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                <text>&lt;p&gt;Membre du personnel enseignant, il remplaça les calculatrices électroniques par le boulier compteur qu'il prétendit plus exempt de faiblesses. Ses capacités le menèrent à la Cour des Comptes où il fut chargé d'agrafer les additions. Retraité, il perdit son temps et sa santé en collectionnant de la peinture abstraite.&lt;/p&gt;
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              <text>Né le 30 mars 1924 à Copenhague et mort le 10 mars 2005 à Wavre, Serge Vandercam est un photographe, peintre et sculpteur belge. Proche du mouvement surréaliste, il rejoint le groupe CoBrA en 1949. &#13;
&#13;
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                <text>Photographe, peintre, céramiste et sculpteur belge, Serge Vandercam décloisonne les pratiques artistiques. Son œuvre, poignante, exprime une angoisse latente. Ici, une projection informelle et là, une figuration prenant possession de l’espace. Dès l’immédiat après-guerre, Vandercam adhère aux activités du groupe Cobra (1948-1951). Son œuvre renverse les pratiques conventionnelles et s’associe aux actions surréalistes. &lt;br /&gt;&lt;br /&gt;Rapidement, la peinture apparaît comme une nécessité, une pratique lui permettant d’exprimer une imagerie poétique. L’année 1952 fera figure de passage lorsque Roger Van Gindertael, directeur de la revue Art d’Aujourd’hui, lui confie la réalisation d’une galerie de portraits d’artistes contemporains en vue d’illustrer l’ouvrage Témoignage pour l’art abstrait. Au contact de ces peintres, le photographe affirme son envie de franchir les frontières artistiques. Dans ce dessein, les voyages qu’il entreprend se décalquent en visions obsédantes ; la Turquie, les Fagnes, l’Italie et la Hongrie mettent en branle une frénésie créatrice, une base pour de multiples expérimentations.&lt;br /&gt;&lt;br /&gt;Extrait de &lt;a title="Site internet Serge Vandercam" href="http://www.sergevandercam.com/fr/accueil" target="_blank" rel="noreferrer"&gt;http://www.sergevandercam.com/fr/accueil&lt;/a&gt;</text>
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                <text>Lettre de 2 pages. &lt;br /&gt;&lt;br /&gt;Discussion autour de la couleur de couverture de la Poquette volante ainsi que la correction des texte. Marcel Piqueray aborde le service de distribution des éditions.</text>
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