l’humour est toujours bien présent dans cette province que nos politiciens présentent comme étant la plus sinistrée (ils ne disent pas la plus sinistre) de Belgique. Journal d’entre Haine et Trouille au pays du dépeceur et des caves aménagées. El Batia Moûrt Soû se consomme évidemment sans modération.&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;span&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;Antaki&lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;h2&gt;&lt;span class="Style92"&gt;Autour de l’exposition&lt;/span&gt;&lt;/h2&gt;&#13;
&lt;p&gt;&lt;span class="Style31"&gt;&lt;strong&gt;Le dimanche 22 février 2015&lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;à 16 heures&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="Style8"&gt;&lt;strong&gt;Un livre/un concert&lt;/strong&gt;&lt;br /&gt;Présentation et lecture du livre de Jacques Dapoz&lt;br /&gt;&lt;/span&gt;&lt;span class="Style32"&gt;« La Capitale de la culture »&lt;/span&gt;&lt;br /&gt;Editions du Cerisier, 2015&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="Style31"&gt;&lt;strong&gt;Avec le groupe Scultrik&lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;Scultrik, trois compères au coeur des émo-sons ici et maintenant. Lutherie de doux dingues sauvages électro-niquée, un violoncelle étincelant et des vents cuivrés...&lt;/p&gt;&#13;
&lt;p class="Style41"&gt;&lt;strong&gt;.........&lt;/strong&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="Style31"&gt;&lt;strong&gt;Le samedi 28 mars 2015&lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;à 16 heures&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="Style8"&gt;&lt;strong&gt;Un livre/un film&lt;br /&gt;&lt;/strong&gt;Conversation avec&lt;br /&gt;Claude Bauwens&lt;strong&gt;&lt;br /&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="Style95"&gt;&lt;strong&gt;Animée par Christine Béchet&lt;/strong&gt;, à l’occasion de la sortie du recueil « Sept poèmes plus un de haute affligeance », paru chez R.A. Editions en collaboration avec la Galerie Koma et le Batia Moûrt Soû (35 exemplaires numérotés) avec des linos originales de Serge Poliart gravées par Alain Regnier.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="Style8"&gt;&lt;strong&gt;Suivie de la projection&lt;/strong&gt;&lt;br /&gt;du film de Michel-Jean Bélanger et Yves Warson&lt;/span&gt;&lt;br /&gt;&lt;span class="Style32"&gt;« L’employé du temps.&lt;br /&gt;Portrait d’Henry Mercier&lt;br /&gt;libraire »&lt;/span&gt;&lt;br /&gt;1987 - Grand Prix de la Communauté française de Belgique&lt;/p&gt;&#13;
&lt;p&gt;&lt;em&gt;« L’employé du temps » (Belgique, 34 min.), un film brossant le portrait d’Henry Mercier amoureux de sa ‘prison de livres’, la librairie de la rue des Eperonniers. Pourquoi installe-t-il une nouvelle vitrine chaque semaine, que cache-t-il dans ses greniers, est-ce vrai qu’il joue du tam-tam la nuit?&lt;/em&gt;&lt;/p&gt;&#13;
&lt;p&gt;En présence de Michel-Jean Bélanger&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;.........&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;&#13;
&lt;h2&gt;&lt;span class="Style92"&gt;Dévernissage libertaire&lt;/span&gt;&lt;/h2&gt;&#13;
&lt;p&gt;&lt;span class="Style31"&gt;&lt;strong&gt;Le dimanche 26 avril à 16 heures&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="Style8"&gt;&lt;strong&gt;Un film/un récital&lt;/strong&gt;&lt;br /&gt;Projection du film de Véra Caïs&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="Style32"&gt;«Une trop bruyante solitude»&lt;/span&gt;&lt;br /&gt;Film franco-tchèque avec Philippe Noiret, Jean-Claude Dreyfus, Chantal Neuwirth, Jiri Menzel (1h30), 1994&lt;/p&gt;&#13;
&lt;p&gt;&lt;em&gt;Jamais montré depuis 1995 (une terrible embrouille avec le producteur français l’avait jeté aux oubliettes), le film de Véra Caïs, d’après l’ouvrage de Bothumil Hrabal, épastrouillant auteur tchèque, surgit enfin : on y découvre Philippe Noiret, impérial, fagoté à la diable, en permanence imbibé, occupé à passer des bouquins à la broyeuse au fond d’une cave, à les lire, à dorloter des souris… Il détruit des livres, mais avec amour, toujours en recherche : où sont « les livres qui m’apprendront quelque chose sur moi-même » ? Bientôt va le remplacer une énorme broyeuse automatique : l’ère de l’efficacité technique est en marche. Hrabal disait qu’il était né pour écrire « une trop bruyante solitude », elle fait un bruit inoubliable.&lt;/em&gt;&lt;br /&gt;Jean-Louis Porquet&lt;br /&gt;(« Le Canard Enchaîné », 16/11/2011)&lt;/p&gt;&#13;
&lt;p&gt;En présence de la réalisatrice et de Raoul Vaneigem.&lt;br /&gt;&lt;br /&gt;Apéritif de clôture avec des chansons sur la Commune et des textes de Raoul Vaneigem interprétés par&lt;span&gt;&amp;nbsp;&lt;/span&gt;&lt;strong&gt;Fanchon Daemers&lt;/strong&gt;&lt;span&gt;&amp;nbsp;&lt;/span&gt;accompagnée de l’accordéoniste Jacques-Ivan Duchêne (sous réserve) à l’occasion de la sortie du CD&lt;span&gt;&amp;nbsp;&lt;/span&gt;&lt;strong&gt;« Contre la résignation. Chants d’amour et de révolte»&lt;/strong&gt;&lt;span&gt;&amp;nbsp;&lt;/span&gt;(2014).&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="Style95"&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>Comme le miroir se joue de la réflexion, voici 25 ans que la Pensée Bul tourne le dos aux &lt;em&gt;concepts&lt;/em&gt;, Cette position, confortable pour les uns, incommode pour d'autres, permet à cette pensée - le plus souvent adéquate - de résoudre beaucoup d'anxiétés philosophiques et esthétiques. &lt;br /&gt;Dans ce dernier &lt;em&gt;champ&lt;/em&gt;, et plus précisément celui de l'art, la Pensée Bul peut promener allègrement sa charrue, comme les paysans de Millet le fesaient dans le &lt;em&gt;champ&lt;/em&gt; de la pomme de terre. &lt;br /&gt;Grâce à nos amis artistes, à leurs propos, à leurs images, la notion d'&lt;em&gt;art bul&lt;/em&gt; reste plus que jamais pragmatique. Un quart de siècle a déjà permis d'en faire un bilan. Bilan, comme la mer, toujours recommencé.&lt;br /&gt;&lt;div style="text-align:right;"&gt;André Balthazar et Pol Bury&lt;/div&gt;</text>
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