<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://www.dailybul.be/archibul/items/show/1858">
    <dcterms:title><![CDATA[De l&#039;Etat<br />
1. L&#039;Etat dans le monde moderne]]></dcterms:title>
    <dcterms:creator><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=39&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Lefebvre%2C+Henri">Lefebvre, Henri</a>]]></dcterms:creator>
    <dcterms:publisher><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=45&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Union+G%C3%A9n%C3%A9rale+d%27Editions+">Union Générale d&#039;Editions </a>]]></dcterms:publisher>
    <dcterms:date><![CDATA[1976]]></dcterms:date>
    <dcterms:format><![CDATA[11 X 18 cm]]></dcterms:format>
    <dcterms:medium><![CDATA[389 p.]]></dcterms:medium>
    <dcterms:language><![CDATA[fr]]></dcterms:language>
    <dcterms:type><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Ouvrage+imprim%C3%A9">Ouvrage imprimé</a>]]></dcterms:type>
    <dcterms:identifier><![CDATA[FPPB-LEF-E-0 001 755]]></dcterms:identifier>
    <dcterms:provenance><![CDATA[Fonds Pierre Puttemans]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="https://www.dailybul.be/archibul/items/show/1859">
    <dcterms:title><![CDATA[Incisions, II]]></dcterms:title>
    <dcterms:description><![CDATA[&quot;Moi que rien&quot; de Werner Lambersy précédé de &quot;Poème&quot;<br />
&quot;Paysage avec homme nu dans la neige&quot;<br />
&quot;33 scarifications de l&#039;air&quot; poème suivi d&#039;une analyse par le Laboratoire collectif DUR-AN-KI (Léo Beckman et Pierre Vinck)<br />
&quot;Maîtres et maisons de thé&quot; de Patricia Castex-Menier<br />
&quot;Maîtres et maison de thé, une lecture&quot; de Jan Rubes<br />
dessin d&#039;Elisabeth Gasquères<br />
Photos de Katina Avgouloups]]></dcterms:description>
    <dcterms:creator><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=39&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Lambersy%2C+Werner">Lambersy, Werner</a>]]></dcterms:creator>
    <dcterms:publisher><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=45&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Werner+Lambersy">Werner Lambersy</a>]]></dcterms:publisher>
    <dcterms:date><![CDATA[1981]]></dcterms:date>
    <dcterms:contributor><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Castex-Menier%2C+Patricia">Castex-Menier, Patricia</a>]]></dcterms:contributor>
    <dcterms:contributor><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Beckman%2C+L%C3%A9o">Beckman, Léo</a>]]></dcterms:contributor>
    <dcterms:contributor><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Rubes%2C+Jan">Rubes, Jan</a>]]></dcterms:contributor>
    <dcterms:contributor><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Gasqu%C3%A8res%2C+Elisabeth">Gasquères, Elisabeth</a>]]></dcterms:contributor>
    <dcterms:contributor><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Avgouloupis%2C+Katina">Avgouloupis, Katina</a>]]></dcterms:contributor>
    <dcterms:contributor><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Vinck%2C+Pierre">Vinck, Pierre</a>]]></dcterms:contributor>
    <dcterms:format><![CDATA[16 X 24 cm]]></dcterms:format>
    <dcterms:language><![CDATA[fr]]></dcterms:language>
    <dcterms:type><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Ouvrage+imprim%C3%A9">Ouvrage imprimé</a>]]></dcterms:type>
    <dcterms:identifier><![CDATA[FPPB-LAM-I-0 001 756]]></dcterms:identifier>
    <dcterms:provenance><![CDATA[Fonds Pierre Puttemans]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="https://www.dailybul.be/archibul/items/show/1860">
    <dcterms:title><![CDATA[Les socialistes belges 1885-1914]]></dcterms:title>
    <dcterms:alternative><![CDATA[La révolte et l&#039;organisation]]></dcterms:alternative>
    <dcterms:abstract><![CDATA[Un classique de l&#039;histoire du mouvement ouvrier en Belgique. Marcel Liebman retrace de manière extrêmement critique la création du Parti Ouvrier Belge en 1885 et les premiers choix politiques et organisationnels de la jeune formation. L&#039;auteur met le doigt sur les incohérences d&#039;un parti qui pratique un discours révolutionnaire et une phraséologie radicale tout en mettant en place les conditions de la collaboration avec le régime bourgeois. Indépendamment de l&#039;engagement de l&#039;auteur, dont les convictions d&#039;extrême gauche apparaissent d&#039;un bout à l&#039;autre de l&#039;ouvrage, Les Socialistes belges décrit minutieusement les premières années du POB, la fédération des différents groupes socialistes, syndicats, coopératives, organes de presse, l&#039;entrée au Parlement en 1894 et les premiers compromis nécessaires à la consolidation du mouvement.]]></dcterms:abstract>
    <dcterms:creator><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=39&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Liebman%2C+Marcel">Liebman, Marcel</a>]]></dcterms:creator>
    <dcterms:publisher><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=45&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Editions+Vie+Ouvri%C3%A8re">Editions Vie Ouvrière</a>]]></dcterms:publisher>
    <dcterms:date><![CDATA[1979]]></dcterms:date>
    <dcterms:format><![CDATA[16 X 24 cm]]></dcterms:format>
    <dcterms:medium><![CDATA[299 p.]]></dcterms:medium>
    <dcterms:language><![CDATA[fr]]></dcterms:language>
    <dcterms:type><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Ouvrage+imprim%C3%A9">Ouvrage imprimé</a>]]></dcterms:type>
    <dcterms:identifier><![CDATA[FPPB-LIE-S-0 001 757]]></dcterms:identifier>
    <dcterms:provenance><![CDATA[Fonds Pierre Puttemans]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="https://www.dailybul.be/archibul/items/show/1861">
    <dcterms:title><![CDATA[Autofictions]]></dcterms:title>
    <dcterms:description><![CDATA[<span>Un livre qui présente les <strong>3 cycles</strong> de travail de Jean-Pierre Marquet. <br /><br /><strong>Le cycle 1</strong> reprend un chapitre consacré à Marcel Duchamp. Il est extrait d'un des 12 chapitres d'un des 12 livres autoédités par l'artiste. <br /><br /><strong>Le cycle 2</strong> s'organise en deux parties. La première est consacrée au processus de travail de l'artiste (6 chapitres de 12 planches chacun) : </span><em>Le 12 </em><span>/ </span><em>Le livre </em><span>/ </span><em>Le dess(e)in</em><span> / </span><em>Les documents</em><span> / </span><em>Le carnet</em><span> / </span><em>Les outils</em><span>. La seconde partie du cycle 2 porte sur 6 repères de l'artiste  (6 chapitres ici aussi formés chacun de 12 planches) : </span><em>Je joue à l'artiste</em><span> / </span><em>jJai temps perdu</em><span> / </span><em>Je livre </em><span>/ </span><em>Je planche sur le rock</em><span> / </span><em>Je me figure</em><span> / </span><em>Je f(r)ictionne</em><span>. <br /><br />Quant au<strong> 3ème cycle</strong>, il montre un ensemble de 12 planches grand format (147,5 x 104 cm) alors que toutes les autres sont réalisées au format A3.<br /><br />Un dvd accompagne la publication et s'intitule <em>Une planche par jour sinon rien. </em>On y retrouve 365 planches réalisées en 2014.</span>]]></dcterms:description>
    <dcterms:creator><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=39&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Marquet%2C+Jean-Pierre">Marquet, Jean-Pierre</a>]]></dcterms:creator>
    <dcterms:publisher><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=45&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Fondation+SmartBe">Fondation SmartBe</a>]]></dcterms:publisher>
    <dcterms:publisher><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=45&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Editions+100Titres">Editions 100Titres</a>]]></dcterms:publisher>
    <dcterms:publisher><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=45&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Yellow+Now">Yellow Now</a>]]></dcterms:publisher>
    <dcterms:date><![CDATA[2013]]></dcterms:date>
    <dcterms:contributor><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=de+Wasseige%2C+Alain">de Wasseige, Alain</a>]]></dcterms:contributor>
    <dcterms:contributor><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Schrobiltgen%2C+Luc">Schrobiltgen, Luc</a>]]></dcterms:contributor>
    <dcterms:format><![CDATA[30 x 21 cm]]></dcterms:format>
    <dcterms:language><![CDATA[fr]]></dcterms:language>
    <dcterms:type><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Ouvrage+imprim%C3%A9">Ouvrage imprimé</a>]]></dcterms:type>
    <dcterms:identifier><![CDATA[FECT-MAR-A-0 000 005]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://www.dailybul.be/archibul/items/show/1862">
    <dcterms:title><![CDATA[Paysages urbains et autres peintures]]></dcterms:title>
    <dcterms:alternative><![CDATA[City landscapes and other paintings]]></dcterms:alternative>
    <dcterms:description><![CDATA[<span>Cet artiste américain réalise des tableaux à l'aide d'acryliques phosphorescents. Ce sont donc des œuvres à voir aussi bien dans la lumière que dans le noir. L'ouvrage montre les œuvres sur des doubles pages, l'une consacrée aux tableaux photographiés dans la lumière et l'autre aux tableaux pris dans le noir. </span><br /><br /><span>La première partie du livre est consacrée à New-York, ses gratte-ciels et ses néons. </span><br /><br /><span>La deuxième à Las Vegas.</span><br /><br /><span>La troisième à d'autres villes et paysages américains.</span><br /><br /><span>La quatrième à quelques villes européennes : Amsterdam, Londres et Paris.</span><br /><br /><span>La cinquième est consacrée à des interventions de l'artiste dans des espaces publics : un hôtel à Cincinnati et des logements sociaux à Bruxelles. </span><br /><br /><span>Quant à la dernière partie, elle porte sur les autres peintures de l'artiste: reflets, portraits et peintures abstraites.</span>]]></dcterms:description>
    <dcterms:creator><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=39&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Bacher%2C+Thomas">Bacher, Thomas</a>]]></dcterms:creator>
    <dcterms:publisher><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=45&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Yellow+Now">Yellow Now</a>]]></dcterms:publisher>
    <dcterms:publisher><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=45&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Editions+100Titres">Editions 100Titres</a>]]></dcterms:publisher>
    <dcterms:publisher><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=45&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Maison+des+Arts+%28Ch%C3%A2tillon%29">Maison des Arts (Châtillon)</a>]]></dcterms:publisher>
    <dcterms:date><![CDATA[2012]]></dcterms:date>
    <dcterms:contributor><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=de+Wasseige%2C+Alain">de Wasseige, Alain</a>]]></dcterms:contributor>
    <dcterms:contributor><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Fagen%2C+Gail+Ann">Fagen, Gail Ann</a>]]></dcterms:contributor>
    <dcterms:contributor><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Batz%2C+Gilles">Batz, Gilles</a>]]></dcterms:contributor>
    <dcterms:contributor><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Matulionis%2C+Greg">Matulionis, Greg</a>]]></dcterms:contributor>
    <dcterms:format><![CDATA[22 x 25 cm]]></dcterms:format>
    <dcterms:language><![CDATA[fr]]></dcterms:language>
    <dcterms:language><![CDATA[eng]]></dcterms:language>
    <dcterms:type><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Ouvrage+imprim%C3%A9">Ouvrage imprimé</a>]]></dcterms:type>
    <dcterms:identifier><![CDATA[FECT-BAC-P-0 000 004]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://www.dailybul.be/archibul/items/show/1863">
    <dcterms:title><![CDATA[Sculptures et empreintes]]></dcterms:title>
    <dcterms:alternative><![CDATA[Sculpture and prints]]></dcterms:alternative>
    <dcterms:description><![CDATA[<span>Sculpteur italien, né au Congo, vivant en Belgique, auteur d'une oeuvre tout à fait originale en polyester polychrome. </span><br /><br /><span>Oeuvres d'intérieurs, oeuvres destinées à l'espace public et empreintes en résine. Un art qui renoue avec la statuaire polychrome, narrative et critique. </span><br /><br /><span>Un livre qui présente la réflexion de l'artiste sur la sculpture, sur l'imagerie populaire et ses expressions, sur les déclinaisons d'images qui sont à la source de l'oeuvre de cet artiste.</span>]]></dcterms:description>
    <dcterms:creator><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=39&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Ollivero%2C+Roberto">Ollivero, Roberto</a>]]></dcterms:creator>
    <dcterms:publisher><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=45&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Editions+100Titres">Editions 100Titres</a>]]></dcterms:publisher>
    <dcterms:contributor><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=de+Wasseige%2C+Alain">de Wasseige, Alain</a>]]></dcterms:contributor>
    <dcterms:contributor><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Stas%2C+Andr%C3%A9">Stas, André</a>]]></dcterms:contributor>
    <dcterms:contributor><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=MacBride%2C+Jane">MacBride, Jane</a>]]></dcterms:contributor>
    <dcterms:contributor><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Chable%2C+Thomas">Chable, Thomas</a>]]></dcterms:contributor>
    <dcterms:contributor><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Orfandl%2C+Peter">Orfandl, Peter</a>]]></dcterms:contributor>
    <dcterms:contributor><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Schrobiltgen%2C+Luc">Schrobiltgen, Luc</a>]]></dcterms:contributor>
    <dcterms:contributor><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Smith%2C+Val%C3%A9rie">Smith, Valérie</a>]]></dcterms:contributor>
    <dcterms:contributor><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Ruelle%2C+Philippe">Ruelle, Philippe</a>]]></dcterms:contributor>
    <dcterms:format><![CDATA[22 x 25 cm]]></dcterms:format>
    <dcterms:medium><![CDATA[112 p.]]></dcterms:medium>
    <dcterms:language><![CDATA[fr]]></dcterms:language>
    <dcterms:language><![CDATA[eng]]></dcterms:language>
    <dcterms:type><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Ouvrage+imprim%C3%A9">Ouvrage imprimé</a>]]></dcterms:type>
    <dcterms:identifier><![CDATA[FECT-OLL-S-0 000 006]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://www.dailybul.be/archibul/items/show/1864">
    <dcterms:title><![CDATA[Jan Bucquoy - Illustrated]]></dcterms:title>
    <dcterms:alternative><![CDATA[de l&#039;année érotique à l&#039;année du rat]]></dcterms:alternative>
    <dcterms:description><![CDATA[<span>Plasticien, performer, cinéaste belge. Après une introduction sur la transgression et sur l'esthétique, Jan Bucquoy raconte à Alain de Wasseige son parcours. <br /><br />Un livre qui donne à voir les peintures, collages, performances, films et bandes dessinées de l'artiste et rapelle les débats et procès auxquels son oeuvre a donné lieu. <br />Un livre complété par des points de vue de François Coadou, Théophile de Giraud, Paul Ilegems, Corinne Mayer et par l'émission </span><em>Hep Taxi</em><span> (RTBF) consacrée à l'artiste.</span>]]></dcterms:description>
    <dcterms:creator><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=39&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Bucquoy%2C+Jan">Bucquoy, Jan</a>]]></dcterms:creator>
    <dcterms:publisher><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=45&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Editions+100Titres">Editions 100Titres</a>]]></dcterms:publisher>
    <dcterms:publisher><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=45&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Yellow+Now">Yellow Now</a>]]></dcterms:publisher>
    <dcterms:date><![CDATA[2009]]></dcterms:date>
    <dcterms:contributor><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=de+Wasseige%2C+Alain">de Wasseige, Alain</a>]]></dcterms:contributor>
    <dcterms:contributor><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Coadou%2C+Fran%C3%A7ois">Coadou, François</a>]]></dcterms:contributor>
    <dcterms:contributor><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=de+Giraud%2C+Th%C3%A9ophile">de Giraud, Théophile</a>]]></dcterms:contributor>
    <dcterms:contributor><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Ilegems%2C+Paul">Ilegems, Paul</a>]]></dcterms:contributor>
    <dcterms:contributor><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Maier%2C+Corinne">Maier, Corinne</a>]]></dcterms:contributor>
    <dcterms:contributor><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Dendeau%2C+Guillaume">Dendeau, Guillaume</a>]]></dcterms:contributor>
    <dcterms:contributor><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Desablin%2C+Ana%C3%ABl">Desablin, Anaël</a>]]></dcterms:contributor>
    <dcterms:contributor><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Gielen%2C+Philippe">Gielen, Philippe</a>]]></dcterms:contributor>
    <dcterms:contributor><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Olivier%2C+Richard">Olivier, Richard</a>]]></dcterms:contributor>
    <dcterms:contributor><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Sartiaux%2C+Nathelie">Sartiaux, Nathelie</a>]]></dcterms:contributor>
    <dcterms:contributor><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Schrobiltgen%2C+Luc">Schrobiltgen, Luc</a>]]></dcterms:contributor>
    <dcterms:contributor><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Timmermans%2C+Carinne">Timmermans, Carinne</a>]]></dcterms:contributor>
    <dcterms:format><![CDATA[22 x 25 cm]]></dcterms:format>
    <dcterms:medium><![CDATA[156 p.]]></dcterms:medium>
    <dcterms:language><![CDATA[fr]]></dcterms:language>
    <dcterms:language><![CDATA[eng]]></dcterms:language>
    <dcterms:language><![CDATA[nl]]></dcterms:language>
    <dcterms:type><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Ouvrage+imprim%C3%A9">Ouvrage imprimé</a>]]></dcterms:type>
    <dcterms:identifier><![CDATA[FECT-BUC-I-0 000 007]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://www.dailybul.be/archibul/items/show/1865">
    <dcterms:title><![CDATA[L&#039;art du dé-peindre]]></dcterms:title>
    <dcterms:alternative><![CDATA[The art of de-painting]]></dcterms:alternative>
    <dcterms:description><![CDATA[<p>Artiste plurisidisciplinaire, (peintures, installations, performances, vidéos), se manifeste depuis le début des années 70. <br />Développe un travail ironique et distancié sur la peinture et l'art en général. <br /><br />Un livre qui retrace les grandes étapes de son oeuvre et sa relation critique, pointue et décalée à la peinture et son histoire : <em>L'art relationnel / Les tableaux bruns passés au noir / Les tableaux multicolores passés au noir / Les devoirs quotidiens / Les chroniques télé / Les peintures tautologiques /  lLs peintisseries /  Les peintoucheries / Les tapisteries / Le musée de l'homme / Le délirium vidéo.</em></p>
<p>Textes de Jacques Lennep ponctué de recensions émanant de critiques d'art.<br /><br />Un cd accompagne la publication.</p>]]></dcterms:description>
    <dcterms:creator><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=39&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Lennep%2C+Jacques">Lennep, Jacques</a>]]></dcterms:creator>
    <dcterms:publisher><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=45&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Editions+100Titres">Editions 100Titres</a>]]></dcterms:publisher>
    <dcterms:publisher><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=45&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Yellow+Now">Yellow Now</a>]]></dcterms:publisher>
    <dcterms:date><![CDATA[2010]]></dcterms:date>
    <dcterms:contributor><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=de+Wasseige%2C+Alain">de Wasseige, Alain</a>]]></dcterms:contributor>
    <dcterms:contributor><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Parmantier%2C+Marianne">Parmantier, Marianne</a>]]></dcterms:contributor>
    <dcterms:contributor><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Fagen%2C+Gail+Ann">Fagen, Gail Ann</a>]]></dcterms:contributor>
    <dcterms:contributor><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Schrobiltgen%2C+Luc">Schrobiltgen, Luc</a>]]></dcterms:contributor>
    <dcterms:contributor><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=van+Lennep%2C+Vincent">van Lennep, Vincent</a>]]></dcterms:contributor>
    <dcterms:contributor><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Brachot%2C+Isy">Brachot, Isy</a>]]></dcterms:contributor>
    <dcterms:medium><![CDATA[168 p.]]></dcterms:medium>
    <dcterms:language><![CDATA[fr]]></dcterms:language>
    <dcterms:language><![CDATA[eng]]></dcterms:language>
    <dcterms:type><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Ouvrage+imprim%C3%A9">Ouvrage imprimé</a>]]></dcterms:type>
    <dcterms:identifier><![CDATA[FECT-LEN-A-0 000 008]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://www.dailybul.be/archibul/items/show/1866">
    <dcterms:title><![CDATA[Devoirs quotidiens]]></dcterms:title>
    <dcterms:alternative><![CDATA[Daily homework]]></dcterms:alternative>
    <dcterms:description><![CDATA[<span>Pendant six ans, l'artiste décide de "tenir une sorte de journal": 2195 </span><em>Devoirs quotidiens</em><span>, soit 2195 feuilles au format A4 comprenant textes dessinés, tapuscrits, dessins et photos. <br /><br />Outre un DVD reprenant l'ensemble de </span><em>Devoirs Quotidiens</em><span> repris par sujets, l'ouvrage développe quelques grands thèmes qui traversent cette oeuvre : <br /></span><em>Rêves, fantsames </em><span>/</span><em> F</em><em>aits divers</em><span> / </span><em>Le Banal quotidien</em><span> / </span><em>En voyage ici et là</em><span> / Le royal musée / </span><em>Histoire et histoires</em><span> / </span><em>L'art ... de travers</em><span> / </span><em>Pauvre Belgique</em><span> / </span><em>Les petites choses</em><span>.</span>]]></dcterms:description>
    <dcterms:creator><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=39&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Lennep%2C+Jacques">Lennep, Jacques</a>]]></dcterms:creator>
    <dcterms:publisher><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=45&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Editions+100Titres">Editions 100Titres</a>]]></dcterms:publisher>
    <dcterms:publisher><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=45&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Yellow+Now">Yellow Now</a>]]></dcterms:publisher>
    <dcterms:date><![CDATA[2012]]></dcterms:date>
    <dcterms:contributor><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=de+Wasseige%2C+Alain">de Wasseige, Alain</a>]]></dcterms:contributor>
    <dcterms:contributor><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Parmantier%2C+Marianne">Parmantier, Marianne</a>]]></dcterms:contributor>
    <dcterms:contributor><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Fagen%2C+Gail+Ann">Fagen, Gail Ann</a>]]></dcterms:contributor>
    <dcterms:contributor><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Falzone%2C+Christophe">Falzone, Christophe</a>]]></dcterms:contributor>
    <dcterms:contributor><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Jungblut%2C+Guy">Jungblut, Guy</a>]]></dcterms:contributor>
    <dcterms:format><![CDATA[22 x 24,5 cm]]></dcterms:format>
    <dcterms:medium><![CDATA[144 p.]]></dcterms:medium>
    <dcterms:language><![CDATA[fr]]></dcterms:language>
    <dcterms:language><![CDATA[eng]]></dcterms:language>
    <dcterms:type><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Ouvrage+imprim%C3%A9">Ouvrage imprimé</a>]]></dcterms:type>
    <dcterms:identifier><![CDATA[FECT-LEN-D-0 000 009]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://www.dailybul.be/archibul/items/show/1867">
    <dcterms:title><![CDATA[Arts en relation : techniques et pratiques d&#039;un art relationnel de 1973 à nos jours]]></dcterms:title>
    <dcterms:alternative><![CDATA[Arts in relation : techniques and practices of a relational art from 1973 to today]]></dcterms:alternative>
    <dcterms:description><![CDATA[<span>Un livre qui propose une lecture transversale de l'oeuvre de Jacques Lennep autour de la problématique qui la fonde : l'art en relation. <br /><br />Un livre organisé autour de 8 grands axes : </span><em>Art attitude</em><span> / </span><em>Art naration</em><span> / </span><em>Art action - Art performance</em><span> / </span><em>Mail Art</em><span> / </span><em>Art installation</em><span> / </span><em>Photo art</em><span> / </span><em>Vidéo art</em><span> / </span><em>Ode au saucisson</em><span>. Un livre accompagné d'un DVD reprenant un ensemble de performances.<br /><br />Un cd accompagne la publication.</span>]]></dcterms:description>
    <dcterms:creator><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=39&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Lennep%2C+Jacques">Lennep, Jacques</a>]]></dcterms:creator>
    <dcterms:publisher><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=45&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Editions+100Titres">Editions 100Titres</a>]]></dcterms:publisher>
    <dcterms:publisher><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=45&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Yellow+Now">Yellow Now</a>]]></dcterms:publisher>
    <dcterms:date><![CDATA[2012]]></dcterms:date>
    <dcterms:contributor><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=de+Wasseige%2C+Alain">de Wasseige, Alain</a>]]></dcterms:contributor>
    <dcterms:contributor><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Parmantier%2C+Marianne">Parmantier, Marianne</a>]]></dcterms:contributor>
    <dcterms:contributor><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Fagen%2C+Gail+Ann">Fagen, Gail Ann</a>]]></dcterms:contributor>
    <dcterms:contributor><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Jungblut%2C+Guy">Jungblut, Guy</a>]]></dcterms:contributor>
    <dcterms:format><![CDATA[22 x 24,5cm]]></dcterms:format>
    <dcterms:language><![CDATA[fr]]></dcterms:language>
    <dcterms:language><![CDATA[eng]]></dcterms:language>
    <dcterms:type><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Ouvrage+imprim%C3%A9">Ouvrage imprimé</a>]]></dcterms:type>
    <dcterms:identifier><![CDATA[FECT-LEN-A-0 000 010]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://www.dailybul.be/archibul/items/show/1868">
    <dcterms:title><![CDATA[Art-Jockey]]></dcterms:title>
    <dcterms:description><![CDATA[<span>Peintre et sculpteur anversois, digne héritier de Jérôme Bosh et de James Ensor. Sur base d'entretiens avec Alain de Wasseige, Frank Maieu retrace son itinéraire de peintre, dessinateur et sculpteur.</span><br /><br /><span>Entre époques, préoccupations, conditions matérielles et techniques mises en oeuvre. Une façon d'entrer au coeur du processus de travail d'un artiste, des étapes de sa démarche, de son esthétique, de ses associations d'images et de son point de vue sur le monde et sur sa propre existence.</span><br /><br /><span>Cet ouvrage a fait l'objet d'une édition cartonnée comprenant une gravure colorée et signée par l'artiste, numérotée de 1 à 200. En soutien à ce projet, édition de la sculpture en céramique </span><em>Merci</em><span> numérotée de 1 à 90.</span>]]></dcterms:description>
    <dcterms:creator><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=39&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Maieu%2C+Frank">Maieu, Frank</a>]]></dcterms:creator>
    <dcterms:publisher><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=45&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Editions+100Titres">Editions 100Titres</a>]]></dcterms:publisher>
    <dcterms:publisher><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=45&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Zwarte+Panter+%28Anvers%29">Zwarte Panter (Anvers)</a>]]></dcterms:publisher>
    <dcterms:date><![CDATA[2002]]></dcterms:date>
    <dcterms:contributor><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=de+Wasseige%2C+Alain">de Wasseige, Alain</a>]]></dcterms:contributor>
    <dcterms:contributor><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Raemdonck%2C+Adriaan">Raemdonck, Adriaan</a>]]></dcterms:contributor>
    <dcterms:contributor><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Elias%2C+Wim">Elias, Wim</a>]]></dcterms:contributor>
    <dcterms:contributor><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Van+de+Velde%2C+Wannes">Van de Velde, Wannes</a>]]></dcterms:contributor>
    <dcterms:contributor><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Van+Loo%2C+Guy">Van Loo, Guy</a>]]></dcterms:contributor>
    <dcterms:contributor><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Jacquet%2C+Cathy">Jacquet, Cathy</a>]]></dcterms:contributor>
    <dcterms:contributor><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Sneppe%2C+Jo">Sneppe, Jo</a>]]></dcterms:contributor>
    <dcterms:format><![CDATA[22 x 24,5 cm]]></dcterms:format>
    <dcterms:language><![CDATA[fr]]></dcterms:language>
    <dcterms:language><![CDATA[nl]]></dcterms:language>
    <dcterms:language><![CDATA[eng]]></dcterms:language>
    <dcterms:type><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Ouvrage+imprim%C3%A9">Ouvrage imprimé</a>]]></dcterms:type>
    <dcterms:identifier><![CDATA[FECT-MAI-A-0 000 011]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://www.dailybul.be/archibul/items/show/1869">
    <dcterms:title><![CDATA[Un artiste en noir (et blanc)]]></dcterms:title>
    <dcterms:description><![CDATA[<span>Un livre en trois parties. <br />La première est consacrée aux oeuvres récentes de Jacques Lennep : </span><em>Grisailles (peintures photogéniques)</em><span>, <br />la deuxième développe la réflexion autour du noir dans la peinture de cet artiste. <br />Quant à la troisième, elle est consacrée à un axe qui traverse toute son oeuvre : l'art raconte des histoires.</span>]]></dcterms:description>
    <dcterms:creator><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=39&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Lennep%2C+Jacques">Lennep, Jacques</a>]]></dcterms:creator>
    <dcterms:publisher><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=45&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Editions+100Titres">Editions 100Titres</a>]]></dcterms:publisher>
    <dcterms:publisher><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=45&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Yellow+Now">Yellow Now</a>]]></dcterms:publisher>
    <dcterms:date><![CDATA[2015]]></dcterms:date>
    <dcterms:format><![CDATA[22 x 24,5 cm]]></dcterms:format>
    <dcterms:language><![CDATA[fr]]></dcterms:language>
    <dcterms:type><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Ouvrage+imprim%C3%A9">Ouvrage imprimé</a>]]></dcterms:type>
    <dcterms:identifier><![CDATA[FECT-LEN-A-0 000 012]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://www.dailybul.be/archibul/items/show/1870">
    <dcterms:title><![CDATA[Un musée de l&#039;homme]]></dcterms:title>
    <dcterms:alternative><![CDATA[A museum of mankind]]></dcterms:alternative>
    <dcterms:description><![CDATA[<span>Un ouvrage qui fait le point sur un aspect particulier du travail de l'artiste. <br />Il s'articule autour de deux axes : </span><em>la galerie des autres</em><span> et </span><em>la galerie du moi</em><span>. <br /><br />Dans la première partie, Jacques Lennep a réuni des personnages hors du commun, tous artistes et collectionneurs à leur manière : un sculpteur de marrons, un supporter d'un club de foot qui a passé sa vie à la zébrer, un cordonnier qui peint les semelles de chaussures, etc. Autant d'artistes que Lennep a lui-même exposés. <br />La seconde partie de l'ouvrage est consacrée aux artistes que Lennep a inventés et qui lui ont permis de faire la nique au système de l'art : un peintre du dimanche, un peintre de fers à repasser, un peintre de toiles blanches marquées seulement de leur numéro d'ordre de production, etc.<br /><br />Un cd accompagne la publication, il s'agit  de la vidéo originale de Thierry Zéno produite par la Fondation SMartBe pour sa collection <em>Portraits d'Artistes</em>. </span>]]></dcterms:description>
    <dcterms:creator><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=39&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Lennep%2C+Jacques">Lennep, Jacques</a>]]></dcterms:creator>
    <dcterms:publisher><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=45&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Editions+100Titres">Editions 100Titres</a>]]></dcterms:publisher>
    <dcterms:publisher><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=45&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Yellow+Now">Yellow Now</a>]]></dcterms:publisher>
    <dcterms:date><![CDATA[2010]]></dcterms:date>
    <dcterms:contributor><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=de+Wasseige%2C+Alain">de Wasseige, Alain</a>]]></dcterms:contributor>
    <dcterms:contributor><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Parmantier%2C+Marianne">Parmantier, Marianne</a>]]></dcterms:contributor>
    <dcterms:contributor><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Fagen%2C+Gail+Ann">Fagen, Gail Ann</a>]]></dcterms:contributor>
    <dcterms:contributor><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Bastin%2C+Christine">Bastin, Christine</a>]]></dcterms:contributor>
    <dcterms:contributor><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Carez%2C+Christian">Carez, Christian</a>]]></dcterms:contributor>
    <dcterms:contributor><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Evrard%2C+Jacques">Evrard, Jacques</a>]]></dcterms:contributor>
    <dcterms:contributor><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Marenne%2C+Karine">Marenne, Karine</a>]]></dcterms:contributor>
    <dcterms:contributor><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Schrobiltgen%2C+Luc">Schrobiltgen, Luc</a>]]></dcterms:contributor>
    <dcterms:contributor><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=van+Lennep%2C+Vincent">van Lennep, Vincent</a>]]></dcterms:contributor>
    <dcterms:format><![CDATA[22 x 24,5 cm]]></dcterms:format>
    <dcterms:language><![CDATA[fr]]></dcterms:language>
    <dcterms:language><![CDATA[eng]]></dcterms:language>
    <dcterms:type><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Ouvrage+imprim%C3%A9">Ouvrage imprimé</a>]]></dcterms:type>
    <dcterms:identifier><![CDATA[FECT-LEN-M-0 000 013]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://www.dailybul.be/archibul/items/show/1871">
    <dcterms:title><![CDATA[Flipchart]]></dcterms:title>
    <dcterms:description><![CDATA[<em>FlipchArts </em><span>présente un ensemble important d'oeuvres de Benoit Piret réalisées sur des feuilles de Flipchart récupérées en fin de séminaires d'entreprise.<br /><br />L'ouvrage s'articule autour des grands thématiques de la démarche de l'artiste : nature, détresses du monde, illustrations et portraits d'artistes. <br />Le livre se termine par les derniers travaux de Benoit Piret : "Tondos" : un ensemble de tableaux ronds reprenant la figure de personnalités vis-vis desquelles se positionne l'artiste : ceux qu'il apprécie et ceux qu'il honnit.</span>]]></dcterms:description>
    <dcterms:creator><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=39&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Piret%2C+Benoit">Piret, Benoit</a>]]></dcterms:creator>
    <dcterms:publisher><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=45&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Editions+100Titres">Editions 100Titres</a>]]></dcterms:publisher>
    <dcterms:publisher><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=45&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Yellow+Now">Yellow Now</a>]]></dcterms:publisher>
    <dcterms:date><![CDATA[2016]]></dcterms:date>
    <dcterms:contributor><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=de+Wasseige%2C+Alain">de Wasseige, Alain</a>]]></dcterms:contributor>
    <dcterms:contributor><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Desablin%2C+Ana%C3%ABl">Desablin, Anaël</a>]]></dcterms:contributor>
    <dcterms:contributor><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Lorent%2C+Claude">Lorent, Claude</a>]]></dcterms:contributor>
    <dcterms:contributor><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Dieleman%2C+Elisabeth">Dieleman, Elisabeth</a>]]></dcterms:contributor>
    <dcterms:contributor><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Scheerlinck%2C+Saskia">Scheerlinck, Saskia</a>]]></dcterms:contributor>
    <dcterms:contributor><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Verhoeven%2C+Judith">Verhoeven, Judith</a>]]></dcterms:contributor>
    <dcterms:contributor><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Fagen%2C+Gail+Ann">Fagen, Gail Ann</a>]]></dcterms:contributor>
    <dcterms:contributor><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Schrobiltgen%2C+Luc">Schrobiltgen, Luc</a>]]></dcterms:contributor>
    <dcterms:contributor><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Jungblut%2C+Guy">Jungblut, Guy</a>]]></dcterms:contributor>
    <dcterms:format><![CDATA[22 x 24,5 cm]]></dcterms:format>
    <dcterms:medium><![CDATA[88 p.]]></dcterms:medium>
    <dcterms:language><![CDATA[fr]]></dcterms:language>
    <dcterms:language><![CDATA[eng]]></dcterms:language>
    <dcterms:type><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Ouvrage+imprim%C3%A9">Ouvrage imprimé</a>]]></dcterms:type>
    <dcterms:identifier><![CDATA[FECT-PIR-F-0 000 014]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://www.dailybul.be/archibul/items/show/1872">
    <dcterms:title><![CDATA[Do you love me ?]]></dcterms:title>
    <dcterms:alternative><![CDATA[Do you really love me ?]]></dcterms:alternative>
    <dcterms:alternative><![CDATA[An entertainment in Conversation and Verse]]></dcterms:alternative>
    <dcterms:abstract><![CDATA[KIRKUS REVIEW<br />
That most modern sensibility, R. D. Laing, returns with poems that show a continuing attentiveness to the everyday exchanges (some would say epiphanies) of existence. As in Knots (1970) there are dialogues that conjure up the repeated themes of therapy sessions--family tangles, lovers&#039; snarls--but there are also shorter. more conventional forms, even some with quizzical rhyme. Sometimes the language is playful (&quot;&quot;I was discontented/ with girls that were rented/so I had invented/ my own&quot;&quot;) or echoes sunnier times (&quot;&quot;Daisy, Daisy/ what are we going to do?/ I&#039;m half crazy/I&#039;m in love and in hate with you&quot;&quot;). And there are the expectable sexual allusions (&quot;&quot;Mummy&#039;ll scream/if you have a wet dream&quot;&quot; or &quot;&quot;I liked to eat mice/ that was when/ I was ten/now it&#039;s men/they&#039;re not as nice&quot;&quot;). Frequently they seem poised on the edge of some great profundity, some measure of insight but, given the orientation, they stop short of pronouncements. Laing&#039;s earlier work has been defended by admirers, disputed by critics; this treads the same symbolic ground, presumably for the same devoted supporters.]]></dcterms:abstract>
    <dcterms:creator><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=39&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Laing%2C+Ronald+David">Laing, Ronald David</a>]]></dcterms:creator>
    <dcterms:publisher><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=45&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Penguin+Books">Penguin Books</a>]]></dcterms:publisher>
    <dcterms:date><![CDATA[1976]]></dcterms:date>
    <dcterms:format><![CDATA[12 X 18 cm]]></dcterms:format>
    <dcterms:medium><![CDATA[63 p.]]></dcterms:medium>
    <dcterms:language><![CDATA[en]]></dcterms:language>
    <dcterms:type><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Ouvrage+imprim%C3%A9">Ouvrage imprimé</a>]]></dcterms:type>
    <dcterms:identifier><![CDATA[FPPB-LAI-L-0 001 758]]></dcterms:identifier>
    <dcterms:provenance><![CDATA[Fonds Pierre Puttemans]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="https://www.dailybul.be/archibul/items/show/1873">
    <dcterms:title><![CDATA[Knots]]></dcterms:title>
    <dcterms:abstract><![CDATA[Knots was published in 1970 and its title was inspired by a sutra dubbed &#039;Knots,&#039; that Laing came across while perusing Sufi literature. Laing had already been jotting down his observations and insights into relational &#039;knots&#039; for years and kept them in a folder. The image &#039;knots&#039; appealed to Laing&#039;s phenomenological sensibility, and that proclivity for taking something common, teasing out certain qualities, thus bringing forth a new way of relating and understanding the phenomenon in question. He notes that knots are &quot;strangely familiar&quot; and tend to be associated with &quot;tangles, fankles, impasses, disjunctions, whirligogs, binds.&quot; The dynamic twists, turns, and convolutions inherent in relationships are played out in the dialogue-scenarios of the characters Jack and Jill.<br />
<br />
This book continues and deepens Laing&#039;s research into how the other defines one&#039;s personality. Knots was not written in a more formal academic style, but is more poetic and playful. The publishing companies in England as well as the USA did not know whether to classify it as poetry, philosophy, or psychology.<br />
<br />
Unlike some of his other writing, Knots appealed to a wide audience and won immediate acceptance with the American audience. Within the first few weeks of its release in America, it sold 75,000 copies. Laing was pleased that this book appealed to people in the mental health community, as much as it did to the average intelligent reader. Knots later became a play, radio show, and a film.<br />
<br />
Writing this book was a gamble for Laing and he knew that it would either be very positively received or not a success at all. At the time, he felt that he had done enough research into schizophrenia and families, and Knots allowed him more creative expression and a bridge out of psychiatry. In R.D. Laing: A Biography, Laing&#039;s son, Adrian, notes that Laing spent more time on Knots than any other book, noting that his father had painstakingly worked through eight handwritten drafts.]]></dcterms:abstract>
    <dcterms:creator><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=39&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Laing%2C+Ronald+David">Laing, Ronald David</a>]]></dcterms:creator>
    <dcterms:publisher><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=45&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Penguin+Books">Penguin Books</a>]]></dcterms:publisher>
    <dcterms:date><![CDATA[1971]]></dcterms:date>
    <dcterms:format><![CDATA[12 X 18 cm]]></dcterms:format>
    <dcterms:medium><![CDATA[90 p.]]></dcterms:medium>
    <dcterms:language><![CDATA[en]]></dcterms:language>
    <dcterms:type><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Ouvrage+imprim%C3%A9">Ouvrage imprimé</a>]]></dcterms:type>
    <dcterms:identifier><![CDATA[FBBP-LAI-K-0 001 759]]></dcterms:identifier>
    <dcterms:provenance><![CDATA[Fonds Pierre Puttemans]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="https://www.dailybul.be/archibul/items/show/1874">
    <dcterms:title><![CDATA[Emile Lanc]]></dcterms:title>
    <dcterms:description><![CDATA[Gravures de Emile Lanc<br />
Photos de Nicole Geoffroy]]></dcterms:description>
    <dcterms:creator><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=39&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Mertens%2C+Pierre">Mertens, Pierre</a>]]></dcterms:creator>
    <dcterms:creator><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=39&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Van+Oudenhove%2C+Madeleine">Van Oudenhove, Madeleine</a>]]></dcterms:creator>
    <dcterms:creator><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=39&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Dorsel%2C+Monique">Dorsel, Monique</a>]]></dcterms:creator>
    <dcterms:publisher><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=45&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=les+%C3%A9ditions+de+l%27ambedui">les éditions de l&#039;ambedui</a>]]></dcterms:publisher>
    <dcterms:date><![CDATA[1977]]></dcterms:date>
    <dcterms:contributor><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Geoffroy%2C+Nicole">Geoffroy, Nicole</a>]]></dcterms:contributor>
    <dcterms:format><![CDATA[22 X 21 cm]]></dcterms:format>
    <dcterms:medium><![CDATA[48 p.]]></dcterms:medium>
    <dcterms:language><![CDATA[fr]]></dcterms:language>
    <dcterms:type><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Ouvrage+imprim%C3%A9">Ouvrage imprimé</a>]]></dcterms:type>
    <dcterms:identifier><![CDATA[FPPB-MER-E-0 001 760]]></dcterms:identifier>
    <dcterms:provenance><![CDATA[Fonds Pierre Puttemans]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="https://www.dailybul.be/archibul/items/show/1875">
    <dcterms:title><![CDATA[Poésies complètes]]></dcterms:title>
    <dcterms:description><![CDATA[Edition établie et présentée par Philippe Dewolf<br />
Postface de Colette Lambrichs<br />
Deux dessins de René Magritte]]></dcterms:description>
    <dcterms:abstract><![CDATA[Pour Marcel Lecomte (1900-1966), la poésie est l&#039;art le plus riche, le plus difficile et le plus périlleux qui soit : une alchimie qui permet au poète d&#039;établir son miroir magique. Lecomte est un contemplatif ; il cherche le réel sous les apparences de la réalité, et fait du poème « un réel hors du réel ». S&#039;il prend part au premier groupe surréaliste apparu en Belgique – avec Camille Goemans et Paul Nougé –, il est aussi le premier à s&#039;en éloigner. Cette aventure collective aura donné des individualités, celle de Lecomte étant à deviner dans Le Spectateur effacé et Le Voyageur immobile. Proche de Franz Kafka, de Jean Paulhan, Lecomte est aussi l&#039;ami de René Magritte dont il a – aux dires mêmes de celui-ci – orienté la peinture. Du reste, il règne dans de nombreux poèmes de Lecomte le même climat de mystère que celui qui définit les oeuvres de Magritte et de Giorgio de Chirico.<br />
]]></dcterms:abstract>
    <dcterms:creator><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=39&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Lecomte%2C+Marcel">Lecomte, Marcel</a>]]></dcterms:creator>
    <dcterms:publisher><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=45&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Editions+de+la+Diff%C3%A9rence">Editions de la Différence</a>]]></dcterms:publisher>
    <dcterms:date><![CDATA[2009]]></dcterms:date>
    <dcterms:contributor><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Dewolf%2C+Philippe">Dewolf, Philippe</a>]]></dcterms:contributor>
    <dcterms:contributor><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Lambrichs%2C+Colette">Lambrichs, Colette</a>]]></dcterms:contributor>
    <dcterms:contributor><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Magritte%2C+Ren%C3%A9">Magritte, René</a>]]></dcterms:contributor>
    <dcterms:format><![CDATA[13 X 20 cm]]></dcterms:format>
    <dcterms:medium><![CDATA[253 p.]]></dcterms:medium>
    <dcterms:language><![CDATA[fr]]></dcterms:language>
    <dcterms:type><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Ouvrage+imprim%C3%A9">Ouvrage imprimé</a>]]></dcterms:type>
    <dcterms:identifier><![CDATA[FPPB-LEC-P-0 001 761]]></dcterms:identifier>
    <dcterms:provenance><![CDATA[Fonds Pierre Puttemans]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="https://www.dailybul.be/archibul/items/show/1876">
    <dcterms:title><![CDATA[Les minutes insolites]]></dcterms:title>
    <dcterms:description><![CDATA[Illustrations de Elisabeth Ivanovsky]]></dcterms:description>
    <dcterms:abstract><![CDATA[Bruxelles, A l’Enseigne du Paradis Perdu(1936) ; in-4, broché, couverture grise ornée en rouge et noir. 53 pp., 1 f.<br /><br />ÉDITION ORIGINALE très rare, qui ne fut tirée qu’à 250 exemplaires. Elle est ornée de 3 bois gravés hors-texte par Elisabeth Ivanovsky, peintre russe, née à Kitchineff en 1910. <br /><br />Elle vécut en Belgique, mariée au poète René Meurant. Elle fut élève à l’Académie de Kitchineff et aux Beaux-Arts de la Cambre.<br /><br />Recueils de proses poétiques du grand poète belge Marcel Lecomte (1900-1966) dont Paulhan disait : “avec lui, c’est comme si la vie courante avait cessé de courir”.<br /> Dans les années 20 C. Pansaero lui aviat fait connaître Dada, puis Magritte et ayant formé le groupe Correspondance en 1924, il en fut exclu l’année suivante.<br /><br />Lecomte vécut à l’écart à Bruxelles, comme disait P. Seghers “mystérieusement lent, massif, évoluant avec une sorte de componction dans une chambre envahie de livres (...) Sa poésie chargée de secret et de présence était celle d’un contemplatif.” <br /><br />Pour Fauchereau, Lecomte évoque souvent Chirico, Kafka et Hoffmannstahl.<br /><br />Le poète Norge, quand il vivait encore à Bruxelles était un ami très proche de Marcel Lecomte. Sa femme, le peintre Denise Périer, avait réalisé un portrait à l’huile de Marcel Lecomte.‎]]></dcterms:abstract>
    <dcterms:creator><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=39&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Lecomte%2C+Marcel">Lecomte, Marcel</a>]]></dcterms:creator>
    <dcterms:publisher><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=45&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=l%27enseigne+du+Paradis-Perdu">l&#039;enseigne du Paradis-Perdu</a>]]></dcterms:publisher>
    <dcterms:date><![CDATA[1936]]></dcterms:date>
    <dcterms:contributor><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Ivanovsky%2C+Elisabeth">Ivanovsky, Elisabeth</a>]]></dcterms:contributor>
    <dcterms:format><![CDATA[21 X 25 cm]]></dcterms:format>
    <dcterms:medium><![CDATA[53 p.]]></dcterms:medium>
    <dcterms:language><![CDATA[fr]]></dcterms:language>
    <dcterms:type><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Ouvrage+imprim%C3%A9">Ouvrage imprimé</a>]]></dcterms:type>
    <dcterms:identifier><![CDATA[FPPB-LEC-M-0 000 596]]></dcterms:identifier>
    <dcterms:provenance><![CDATA[Fonds Pierre Puttemans]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="https://www.dailybul.be/archibul/items/show/1877">
    <dcterms:title><![CDATA[Marcel Lecomte]]></dcterms:title>
    <dcterms:description><![CDATA[Une étude de Marie-Thérèse Bodart avec un choix de poèmes, 24 illustrations, une chronologie bibliographique : &quot;Marcel Lecomte et son temps&quot;]]></dcterms:description>
    <dcterms:creator><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=39&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Bodart%2C+Marie-Th%C3%A9r%C3%A8se">Bodart, Marie-Thérèse</a>]]></dcterms:creator>
    <dcterms:publisher><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=45&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Editions+Seghers">Editions Seghers</a>]]></dcterms:publisher>
    <dcterms:date><![CDATA[1970]]></dcterms:date>
    <dcterms:format><![CDATA[14 X 16 cm]]></dcterms:format>
    <dcterms:medium><![CDATA[191 p.]]></dcterms:medium>
    <dcterms:language><![CDATA[fr]]></dcterms:language>
    <dcterms:type><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Ouvrage+imprim%C3%A9">Ouvrage imprimé</a>]]></dcterms:type>
    <dcterms:identifier><![CDATA[FPPB-BOD-M-0 001 762]]></dcterms:identifier>
    <dcterms:provenance><![CDATA[Fonds Pierre Puttemans]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="https://www.dailybul.be/archibul/items/show/1878">
    <dcterms:title><![CDATA[Architecture Nuit]]></dcterms:title>
    <dcterms:description><![CDATA[Avant-propos de Frans De Haes<br />
Dédicace de l&#039;auteur à Pierre Puttemans]]></dcterms:description>
    <dcterms:abstract><![CDATA[Cantiques pour le temps présent<br />
<br />
Comment écrira-t-il ? Comment, cette fois, nous surprendra-t-il ? A lire les livres successifs de Werner Lambersy, l&#039;éblouissement ne peut que se répéter : dans chacun de ses grands recueils, le poète paraît se soumettre à un défi rhétorique nouveau, paraît s&#039;imposer, pièce par pièce, bribe par bribe, la construction d&#039;un édifice poétique sans faille, d&#039;une rare cohérence — d&#039;un vaste théâtre où placer les accents de son drame. Déjà dans Maîtres et maisons de thé nous fai­sait-il partager une parole savante, éminem­ment concertée. A travers le plus commun et le plus élaboré des rites — la cérémonie du thé — , le sujet franchit une à une les portes de l&#039;existence. Découvrant le regard de l&#039;autre et la peau de l&#039;autre, il appré­hende le rôle qui, finalement, sera sien : du rituel, écrire la geste, avec ses codes et ses délits, ses acteurs et son aède, ses déchire­ments d&#039;amour et de mort.]]></dcterms:abstract>
    <dcterms:creator><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=39&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Lambersy%2C+Werner">Lambersy, Werner</a>]]></dcterms:creator>
    <dcterms:publisher><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=45&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Editions+PHI">Editions PHI</a>]]></dcterms:publisher>
    <dcterms:publisher><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=45&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Editions+du+Noroit">Editions du Noroit</a>]]></dcterms:publisher>
    <dcterms:publisher><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=45&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Editions+les+%C3%A9peronniers">Editions les éperonniers</a>]]></dcterms:publisher>
    <dcterms:date><![CDATA[1992]]></dcterms:date>
    <dcterms:contributor><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=De+Haes%2C+Frans">De Haes, Frans</a>]]></dcterms:contributor>
    <dcterms:format><![CDATA[13 X 21 cm]]></dcterms:format>
    <dcterms:medium><![CDATA[116 p.]]></dcterms:medium>
    <dcterms:language><![CDATA[fr]]></dcterms:language>
    <dcterms:type><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Ouvrage+imprim%C3%A9">Ouvrage imprimé</a>]]></dcterms:type>
    <dcterms:identifier><![CDATA[FPPB-LAM-A-0 001 763]]></dcterms:identifier>
    <dcterms:provenance><![CDATA[Fonds Pierre Puttemans]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="https://www.dailybul.be/archibul/items/show/1879">
    <dcterms:title><![CDATA[Nice - Encre de Yannick Bruynoghe]]></dcterms:title>
    <dcterms:creator><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=39&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Bruynoghe%2C+Yannick">Bruynoghe, Yannick</a>]]></dcterms:creator>
    <dcterms:date><![CDATA[1973]]></dcterms:date>
    <dcterms:format><![CDATA[42 x 30 cm]]></dcterms:format>
    <dcterms:medium><![CDATA[Encre]]></dcterms:medium>
    <dcterms:type><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Peinture">Peinture</a>]]></dcterms:type>
    <dcterms:identifier><![CDATA[FLRA-GT-0 000 035]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://www.dailybul.be/archibul/items/show/1880">
    <dcterms:title><![CDATA[Soleil bas]]></dcterms:title>
    <dcterms:title><![CDATA[poèmes, de contes et récits 1919-1968]]></dcterms:title>
    <dcterms:description><![CDATA[Préface de Michel Leiris]]></dcterms:description>
    <dcterms:abstract><![CDATA[Si Les Vanilliers ont pris indiscutablement rang parmi les chefs-d&#039;œuvre du roman de l&#039;avant-guerre, il s&#039;en faut de beaucoup que l&#039;œuvre de Georges Limbour soit sortie de ce silence dont il fut l&#039;unique conspirateur. Poète, mais avant tout homme libre, il a toujours manifesté une souveraine indifférence pour ses écrits dont nombre ont été égarés ou détruits. Les textes rassemblés ici pour la première fois constituent tout ce qui a pu être sauvé de son œuvre poétique.]]></dcterms:abstract>
    <dcterms:creator><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=39&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Limbour%2C+Georges">Limbour, Georges</a>]]></dcterms:creator>
    <dcterms:publisher><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=45&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Gallimard">Gallimard</a>]]></dcterms:publisher>
    <dcterms:date><![CDATA[1972]]></dcterms:date>
    <dcterms:contributor><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Leiris%2C+Michel">Leiris, Michel</a>]]></dcterms:contributor>
    <dcterms:format><![CDATA[11 X 18 cm]]></dcterms:format>
    <dcterms:medium><![CDATA[192 p.]]></dcterms:medium>
    <dcterms:language><![CDATA[fr]]></dcterms:language>
    <dcterms:type><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Ouvrage+imprim%C3%A9">Ouvrage imprimé</a>]]></dcterms:type>
    <dcterms:identifier><![CDATA[FPPB-LIM-S-0 001 764]]></dcterms:identifier>
    <dcterms:provenance><![CDATA[Fonds Pierre Puttemans]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="https://www.dailybul.be/archibul/items/show/1881">
    <dcterms:title><![CDATA[Photographie de Yannick Bruynoghe]]></dcterms:title>
    <dcterms:description><![CDATA[Personnage au chapeau, assis devant un piano.]]></dcterms:description>
    <dcterms:date><![CDATA[1961]]></dcterms:date>
    <dcterms:contributor><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Bruynoghe%2C+Yannick">Bruynoghe, Yannick</a>]]></dcterms:contributor>
    <dcterms:medium><![CDATA[Noir et blanc]]></dcterms:medium>
    <dcterms:type><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Photographie">Photographie</a>]]></dcterms:type>
    <dcterms:identifier><![CDATA[FLRA-GT-0 000 036]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://www.dailybul.be/archibul/items/show/1882">
    <dcterms:title><![CDATA[Manig fait son entrée]]></dcterms:title>
    <dcterms:description><![CDATA[Traduction de l&#039;allemand de Julien Hervier]]></dcterms:description>
    <dcterms:creator><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=39&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Lettau%2C+Reinhardt">Lettau, Reinhardt</a>]]></dcterms:creator>
    <dcterms:publisher><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=45&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Union+G%C3%A9n%C3%A9rale+d%27Editions">Union Générale d&#039;Editions</a>]]></dcterms:publisher>
    <dcterms:date><![CDATA[1964]]></dcterms:date>
    <dcterms:contributor><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Hervier%2C+Julien">Hervier, Julien</a>]]></dcterms:contributor>
    <dcterms:format><![CDATA[11 X 18 cm]]></dcterms:format>
    <dcterms:medium><![CDATA[110 p.]]></dcterms:medium>
    <dcterms:language><![CDATA[fr]]></dcterms:language>
    <dcterms:type><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Ouvrage+imprim%C3%A9">Ouvrage imprimé</a>]]></dcterms:type>
    <dcterms:identifier><![CDATA[FPPB-LET-M-0 001 765]]></dcterms:identifier>
    <dcterms:provenance><![CDATA[Fonds Pierre Puttemans]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="https://www.dailybul.be/archibul/items/show/1883">
    <dcterms:title><![CDATA[Le poète aux prises avec la guerre]]></dcterms:title>
    <dcterms:description><![CDATA[Ouvrage non repris dans la bibliographie de l&#039;auteur]]></dcterms:description>
    <dcterms:creator><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=39&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Linze%2C+Georges">Linze, Georges</a>]]></dcterms:creator>
    <dcterms:publisher><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=45&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Editions+Anthologie">Editions Anthologie</a>]]></dcterms:publisher>
    <dcterms:date><![CDATA[non-indiquée]]></dcterms:date>
    <dcterms:format><![CDATA[14 X 19 cm]]></dcterms:format>
    <dcterms:medium><![CDATA[62 p.]]></dcterms:medium>
    <dcterms:language><![CDATA[fr]]></dcterms:language>
    <dcterms:type><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Ouvrage+imprim%C3%A9">Ouvrage imprimé</a>]]></dcterms:type>
    <dcterms:identifier><![CDATA[FPPB-LIN-P-0 001 766]]></dcterms:identifier>
    <dcterms:provenance><![CDATA[Fonds Pierre Puttemans]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="https://www.dailybul.be/archibul/items/show/1884">
    <dcterms:title><![CDATA[Miroir de la Tauromachie]]></dcterms:title>
    <dcterms:description><![CDATA[3 dessins de André Masson]]></dcterms:description>
    <dcterms:abstract><![CDATA[Il faut envisager comment le thème tauromachique apparaît dans l&#039;oeuvre de Michel Leiris, et de quelle manière il y fonctionne en tant que reflet des conceptions leirisiennes relatives à la littérature, à l&#039;écriture et à la figure de l&#039;écrivain, dans le temps même où il rappelle toute la thématique personnelle de l&#039;écrivain et, en particulier, celle de la déchirure et du combat entre le Moi et l&#039;Autre]]></dcterms:abstract>
    <dcterms:creator><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=39&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Leiris%2C+Michel">Leiris, Michel</a>]]></dcterms:creator>
    <dcterms:publisher><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=45&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=G.L.M.">G.L.M.</a>]]></dcterms:publisher>
    <dcterms:date><![CDATA[1938]]></dcterms:date>
    <dcterms:contributor><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Masson%2C+Andr%C3%A9">Masson, André</a>]]></dcterms:contributor>
    <dcterms:format><![CDATA[13 X 17 cm]]></dcterms:format>
    <dcterms:medium><![CDATA[57 p.]]></dcterms:medium>
    <dcterms:language><![CDATA[fr]]></dcterms:language>
    <dcterms:type><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Ouvrage+imprim%C3%A9">Ouvrage imprimé</a>]]></dcterms:type>
    <dcterms:identifier><![CDATA[FBBP-LEI-M-0 001 767]]></dcterms:identifier>
    <dcterms:provenance><![CDATA[Fonds Pierre Puttemans]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="https://www.dailybul.be/archibul/items/show/1885">
    <dcterms:title><![CDATA[Pour les morts de l&#039;union]]></dcterms:title>
    <dcterms:description><![CDATA[Livre bilingue EN-FR<br />
Poèmes traduits par Pierre Alien]]></dcterms:description>
    <dcterms:abstract><![CDATA[Le poète américain Robert Lowell est né le 1er mars 1917 à Boston d’un père officier de marine et d’une mère originaire d’une vieille famille de Nouvelle Angleterre. Il fait ses études d’abord à Harvard mais il rencontre le poète Allen Tate en 1937 et au lieu de retourner à Harvard,  il poursuit ses études au Kenyon College dans l’Ohio pour étudier avec le critique John Crowe Ransom, mentor de A.Tate. En 1940, il épouse sa première femme, la romancière et nouvelliste Jean Stafford et se convertit au catholicisme. En 1943, il devient objecteur de conscience à la suite des bombardements par les Alliés des villes allemandes et il fera une partie de son service dans les prisons. Il finit et publie à ce moment-là son premier livre, Land of Unlikeness. A partir de là sa réputation va grandir. Il divorce en 1949 et se marie avec Elizabeth Hardwick, une jeune écrivain originaire du Kentucky. Ils passent une partie de leur temps en Europe, notamment en Italie mais c’est aussi à ce moment-là que se manifestent de nombreux épisodes de la maladie bi-polaire (maniaco-dépressive) dont il a souffert toute sa vie. Sa réputation qui avait faibli un moment se trouve de nouveau bien établie après la publication de son livre Life Studies, livre paru en même temps que Heart’s Needle de W.D. Snodgrass, ces deux livres étant considérés comme fondateur du mouvement dit « confessionnel ». Dans les années 60, Robert Lowell s’implique beaucoup en politique et devient ami des Kennedy et de Eugene McCarthy. En 1965 il refuse une invitation de Lyndon Johnson à la Maison Blanche à titre de protestation contre la guerre du Vietnam. En 1969, il publie Notebook, 1967-68, un journal en vers. Après un second divorce, il épouse Caroline Blackwood en 1972 et il vivra plusieurs années avec elle en Angleterre<br />
Il obtient deux fois le Prix Pulitzer de poésie, en 1947 et en 1974 ainsi que le National Book Award de poésie, en 1960. Il meurt le 12 septembre 1977, d’une crise cardiaque, dans un taxi, à New York.]]></dcterms:abstract>
    <dcterms:creator><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=39&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Lowell%2C+Robert">Lowell, Robert</a>]]></dcterms:creator>
    <dcterms:publisher><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=45&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Christian+Bourgois+%C3%A9diteur">Christian Bourgois éditeur</a>]]></dcterms:publisher>
    <dcterms:date><![CDATA[1970]]></dcterms:date>
    <dcterms:contributor><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Alien%2C+Pierre">Alien, Pierre</a>]]></dcterms:contributor>
    <dcterms:format><![CDATA[12 X 20 cm]]></dcterms:format>
    <dcterms:medium><![CDATA[151 p.]]></dcterms:medium>
    <dcterms:language><![CDATA[en]]></dcterms:language>
    <dcterms:language><![CDATA[fr]]></dcterms:language>
    <dcterms:type><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Ouvrage+imprim%C3%A9">Ouvrage imprimé</a>]]></dcterms:type>
    <dcterms:identifier><![CDATA[FPPB-LOW-M-0 001 768]]></dcterms:identifier>
    <dcterms:provenance><![CDATA[Fonds Pierre Puttemans]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="https://www.dailybul.be/archibul/items/show/1886">
    <dcterms:title><![CDATA[Affiche de l'exposition <em>Photographies</em> de Serge Vandercam, textes de Marcel et Gabriel Piqueray du 29 janvier au 13 mars 1988 au Botanique (Bruxelles)]]></dcterms:title>
    <dcterms:description><![CDATA[Affiche de l'exposition <em>Photographies</em> de Serge Vandercam textes de Marcel et Gabriel Piqueray, du 29 janvier au 13 mars 1988, au Botanique.<br /><br />L'affiche est intitulée<em> Cinquantenaire Park : 1925 - 1940</em> en faisant références à la publication des éditions Le Daily-Bul.]]></dcterms:description>
    <dcterms:creator><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=39&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Vandercam%2C+Serge">Vandercam, Serge</a>]]></dcterms:creator>
    <dcterms:date><![CDATA[1988-01-29]]></dcterms:date>
    <dcterms:date><![CDATA[1988-03-13]]></dcterms:date>
    <dcterms:contributor><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Piqueray%2C+Marcel">Piqueray, Marcel</a>]]></dcterms:contributor>
    <dcterms:contributor><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Piqueray%2C+Gabriel">Piqueray, Gabriel</a>]]></dcterms:contributor>
    <dcterms:format><![CDATA[40 x 60 cm]]></dcterms:format>
    <dcterms:language><![CDATA[fr]]></dcterms:language>
    <dcterms:type><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Affiche">Affiche</a>]]></dcterms:type>
    <dcterms:identifier><![CDATA[FLRA-GT-0 000 039]]></dcterms:identifier>
    <dcterms:identifier><![CDATA[FLRA-GT-0 000 040]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://www.dailybul.be/archibul/items/show/1887">
    <dcterms:title><![CDATA[Affiche de promotion pour la publication <em>Apologie du Jazz</em> éditée par Les presse de Belgique]]></dcterms:title>
    <dcterms:creator><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=39&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Bernhard%2C+Edmond">Bernhard, Edmond</a>]]></dcterms:creator>
    <dcterms:creator><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=39&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=de+Vergnies%2C+Jacques">de Vergnies, Jacques</a>]]></dcterms:creator>
    <dcterms:publisher><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=45&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Les+presses+de+Belgique">Les presses de Belgique</a>]]></dcterms:publisher>
    <dcterms:contributor><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Ouwerx%2C+John">Ouwerx, John</a>]]></dcterms:contributor>
</rdf:Description><rdf:Description rdf:about="https://www.dailybul.be/archibul/items/show/1888">
    <dcterms:title><![CDATA[Photographie de Christian Dotremont par Caroline Ghyselen<br /><em><br /><br /></em>]]></dcterms:title>
    <dcterms:alternative><![CDATA[Serpent de neige sifflant au soleil]]></dcterms:alternative>
    <dcterms:creator><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=39&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Ghyselen%2C+Caroline">Ghyselen, Caroline</a>]]></dcterms:creator>
    <dcterms:date><![CDATA[1976-05]]></dcterms:date>
    <dcterms:contributor><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Dotremont%2C+Christian">Dotremont, Christian</a>]]></dcterms:contributor>
    <dcterms:format><![CDATA[40 x 30 cm]]></dcterms:format>
    <dcterms:language><![CDATA[fr]]></dcterms:language>
    <dcterms:type><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Photographie">Photographie</a>]]></dcterms:type>
    <dcterms:identifier><![CDATA[FLRA-GT-0 000 038]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://www.dailybul.be/archibul/items/show/1889">
    <dcterms:title><![CDATA[Affiche de l'exposition<em> Yannick Bruynoghe photos</em>, du 08-03 au 28-04-1985, au Musée d'Ixelles]]></dcterms:title>
    <dcterms:date><![CDATA[1985-03-08]]></dcterms:date>
    <dcterms:date><![CDATA[1985-04-28]]></dcterms:date>
    <dcterms:contributor><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Bruynoghe%2C+Yannick">Bruynoghe, Yannick</a>]]></dcterms:contributor>
    <dcterms:format><![CDATA[30 x 60 cm]]></dcterms:format>
    <dcterms:language><![CDATA[fr]]></dcterms:language>
    <dcterms:language><![CDATA[nl]]></dcterms:language>
    <dcterms:type><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Affiche+">Affiche </a>]]></dcterms:type>
    <dcterms:identifier><![CDATA[FLRA-GT-0 000 037]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://www.dailybul.be/archibul/items/show/1890">
    <dcterms:title><![CDATA[Affiche pour un concert organisé au Centre Culturel d&#039;Uccle Les vedettes de Comblain-La-Tour, 14-10-1963?]]></dcterms:title>
    <dcterms:date><![CDATA[1963-10-14]]></dcterms:date>
    <dcterms:contributor><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Fud+Candrix+">Fud Candrix </a>]]></dcterms:contributor>
    <dcterms:contributor><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Sadi">Sadi</a>]]></dcterms:contributor>
    <dcterms:contributor><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Naret%2C+Bobby">Naret, Bobby</a>]]></dcterms:contributor>
    <dcterms:contributor><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Ouwerx%2C+John">Ouwerx, John</a>]]></dcterms:contributor>
    <dcterms:contributor><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Dubois%2C+Paul">Dubois, Paul</a>]]></dcterms:contributor>
    <dcterms:contributor><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Aerts%2C+Josse">Aerts, Josse</a>]]></dcterms:contributor>
    <dcterms:contributor><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Van+Landen%2C+Jean">Van Landen, Jean</a>]]></dcterms:contributor>
    <dcterms:contributor><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Van+Averbeecke%2C+Roger">Van Averbeecke, Roger</a>]]></dcterms:contributor>
    <dcterms:contributor><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Fanis%2C+Jean">Fanis, Jean</a>]]></dcterms:contributor>
    <dcterms:contributor><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Mardens%2C+Vivi">Mardens, Vivi</a>]]></dcterms:contributor>
    <dcterms:contributor><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=de+Radzitzky%2C+Carlos">de Radzitzky, Carlos</a>]]></dcterms:contributor>
    <dcterms:format><![CDATA[35 x 55 cm]]></dcterms:format>
    <dcterms:language><![CDATA[fr]]></dcterms:language>
    <dcterms:type><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Affiche">Affiche</a>]]></dcterms:type>
    <dcterms:identifier><![CDATA[FLRA-GT-0 000 042]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://www.dailybul.be/archibul/items/show/1891">
    <dcterms:title><![CDATA[Sébastien Fayard fait des trucs]]></dcterms:title>
    <dcterms:description><![CDATA[Acteur et performeur de (dé)formation, Sébastien Fayard livre ici une série en cours, inédite, de clichés qui détournent, c’est le cas de le dire, des clichés. Le procédé est simple mais inusable : prendre les choses au pied de leur lettre, exploiter les ambiguïtés et les doubles sens des phrases toutes faites, des métaphores éculées, des formules journalistiques, des poncifs en vogue. <br /><br />Faisant ses trucs, il en défait pas mal d’autres – des attentes, des snobismes, des poses et des postures, des idées reçues, des présupposés logiques. Pour bien comprendre il faut se méprendre, et accepter surtout un paradoxal et étroit entrelacs entre stupidité et lucidité. (Emmanuel d'Autreppe)]]></dcterms:description>
    <dcterms:creator><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=39&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Fayard%2C+S%C3%A9bastien">Fayard, Sébastien</a>]]></dcterms:creator>
    <dcterms:publisher><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=45&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Editions+100Titres">Editions 100Titres</a>]]></dcterms:publisher>
    <dcterms:publisher><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=45&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Yellow+Now">Yellow Now</a>]]></dcterms:publisher>
    <dcterms:date><![CDATA[2016]]></dcterms:date>
    <dcterms:contributor><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=de+Wasseige%2C+Alain">de Wasseige, Alain</a>]]></dcterms:contributor>
    <dcterms:contributor><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=d%27Autreppe%2C+Emmanuel">d&#039;Autreppe, Emmanuel</a>]]></dcterms:contributor>
    <dcterms:format><![CDATA[16,5 x 23,5 cm]]></dcterms:format>
    <dcterms:language><![CDATA[fr]]></dcterms:language>
    <dcterms:type><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Ouvrage+imprim%C3%A9">Ouvrage imprimé</a>]]></dcterms:type>
    <dcterms:identifier><![CDATA[FECT-FAY-S-0 000 015]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://www.dailybul.be/archibul/items/show/1892">
    <dcterms:title><![CDATA[Monsieur Queste]]></dcterms:title>
    <dcterms:description><![CDATA[<p>J’ai rencontré ce jeune illustrateur en tant que visiteur de la galerie. Pendant toute une période il m’a aidé à tenir la galerie, à dresser l’inventaire des œuvres d’Ollivero. Il a aussi réalisé la prémaquette de la première édition du livre d’André Stas intitulé <em>Collages</em>.<br />(Alain de Wasseige)<br /><br /></p>
<p>Ce livre comporte 15 dessins rehaussés à la main et textes à propos d'un personnage assez conventionnel (Monsieur Queste), à la recherche de l'âme soeur, d'un coupable, de l'ivresse, de l'animal qui est en lui, d'un souvenir, etc.<br /><br />L'ouvrage a été édité à l'occasion de l'exposition <em>Humour Noir</em> à la Galerie 100Titres à Bruxelles en janvier et février 2007.</p>]]></dcterms:description>
    <dcterms:creator><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=39&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Renaud%2C+Alexis">Renaud, Alexis</a>]]></dcterms:creator>
    <dcterms:publisher><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=45&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Editions+100Titres">Editions 100Titres</a>]]></dcterms:publisher>
    <dcterms:date><![CDATA[2007]]></dcterms:date>
    <dcterms:format><![CDATA[A5]]></dcterms:format>
    <dcterms:language><![CDATA[fr]]></dcterms:language>
    <dcterms:type><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Ouvrage+imprim%C3%A9">Ouvrage imprimé</a>]]></dcterms:type>
    <dcterms:identifier><![CDATA[FECT-REN-M-0 000 016]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://www.dailybul.be/archibul/items/show/1893">
    <dcterms:title><![CDATA[Mandalas]]></dcterms:title>
    <dcterms:description><![CDATA[<span>André Stas a vu son monde bouleversé par les contraintes du quotidien. Il s'en est échappé grâce à la mise en chantier de ces pseudo-mandalas. Utilisant, comme à son habitude, la technique du collage, il s'est inspiré du monde de la publicité où la répétition est légion et a privilégié le jeu de formes, de rythmes et de matières autour d'un élément central : un trou du cul, une étoile, un ballon, le portrait de Pérec, celui de Kafka, une petite culotte, etc.</span>]]></dcterms:description>
    <dcterms:creator><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=39&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Stas%2C+Andr%C3%A9">Stas, André</a>]]></dcterms:creator>
    <dcterms:publisher><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=45&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Editions+100Titres">Editions 100Titres</a>]]></dcterms:publisher>
    <dcterms:date><![CDATA[2008]]></dcterms:date>
    <dcterms:format><![CDATA[22 x 24,5 cm]]></dcterms:format>
    <dcterms:language><![CDATA[fr]]></dcterms:language>
    <dcterms:type><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Ouvrage+imprim%C3%A9">Ouvrage imprimé</a>]]></dcterms:type>
    <dcterms:identifier><![CDATA[FECT-STA-M-0 000 017]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://www.dailybul.be/archibul/items/show/1894">
    <dcterms:title><![CDATA[Nus rhabillés]]></dcterms:title>
    <dcterms:description><![CDATA[<p>Un livre consacré au <em>Nus rhabillés</em> de Fanny Viollet. Depuis 1996, cette artiste française a acquis dans les musées des cartes postales des nus dans l'art. Moquant les fausses pudeurs autant que les positions réactionnaires, voire sectaires, l'artiste, qui est aussi historienne d'art, revisite l'art , ses codes, ses esthétiques et ses normes, en rhabillant les nus à l'aide d'une étonnante varité de points brodés et de fils ou et de fragments de tissus de couleurs. Une sélection de 120 des quelque 400 cartes postales réalisées par l'artiste.</p>
<p>L'ouvrage donne à voir un panorama de cet aspect de l'oeuvre de Fanny Viollet des chefs d'oeuvre de la Renaissance à l'art contemporain. Un livre précédé d'une introduction d'Anaëlle Prêtre et d'une synthèse, période par période, de la façon dont chaque grande époque a traité le nu dans l'art.  Un livre qui permet aussi de confronter reproductions originales et interprétations par l'artiste.<br /><br /><em>Nus rhabillés</em> a été édité à l'occasion de l'exposition <em>Confusion des genres</em> consacrée à l'oeuvre de Fanny Viollet à la Galerie 100Titres à Bruxelles en 2014.</p>]]></dcterms:description>
    <dcterms:creator><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=39&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Viollet%2C+Fanny">Viollet, Fanny</a>]]></dcterms:creator>
    <dcterms:publisher><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=45&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Editions+100Titres">Editions 100Titres</a>]]></dcterms:publisher>
    <dcterms:date><![CDATA[2014]]></dcterms:date>
    <dcterms:contributor><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=de+Wasseige%2C+Alain">de Wasseige, Alain</a>]]></dcterms:contributor>
    <dcterms:contributor><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Pr%C3%AAtre%2C+Ana%C3%ABlle">Prêtre, Anaëlle</a>]]></dcterms:contributor>
    <dcterms:format><![CDATA[18 x 18 cm]]></dcterms:format>
    <dcterms:language><![CDATA[fr]]></dcterms:language>
    <dcterms:type><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Ouvrage+imprim%C3%A9">Ouvrage imprimé</a>]]></dcterms:type>
    <dcterms:identifier><![CDATA[FECT-VIO-N-0 000 018]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://www.dailybul.be/archibul/items/show/1895">
    <dcterms:title><![CDATA[Soupçons de collusion avec le réel]]></dcterms:title>
    <dcterms:description><![CDATA[<span>"Au-delà du point de vue" pourrait être la définition du travail de Daniel Locus. Au travers de ses divers travaux, celui-ci recherche plus le sens de l'image, son rapport aux réalités qu'il ne montre. Particulièrement attentif aux digressions, Daniel Locus poursuit un travail de ré-écriture : ellipse, raccourci, en sont les outils. Que ce soit dans les séries "non lieu, table talk" , dans la série "around one-self" ou encore dans son dernier opus "histoires d'Histoire", le banal, l'insignifiant quotidien devient le centre du récit, les images périphériques lui donnent un sens, une dimension nouvelle. Rien à voir?</span><br /><br /><span>Edité à l'occasion de l'exposition </span><strong>mirror[']s horror</strong><span> à la Galerie 100Titres en 2012.</span>]]></dcterms:description>
    <dcterms:creator><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=39&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Locus%2C+Daniel">Locus, Daniel</a>]]></dcterms:creator>
    <dcterms:publisher><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=45&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Editions+100Titres">Editions 100Titres</a>]]></dcterms:publisher>
    <dcterms:date><![CDATA[2012]]></dcterms:date>
    <dcterms:contributor><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Turin%2C+Aldo+Guillaume">Turin, Aldo Guillaume</a>]]></dcterms:contributor>
    <dcterms:format><![CDATA[10 x 15 cm]]></dcterms:format>
    <dcterms:language><![CDATA[fr]]></dcterms:language>
    <dcterms:type><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Ouvrage+imprim%C3%A9">Ouvrage imprimé</a>]]></dcterms:type>
    <dcterms:identifier><![CDATA[FECT-LOC-S-0 000 019]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://www.dailybul.be/archibul/items/show/1896">
    <dcterms:title><![CDATA[Dessins]]></dcterms:title>
    <dcterms:description><![CDATA[<span>L'ouvrage reprend l'ensemble des oeuvres présentées à la Galerie 100 Titres en 2012 : grands </span><em>Portraits</em><span> à la mine de plomb inspirés de documents photographiques et </span><em>Déprogramations</em><span>, où il n'a ya plus de réalité apparente. <br /><br />Il s'agit, dans dernière cette série d'oeuvres, d'une plongée libre, sans idée a priori, qui associe dessins et fragments de textes.</span>]]></dcterms:description>
    <dcterms:creator><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=39&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Hucleux%2C+Jean-Olivier">Hucleux, Jean-Olivier</a>]]></dcterms:creator>
    <dcterms:publisher><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=45&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Jean-Olivier+Hucleux">Jean-Olivier Hucleux</a>]]></dcterms:publisher>
    <dcterms:date><![CDATA[2010]]></dcterms:date>
    <dcterms:contributor><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Bethenod%2C+Simon">Bethenod, Simon</a>]]></dcterms:contributor>
    <dcterms:contributor><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=de+Wasseige%2C+Alain">de Wasseige, Alain</a>]]></dcterms:contributor>
    <dcterms:format><![CDATA[25 x 19 cm]]></dcterms:format>
    <dcterms:language><![CDATA[fr]]></dcterms:language>
    <dcterms:type><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Ouvrage+imprim%C3%A9">Ouvrage imprimé</a>]]></dcterms:type>
    <dcterms:identifier><![CDATA[FECT-HUC-D-0 000 020]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://www.dailybul.be/archibul/items/show/1897">
    <dcterms:title><![CDATA[Pourquoi je peins]]></dcterms:title>
    <dcterms:creator><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=39&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Hissard%2C+Jean-Ren%C3%A9">Hissard, Jean-René</a>]]></dcterms:creator>
    <dcterms:publisher><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=45&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Les+%C3%A9ditions+du+Zarpataedo">Les éditions du Zarpataedo</a>]]></dcterms:publisher>
    <dcterms:date><![CDATA[2012]]></dcterms:date>
    <dcterms:contributor><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Hoarau%2C+Jacques">Hoarau, Jacques</a>]]></dcterms:contributor>
    <dcterms:contributor><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Wat%2C+Pierre">Wat, Pierre</a>]]></dcterms:contributor>
    <dcterms:language><![CDATA[fr]]></dcterms:language>
    <dcterms:type><![CDATA[<a href="/archibul/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Ouvrage+imprim%C3%A9">Ouvrage imprimé</a>]]></dcterms:type>
    <dcterms:identifier><![CDATA[FECT-HIS-P-0 000 021]]></dcterms:identifier>
</rdf:Description></rdf:RDF>
