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&lt;p&gt;&lt;em&gt;J.-P.V. Revenons à toi.Tout ce temps absorbé, sans compter celui pris par l’enseignement et les pouponnages, c’est du temps perdu pour ton oeuvre personnelle ?&lt;br /&gt;A.B. Peut-être, si on peut parler d’oeuvre personnelle, mais de toute façon c’est un choix vers lequel le plaisir des rencontres, des découvertes, des échanges, des amitiés (et des archives) m’entraîna sans regret. D’autant qu’il restait quand même des moments d’assoupissement pour donner un peu d’exercice à ma plume et à ma muse, alliée sinon zélée (jeu de mots).&lt;br /&gt;Je n’étais pas en cage, bien au contraire, et mon facteur n’était pas un geôlier. Mais le mot « liberté », un peu trop suffisant il est vrai, fut et est, pour Pol Bury comme pour moi, notre meilleure sucette. Liberté d’esprit en toute liberté. Nous avons toujours tourné le dos aux chapelles. Avec le besoin d’en rire (ironie, mon beau navire !) plutôt que d’en crier. Sans négliger la désinvolture d’usage.&lt;/em&gt;&lt;/p&gt;&#13;
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                <text>&lt;p&gt;&lt;strong&gt;Dans le cadre de la biennale ARTour « Homo Faber » du 26 juin 2013 au 30 août 2015&lt;br /&gt;&lt;/strong&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;strong&gt;Roland Breucker&lt;/strong&gt;&lt;span&gt;&amp;nbsp;&lt;/span&gt;est un illustrateur particulier... Lorsqu'il illustre une œuvre littéraire, son dessin ne vient jamais commenter ou nommer celle-ci. Il se fait plutôt l'écho de ce que la lecture a suscité chez lui. Le dessin accompagne ainsi le texte, invitant le lecteur à passer du texte à l'image et de l'image au texte. Les éditions le Daily-Bul ont eu le plaisir de publier nombre de ses œuvres, dont « Travail au noir » en 2005. Le temps de cette exposition, qui se concentre essentiellement sur la publication « Travail au noir », vous aurez le plaisir de voir des dessins originaux, des dédicaces, quelques archives,... issus du fonds Roland Breucker conservé et valorisé au Centre Daily-Bul &amp;amp; C° depuis 2012. « Travail au noir », ce sont quelques-uns des travers d'une humanité plus que paradoxale que nous fait découvrir, avec humour, Roland Breucker.&lt;/p&gt;&#13;
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                <text>&lt;p&gt;&lt;span class="Style31"&gt;&lt;strong&gt;Le dimanche 26 avril 2015&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&#13;
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&lt;p&gt;&lt;span class="Style32"&gt;«Une trop bruyante solitude»&lt;/span&gt;&lt;br /&gt;Film franco-tchèque avec Philippe Noiret, Jean-Claude Dreyfus, Chantal Neuwirth, Jiri Menzel (1h30), 1994&lt;/p&gt;&#13;
&lt;p&gt;&lt;em&gt;Jamais montré depuis 1995 (une terrible embrouille avec le producteur français l’avait jeté aux oubliettes), le film de Véra Caïs, d’après l’ouvrage de Bothumil Hrabal, épastrouillant auteur tchèque, surgit enfin : on y découvre Philippe Noiret, impérial, fagoté à la diable, en permanence imbibé, occupé à passer des bouquins à la broyeuse au fond d’une cave, à les lire, à dorloter des souris… Il détruit des livres, mais avec amour, toujours en recherche : où sont « les livres qui m’apprendront quelque chose sur moi-même » ? Bientôt va le remplacer une énorme broyeuse automatique : l’ère de l’efficacité technique est en marche. Hrabal disait qu’il était né pour écrire « une trop bruyante solitude », elle fait un bruit inoubliable.&lt;/em&gt;&lt;br /&gt;Jean-Louis Porquet&lt;br /&gt;(« Le Canard Enchaîné », 16/11/2011)&lt;/p&gt;&#13;
&lt;p&gt;En présence de la réalisatrice et de Raoul Vaneigem.&lt;br /&gt;&lt;br /&gt;Apéritif de clôture avec des chansons sur la Commune et des textes de Raoul Vaneigem interprétés par&lt;span&gt;&amp;nbsp;&lt;/span&gt;&lt;strong&gt;Fanchon Daemers&lt;/strong&gt;&lt;span&gt;&amp;nbsp;&lt;/span&gt;accompagnée de l’accordéoniste Jacques-Ivan Duchêne (sous réserve) à l’occasion de la sortie du CD&lt;span&gt;&amp;nbsp;&lt;/span&gt;&lt;strong&gt;« Contre la résignation. Chants d’amour et de révolte»&lt;/strong&gt;&lt;span&gt;&amp;nbsp;&lt;/span&gt;(2014).&lt;/p&gt;</text>
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&lt;p&gt;&lt;span class="Style95"&gt;&lt;strong&gt;Animée par Christine Béchet&lt;/strong&gt;, à l’occasion de la sortie du recueil « Sept poèmes plus un de haute affligeance », paru chez R.A. Editions en collaboration avec la Galerie Koma et le Batia Moûrt Soû (35 exemplaires numérotés) avec des linos originales de Serge Poliart gravées par Alain Regnier.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Pour visionner la rencontre, cliquez sur le gramophone...&lt;br /&gt;&lt;br /&gt;&lt;a href="https://youtu.be/ciSpUCm0vNE" target="_blank" rel="noopener"&gt;&lt;img src="http://www.dailybul.be/archibul/files/gramophone.jpg" width="160" height="200" class="boitephoto" /&gt;&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;-----------------------------------------------------------&lt;/span&gt;&lt;/p&gt;&#13;
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&lt;p&gt;&lt;em&gt;« L’employé du temps » (Belgique, 34 min.), un film brossant le portrait d’Henry Mercier amoureux de sa ‘prison de livres’, la librairie de la rue des Eperonniers. Pourquoi installe-t-il une nouvelle vitrine chaque semaine, que cache-t-il dans ses greniers, est-ce vrai qu’il joue du tam-tam la nuit?&lt;/em&gt;&lt;/p&gt;&#13;
&lt;p&gt;En présence de Michel-Jean Bélanger&lt;/p&gt;&#13;
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&lt;p&gt;&lt;span class="Style31"&gt;&lt;strong&gt;Avec le groupe Scultrik&lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;Scultrik, trois compères au coeur des émo-sons ici et maintenant. Lutherie de doux dingues sauvages électro-niquée, un violoncelle étincelant et des vents cuivrés...&lt;/p&gt;</text>
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                <text>&lt;div dir="ltr" align="center"&gt;&lt;span style="font-family: Arial; font-size: xx-large;"&gt;« Une journée ordinaire »&lt;/span&gt;&lt;/div&gt;&#13;
&lt;div dir="ltr" align="center"&gt;&lt;span style="font-family: Arial;"&gt;Réalisateur&lt;span&gt;&amp;nbsp;&lt;/span&gt;&lt;strong&gt;Claude François&lt;/strong&gt;&lt;/span&gt;&lt;/div&gt;&#13;
&lt;div dir="ltr" align="center"&gt;&lt;span style="font-family: Arial;"&gt;&lt;span style="font-family: Arial;"&gt;(2002/PBC Pictures)&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&#13;
&lt;p dir="ltr" align="center" style="text-align: left;"&gt;&lt;span style="color: #292a2a;"&gt;&lt;span style="font-family: Arial;"&gt;Synopsis :&lt;span&gt;&amp;nbsp;&lt;/span&gt;&lt;em&gt;« Une journée au Musée Royal des Beaux-Arts en compagnie des Marchands de craie, du Pudleur et du Marteleur… »&lt;/em&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p dir="ltr" align="center" style="text-align: left;"&gt;&lt;span style="font-family: Arial;"&gt;Claude François est un scénariste et réalisateur belge, passionné d’art.&lt;span&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: Arial;"&gt;Parmi sa filmographie, citons « Le Pavillon des passions humaines » (1989, sur Jef Lambeaux), « Le Jeu des figures » (1994, sur Denis Marion),« Charles et Félicien » (1994, sur Baudelaire et Rops), « Le Défilé des toiles » (1997, avec Gilles Brenta, sur les peintres pompiers), « A bout portant » (2006, sur Roger Van de Wouwer), et « Le Désordre alphabétique » (2012, une histoire du surréalisme en Belgique).&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p dir="ltr" align="center" style="text-align: left;"&gt;&lt;span style="font-family: Arial;"&gt;A cette occasion, les affiches des films de Claude François, illustrées par Claude Galand, seront mises en vente (tirages limités, numérotés et signés).&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p dir="ltr" align="center" style="text-align: left;"&gt;&lt;span style="color: #292a2a; font-family: Arial;"&gt;Cocktail de clôture&lt;/span&gt;&lt;/p&gt;&#13;
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