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&lt;li&gt;Ce qu'il avait cherché, alors...&lt;/li&gt;
&lt;li&gt;Palamos, août 1955&lt;/li&gt;
&lt;li&gt;Le temps de la réflexion&lt;/li&gt;
&lt;li&gt;Ces paysages immobiles&lt;/li&gt;
&lt;li&gt;Une certaine grâce,  une certaine cruauté...&lt;/li&gt;
&lt;li&gt;Dans les parages de Bauduc&lt;/li&gt;
&lt;li&gt;Mais quels exils ?&lt;/li&gt;
&lt;li&gt;Ces plaines,  ces sables,  ces mers...&lt;/li&gt;
&lt;li&gt;Tauromachie&lt;/li&gt;
&lt;/ul&gt;&lt;br /&gt;&lt;br /&gt;&lt;span&gt;Texte de prose lyrique, "Elpénor, la Mediterranee" a été publié pour la premiere fois en 1963, par l'éditeur George Houyoux, à Bruxelles; il contient aussi le texte "Tauromachie" qui fut dit, fin des annees 50, par le comedien français Roger Blin et diffuse, à l'époque, par l'INR. &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span&gt;Le Daily-Bul a ajoute à cette réedition le "Journal de Provence", du meme auteur, qui fut édité pour première fois en 1955 par GMD, à Bruxelles également.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span&gt;L'original des photographies a été tiré par Jean-Louis Godefroid.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;div&gt;&lt;em&gt;Dix-sept nouvelles photographies de Jacques Meuris,inédites, illustrent l'ouvrage.&lt;/em&gt;&lt;/div&gt;</text>
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&lt;li&gt;[Non titré] (4.9.39)&lt;/li&gt;&#13;
&lt;li&gt;Le retour intra maternel (15.10.39)&lt;/li&gt;&#13;
&lt;li&gt;Le poète assassiné (6.9.39)&lt;/li&gt;&#13;
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&lt;li&gt;Impatience (12.1.40)&lt;/li&gt;&#13;
&lt;li&gt;Tombeau (7.10.39)&lt;/li&gt;&#13;
&lt;li&gt;[Non titré] (1.9.39)&lt;/li&gt;&#13;
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&lt;li&gt;La mère phallique (5.9.39)&lt;/li&gt;&#13;
&lt;li&gt;Après l'amour (5.1.40)&lt;/li&gt;&#13;
&lt;li&gt;Le couple (6.9.39)&lt;/li&gt;&#13;
&lt;li&gt;Puberté (16.12.39)&lt;/li&gt;&#13;
&lt;li&gt;[Non titré] (5.9.39)&lt;/li&gt;&#13;
&lt;li&gt;[Non titré] (8.10.39)&lt;/li&gt;&#13;
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&lt;li&gt;L'image&lt;/li&gt;
&lt;li&gt;La mayonnaise du destin&lt;/li&gt;
&lt;li&gt;Le vierge et l'organe&lt;/li&gt;
&lt;li&gt;L'accouplement&lt;/li&gt;
&lt;li&gt;L'éclat du vrai&lt;/li&gt;
&lt;li&gt;Le dialogue&lt;/li&gt;
&lt;li&gt;Le percu cessa de l'être pour sombrer dans le néant&lt;/li&gt;
&lt;li&gt;Blanchir&lt;/li&gt;
&lt;li&gt;Werther,  fils&lt;/li&gt;
&lt;li&gt;L'emploi du temps&lt;/li&gt;
&lt;li&gt;L'instant&lt;/li&gt;
&lt;li&gt;Les amusettes&lt;/li&gt;
&lt;li&gt;Le bleu&lt;/li&gt;
&lt;li&gt;Le cadre&lt;/li&gt;
&lt;li&gt;Le son&lt;/li&gt;
&lt;li&gt;La truelle&lt;/li&gt;
&lt;li&gt;Linguistique&lt;/li&gt;
&lt;li&gt;De quoi se souvenir&lt;/li&gt;
&lt;li&gt;Le drapeau jaune&lt;/li&gt;
&lt;li&gt;La quête d'Ernest&lt;/li&gt;
&lt;li&gt;Le théorème déambulant&lt;/li&gt;
&lt;li&gt;La mer à boire&lt;/li&gt;
&lt;li&gt;Le bronze&lt;/li&gt;
&lt;li&gt;Fait-divers&lt;/li&gt;
&lt;li&gt;Les stigmates&lt;/li&gt;
&lt;li&gt;Le biographe&lt;/li&gt;
&lt;li&gt;L'antécédent&lt;/li&gt;
&lt;li&gt;Le bon sens&lt;/li&gt;
&lt;li&gt;Le babil&lt;/li&gt;
&lt;li&gt;Les meubles&lt;/li&gt;
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&lt;li&gt;10 épreuves marquées, numérotées et signées HC de I à X&lt;/li&gt;
&lt;li&gt;5 épreuves numérotées et signées,  marquées aux initiales P.A.,  A.B.,  P.B,  M.P. et J.W. &lt;/li&gt;
&lt;/ul&gt;
Ces exemplaires signés par les auteurs sont présentés sous emboîtage.</text>
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                <text>Piqueray, Marcel </text>
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                <text>Le Daily-Bul</text>
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Dédicace de Pierre Alechinsky à Luc Rémy</text>
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&lt;li&gt;Le baquard&lt;/li&gt;
&lt;li&gt;Le bavache&lt;/li&gt;
&lt;li&gt;Le caïloup&lt;/li&gt;
&lt;li&gt;Le carcal&lt;/li&gt;
&lt;li&gt;Le chou-baobab&lt;/li&gt;
&lt;li&gt;Le dendrosaure&lt;/li&gt;
&lt;li&gt;L'enfant-loup&lt;/li&gt;
&lt;li&gt;La femme de glace&lt;/li&gt;
&lt;li&gt;La fougère sempercrescente&lt;/li&gt;
&lt;li&gt;La guerle crisseuse&lt;/li&gt;
&lt;li&gt;L'igallon&lt;/li&gt;
&lt;li&gt;Le iouli&lt;/li&gt;
&lt;li&gt;Le pajou ou singe pleureur&lt;/li&gt;
&lt;li&gt;Le po-ti&lt;/li&gt;
&lt;li&gt;Le pucot&lt;/li&gt;
&lt;li&gt;La samoyede blonde&lt;/li&gt;
&lt;li&gt;Le syfax&lt;/li&gt;
&lt;li&gt;Le xoulpe&lt;/li&gt;
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                <text>De la léguminologie considérée comme un des beaux-arts&#13;
&#13;
Ce petit livre, cette merveille, n'est pas une flore (à la manière de Linné, botaniste suédois). C'est une célébration. C'est une onomastique pota­gère et jubilante qui égrène les noms de la betterave : « Blanche à collet vert, Tankard doré, Jaune ovoïde des Barres, Blanche de Silésie, Petite négresse de Rennes... Disette, Disette mammouth, Disette camuse... » C'est une invitation à savoir-vivre et à sa-voir-jouir, à épier les sourdines des saveurs, à capturer des papilles, du nez, des dents et du palais. C'est un livre de réminiscence des menues délices enfantines, dont celle qui consiste à déguster, sur des cubes de fro­mage, le sel de céleri : « saisir au bout de l'index, sur la phalangette mouillée, ces graines de puce et [...] les poser sur la pointe de la langue toute prête à fondre. » II était temps que quelqu'un prît le parti des légumes. Quelqu'un qui, comme André Balthazar, les connaît du bout des doigts et de la mémoire, jusqu'à (r)établir des corres­pondances inouïes entre le végétal, l'animal, le minéral et l'humain : les asperges embottillonnées comme des sardines ; l'aubergine soufflée comme une grosse panse de verre en fusion ; les tresses des aulx renvoyant à celles d'une jeune cousine. (De la sorte, on pourra se construire une botanique imagi­naire : « L'artichaut appartient à la famille de l'ornithorynque et du chardon. ») Quel­qu'un qui nous rappelle que les légumes ont une âme (la betterave, encore : « Ton âme est ton alambic qui te travaille de la feuille au trognon »), du sérieux et de la tendresse. Une âme, oui, et même philosophiquement stoïque : dans celle de la carotte fraîche­ment déterrée, alignée sur son sillon, on devine « l'acceptation du légume qui doit croire aux vertus du potage, et qui n'appré­cie de l'air que d'être sorti de la terre. » Tous sens aux aguets, on s'émerveillera de découvrir dans le légume ce que sa pudeur nous dissimulait : ce qui se mange dans la feuille de l'artichaut, c'est « la courbe d'un mont de Vénus ébarbé, tendre à l'œil. » Jusqu'à ne point s'étonner que le pubis fé­minin soit coquinement considéré à l'instar d'une plante potagère : « Feuille de vigne sans raisins, si ce n'est l'amorce d'un grand cru. »&#13;
&#13;
Il y a là de superbes bonheurs d'écriture : du cornichon grenu, Balthazar imagine que « cette virgule à peau nue doit aimer le braille. » Et le cerfeuil posé sur la peau mate dune tomate : « Comme la trace d'une patte de passereau d'eau douce, en étoile à quatre doigts, sur cette calotte de cardinal, le brin de cerfeuil et sa ponctuation définitive, in­dispensable. Parfois une crevette nue y ajoutait sa friandise de nymphette. » Il y a là aussi de superbes bonheurs d'image : celle de Roland Breucker, qui croit aux ver­tus de la longue patience, serre de près le texte et le sert ironiquement, tendrement, fantastiquement, par des collages et de minu­tieux dessins, ombrés, grisés, au crayon. A quand un autre livre de nos distingués léguminologues ? L'épinard, le chicon, le cresson, le potiron, le rutabaga et la patate se ratatinent et se morfondent...&#13;
&#13;
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              <text>17,00 €</text>
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              <text>20,00 € (2015)</text>
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          <name>Lien lib. Wall. Bxl</name>
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              <text>http://www.librairiewb.com/9782930136103-l-homme-est-bon-mais-le-veau-est-meilleur-bourgeyx-roland-breucker/</text>
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            <name>Title</name>
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                <text>L'homme est bon mais le veau est meilleur / Claude Bourgeyx - Roland Breucker</text>
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                <text>Bourgeyx, Claude</text>
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            <name>Description</name>
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                <text>Les planches de ce recueil sont parues dans Le Soir (Belgique) et Sud-Ouest (France) sous le titre Nobody's Perfect.</text>
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            <name>Publisher</name>
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                <text>Le Daily-Bul</text>
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            <name>Contributor</name>
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                <text>Breucker, Roland</text>
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            <name>Date</name>
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                <text>1997</text>
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                <text>1990L00137</text>
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                <text>ET0033</text>
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                <text>Ouvrage imprimé</text>
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                <text>fr</text>
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                <text>68 p.</text>
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        <name>Claude Bourgeyx</name>
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        <name>Le Daily-Bul - Luxe</name>
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        <name>Roland Breucker</name>
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