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                <text>Lourdes Castro expédie les 8 pages de la Poquette volante &lt;em&gt;Par suite, &lt;/em&gt;crée à l'aide du personnage articulé nommé Lili et Falstaff.</text>
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                <text>Je suis le corps d'un soldat mort</text>
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Dédicace de l'auteur à Pierre Puttemans</text>
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                <text>Je suis cela : une sorte d’autobiographie, ou plutôt le récit de moments vécus, par l’écrivain et quelques-uns de ses proches. Mais il ne faut pas parler de récit, le livre étant constitué de fragments non liés entre eux, tous titrés ; pour commencer, "L’ancien et le nouveau", puis "Arachné", etc., jusqu’à la fin avec "Portrait de l’écrivain en ouïe tatouée" et "Les rôdeurs, postface". Chaque sous-titre est le programme d’un de ces moments du temps « gaspillé à écrire la vie ». "Arachné" : c’est la toile indéfiniment à tisser pour que, extraits depuis le temps obscur des débuts, les souvenirs s’organisent peut-être, que l’écriture les distribuant dans l’espace clos du livre donne quelque sens à ce qui a été vécu. "Arachné", c’est l’image du monde :&#13;
&#13;
 &#13;
&#13;
Plus tard, par la vitre du train, je vois le roulé-boulé des toits de chaume, des toits d’ardoise, des mouchoirs dépliés de froment et de lavande, où les arbres noirs s’infiltrent en grandes pattes velues et soulèvent le paysage comme une araignée géante qui déguerpit, maman surchargée de proies.&#13;
&#13;
 &#13;
&#13;
On est toujours en mouvement et la toile n’a pas de centre à partir duquel suivre des fils. Aucune cohérence n’est visible dans les éléments épars qui se succèdent, évocation des premiers apprentissages ou réflexions sur la mort du père, mélange des jours de l’enfance et de la vie des disparus :&#13;
&#13;
 &#13;
&#13;
Quand je parle, je suis interrompu par les vivants. Quand j’écris, je suis interrompu par les morts, mais ce sont aussi des propos de morts qui m’emportent.&#13;
&#13;
 &#13;
&#13;
Éparpillement, parce qu’une vie n’est faite que de moments sans lien entre eux ? Sans doute, et l’absence d’ordre est le lot de chacun quand il s’agit de la ressaisir. Mais pour Daniel Franco, relater est devenu impossible puisque cela consisterait à raconter d’une manière précise. Des ruptures sont intervenues qui interdisent de s’inscrire dans quelque continuité que ce soit : l’extermination des proches, parce que juifs, a introduit une faille qui empêche le narrateur de penser un début, puis un parcours. C’est pourquoi le récit est brisé, c’est pourquoi les souvenirs et des bribes de ce qui fut rapporté par des proches alternent avec des réflexions sur l’aphasie ou à propos du débat sur l’écriture après les chambres à gaz. Viennent même s’insérer des extraits d’un Journal, celui d’une semaine de 20061, mais qui disent aussi à leur manière la difficulté à écrire le passé comme le présent ; on lit en effet sous Lundi 22 mai 2006 : « Dimanche, j’écris pour lundi. Comme au temps de l’école, la veille au soir est un estomac noué dans le temps »... Cela, dans le titre, c’est en raccourci dire ce morcellement, l’indécision du temps, ce qui demeure après la destruction.&#13;
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 &#13;
&#13;
Daniel Franco explique dans les dernières pages comment est venue l’idée de cela. Le titre est né après une relecture dans Hamlet « d’une phrase mystérieuse : « This is me – Hamlet the Dane », traduite le plus souvent par « Me voici – Hamlet le Danois ». Par le biais d’un poème de Daniil Harms2, l’auteur propose sa traduction : « Je suis cela », et la commente : Ophélie est morte et c’est à son corps noyé qui gonfle dans les eaux que renvoie "cela" pour Hamlet. « "Je suis cela", c’est-à-dire, je ne suis pour l’essentiel rien d’autre que cette carcasse qui gonfle », et dans ce moment terrible Hamlet « découvre et reconnaît, bouleversé, ce qui lui avait tant manqué, la communauté de sort de ceux qui éprouvent la même chose dans le même temps ». C’est ce manque qui soutient le livre de Daniel Franco, manque explicité dans sa reprise du débat sur la possibilité de l’écriture, à partir de l’analyse d’Adorno et de l’œuvre de Celan, de la poésie après la Shoah : pages fortes sur ce qu’il est possible d’écrire après le rupture de civilisation qu’a été Auschwitz.&#13;
&#13;
 &#13;
&#13;
Les fragments de vie rapportés par Daniel Franco, vie du père et de la mère, Moïse et Ruth, des grands-parents, du frère et de la sœur, sont toujours des bribes écrites « par sauts », qui ne tiennent pas entre elles, qui s’additionnent sans que se reconstitue un parcours. Il faut sans cesse reprendre, ajouter, en sachant que « cette obscurité passée en boucle ne fait pas revenir le cadre ancien », que les langues perdues de l’enfance étaient les traces des vies errantes des parents juifs : le ladino3 « truffé de dictons bulgares et de jurons turcs », le yiddish, l’hébreu.&#13;
&#13;
 &#13;
&#13;
Comment écrire ? Certainement en acceptant jusqu’à un certain point le legs, comme le père faussaire : il copiait des tableaux de maître, mais « il [leur] conférait une tristesse absente dans l’original ». Je suis cela est nourri de la littérature comme des choses de la nature. Les œuvres sont là, entières, par un nom, une brève citation, une allusion — Kafka, Proust, Platon, Kleist, Gœthe, Ovide, Burroughs, Tagore, Fondane —  parfois lues au moment où le livre se construisait, Valérie Mréjen, Yehuda Amichaï. Yann Kassile. Etc. La familiarité est telle que l’on est tenté de reconnaître dans tel passage un pastiche de la phrase de Lautréamont, et tel autre évoque fortement celle de Thomas Bernhard ou, souvent, la tradition flamboyante du poème en prose. Comme s’il s’agissait en parcourant les genres littéraires de combler tous les manques, d’affirmer que dans l’écriture, « avec le concours équivoque des spectres, la terre entière peut bouger, sans même qu’un seul mot dans la phrase ne bouge ».&#13;
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&#13;
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                <text>Catherine Valogne évoque une coquille laissée dans un texte (?). Elle aborde ensuite le nombre d'exemplaires dont elle disposerait une fois la Poquette volante éditée. &lt;br /&gt;&lt;br /&gt;On apprend dans la même lettre, qu'un article sur la Poquette est paru dans les &lt;em&gt;Lettres françaises&lt;/em&gt; ainsi que dans l'&lt;em&gt;Aurore&lt;/em&gt;. Elle essaye de placer un article dans le &lt;em&gt;Figaro Littéraire&lt;/em&gt; et les &lt;em&gt;Nouvelles Littéraires&lt;/em&gt;.&lt;br /&gt;&lt;br /&gt;Pour finir, elle cite sa précédente publication au Daily-Bul à savoir &lt;em&gt;Les champs clos&lt;/em&gt;, pour laquelle elle a des difficultés à apprécier la couverture.</text>
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                <text>Dypréau, Jean</text>
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                <text>&lt;span&gt;Les articles présentés dans la revue sont les suivants :&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span&gt;- Hommage au piédestal / Palone Bultari&lt;/span&gt;&lt;br /&gt;&lt;span&gt;- Aphorismes par Jean Dypreau&lt;/span&gt;&lt;br /&gt;&lt;span&gt;- Comment détacher une peinture tachiste / Bruno Munari&lt;/span&gt;&lt;br /&gt;&lt;span&gt;- Une pince à trémolo ... / Pierre Alechinsky&lt;/span&gt;&lt;br /&gt;&lt;span&gt;- La plus belle fille du monde ... / André Balthazar &lt;/span&gt;&lt;br /&gt;&lt;span&gt;- Lettre à Paul Colinet sur le Danemark / Christian Dotremont&lt;/span&gt;&lt;br /&gt;&lt;span&gt;- Ethique 1 (tract) / Spinoza et Campenaire &lt;/span&gt;&lt;br /&gt;&lt;span&gt;- Nomenclature hative des insultes et invectives les plus fréquemment employées par James Ensor dans ses lettres et conférences de 1884 à 1934 / réunies par Pierre Alechinsky&lt;/span&gt;&lt;br /&gt;&lt;span&gt;- Sept lits, sont là ... / Gilbert Thuriaux&lt;/span&gt;&lt;br /&gt;&lt;span&gt;- L'île et le temps / Jean Dypréau &lt;/span&gt;&lt;br /&gt;&lt;span&gt;- Les panamas de la critique d'art contemporaine / Ernest Pirotte &lt;/span&gt;&lt;br /&gt;&lt;span&gt;- Petit dictionnaire bùl / Ernest Pirotte&lt;br /&gt;&lt;br /&gt;Une petite plaquette intitulée &lt;em&gt;&lt;strong&gt;Face à Face avec Jean-Paul Sartre&lt;/strong&gt;&lt;/em&gt; d'Ernest Pirotte accompagne la revue. Mesurant 10,5 x 6,5 cm et composée de 16p., celle-ci est datée du 26 avril 1958. Tirage : 300 exemplaires. &lt;br /&gt;&lt;br /&gt;&lt;/span&gt;</text>
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            <name>Format</name>
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            <name>Language</name>
            <description>A language of the resource</description>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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              <elementText elementTextId="20104">
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="20105">
                <text>1950R00209</text>
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          <element elementId="79">
            <name>Medium</name>
            <description>The material or physical carrier of the resource.</description>
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              <elementText elementTextId="20141">
                <text>15 p.</text>
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        <name>Achille Campenaire</name>
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        <name>André Balthazar</name>
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        <name>André Breton</name>
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      <tag tagId="1527">
        <name>André Souris</name>
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        <name>Bruno Munari</name>
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        <name>Christian Dotremont</name>
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      <tag tagId="371">
        <name>Ernest Pirotte</name>
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        <name>Gilbert Thuriaux</name>
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        <name>Jean Dypréau</name>
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      <tag tagId="6547">
        <name>Jean-Paul Sartre</name>
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      <tag tagId="1021">
        <name>Le Daily-Bul - épuisé</name>
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        <name>Palone Bultari</name>
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      <tag tagId="299">
        <name>Pierre Alechinsky</name>
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        <name>Pol Bury</name>
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      <tag tagId="1750">
        <name>Raoul d'Haese</name>
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      <tag tagId="717">
        <name>René Magritte</name>
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      <tag tagId="324">
        <name>Revue Daily-Bul</name>
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      <tag tagId="1745">
        <name>Revue Daily-Bul 5</name>
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      <tag tagId="1748">
        <name>Spinoza</name>
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              <name>Title</name>
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    <itemType itemTypeId="18">
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        <element elementId="96">
          <name>Tirage</name>
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            <elementText elementTextId="20118">
              <text>Ex. n° 25</text>
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        <element elementId="105">
          <name>Justification du tirage ordinaire</name>
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            <elementText elementTextId="20120">
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        <element elementId="106">
          <name>Justification du tirage de tête</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="20121">
              <text>12 ex. nominatifs sur val de laga à la cuve numérotés de 1 à 12.</text>
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          </elementTextContainer>
        </element>
        <element elementId="107">
          <name>Justification du tirage personnel</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="20122">
              <text>2 ex. sur papier de rives réservés à l'auteur et l'éditeur et 50 ex. marqués S.P.</text>
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          </elementTextContainer>
        </element>
        <element elementId="111">
          <name>Dépôt légal</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="20123">
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          </elementTextContainer>
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      </elementContainer>
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      <elementSet elementSetId="1">
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="20107">
                <text>Navisence</text>
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            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="20108">
                <text>Bosquet de Thoran, Alain</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="20109">
                <text>Jacques Antoine</text>
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            </elementTextContainer>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="20110">
                <text>1973</text>
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            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="20111">
                <text>Dédicace de l'auteur à Pierre Puttemans</text>
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            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="20112">
                <text>14 X 15 cm.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="20113">
                <text>fr</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="20114">
                <text>Ouvrage imprimé</text>
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            </elementTextContainer>
          </element>
          <element elementId="79">
            <name>Medium</name>
            <description>The material or physical carrier of the resource.</description>
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              <elementText elementTextId="20115">
                <text>49 p.</text>
              </elementText>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="20116">
                <text>FPPB-BOS-N-0 001 659</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="90">
            <name>Provenance</name>
            <description>A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.</description>
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              <elementText elementTextId="20117">
                <text>Fonds Pierre Puttemans</text>
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        <name>Alain Bosquet de Thoran</name>
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      <tag tagId="946">
        <name>Bosquet de Thoran</name>
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      <tag tagId="15">
        <name>Poésie</name>
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              <name>Title</name>
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        <element elementId="96">
          <name>Tirage</name>
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          <elementTextContainer>
            <elementText elementTextId="20136">
              <text>Ex. n° 350</text>
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          <name>Collection de l'éditeur</name>
          <description>Collection chez l'éditeur</description>
          <elementTextContainer>
            <elementText elementTextId="20137">
              <text>Biens Nouveaux</text>
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        <element elementId="105">
          <name>Justification du tirage ordinaire</name>
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            <elementText elementTextId="20139">
              <text>500 ex. sur vélin blanc numérotés de 16 à  515</text>
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        <element elementId="106">
          <name>Justification du tirage de tête</name>
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          <elementTextContainer>
            <elementText elementTextId="20140">
              <text>15 ex. sur vieux Japon numérotés de 1 à 15</text>
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          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="20124">
                <text>Le chasseur Gracchus</text>
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            </elementTextContainer>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="20125">
                <text>Kafka, Franz</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="20126">
                <text>Parisot, Henri</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="20127">
                <text>G.L.M.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="20128">
                <text>1939</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="20129">
                <text>Traduction de Henri Parisot</text>
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            </elementTextContainer>
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          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="20130">
                <text>12 X 17 cm.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="20131">
                <text>fr</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="20132">
                <text>Ouvrage imprimé</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="79">
            <name>Medium</name>
            <description>The material or physical carrier of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="20133">
                <text>np</text>
              </elementText>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="20134">
                <text>FPPB-KAF-C-0 001 760</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="90">
            <name>Provenance</name>
            <description>A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.</description>
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              <elementText elementTextId="20135">
                <text>Fonds Pierre Puttemans</text>
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      <tag tagId="1746">
        <name>Franz Kafka</name>
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        <name>Henri Parisot</name>
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              <name>Title</name>
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                  <text>Bibliothèque de Pierre Puttemans - FPPB</text>
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    <itemType itemTypeId="18">
      <name>Publication</name>
      <description/>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="20143">
                <text>Les Tarahumaras</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="20144">
                <text>Artaud, Antonin</text>
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          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="20145">
                <text>L'arbalète- Marc Barbezat</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="20146">
                <text>1963</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="20147">
                <text>12 X 17 cm</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="20148">
                <text>fr</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="20149">
                <text>Ouvrage imprimé</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="79">
            <name>Medium</name>
            <description>The material or physical carrier of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="20150">
                <text>218 p.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="20151">
                <text>FPPB-ART-T-0 000 104</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="53">
            <name>Abstract</name>
            <description>A summary of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="20152">
                <text>Voyage au pays des Tarahumaras, le livre qui a fait connaître ce peuple indien du Mexique et son fameux rite du peyotl &#13;
&#13;
Si, en 1936, un poète désespéré par l'Europe n'avait cherché, au prix de difficultés et de souffrances incroyables, à se porter à la rencontre des Tarahumaras, mangeurs de peyotl, leur nom ne nous serait pas aussi familier, il ne serait pas devenu ce vocable évocateur de fabuleux paysages : montagnes peuplées d' « effigies naturelles » et gravées de signes magiques, ciels qui auraient inspiré leurs bleus aux peintres d'avant la Renaissance, cortèges de Rois mages apparaissent à la tombée du jour dans un « pays construit comme des pays de peinture »; et, pour beaucoup d'entre nous, les Tarahumaras ne seraient pas ce peuple fier et intact, obsédé de philosphie, qui a su maintenir, en des danses accompagnées de miroirs, de croix, de clochettes ou de râpes, les grands rites solaires : rite du peyotl au cours duquel un mystérieux alphabet sort du foie du participant et se répand dans l'espace, rite des rois de l'Atlantide déjà bien étrangement décrit par Platon, rite sombre du Tutuguri avec son tympanon lancinant.</text>
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            </elementTextContainer>
          </element>
          <element elementId="90">
            <name>Provenance</name>
            <description>A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.</description>
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              <elementText elementTextId="20153">
                <text>Fonds Pierre Puttemans</text>
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        </elementContainer>
      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="874">
        <name>Antonin Artaud</name>
      </tag>
      <tag tagId="1763">
        <name>Marc Barbezat</name>
      </tag>
      <tag tagId="1762">
        <name>peyotl</name>
      </tag>
    </tagContainer>
  </item>
</itemContainer>
