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                <text>L' A.B.C. de la contraception</text>
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                <text>Le Fram</text>
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                <text>L’écriture de Moyano nous touche par sa pudeur et sa retenue. Qu’il s’y efface devant les autres (comme dans Tu me cherches ? ou Autour de Liël ou qu’il s’y exprime à visage découvert, n’hésitant pas à tomber le masque pour se montrer tel qu’il est (comme dans Le meilleur de la vie), il arrive à nous parler du monde qui est le sien comme s’il était aussi le nôtre, à nous rendre proches des lieux, des visages, des existences qui nous sont inconnus. N’est-ce pas cela, finalement, que l’on attend d’un écrivain – et que bien peu, parmi ceux que l’on nomme ainsi, sont encore capables aujourd’hui de nous apporter ?</text>
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                <text>Dessins de Pierre Puttemans&lt;br /&gt; Dédicace de l'auteur à Luc Rémy&lt;br /&gt;&lt;br /&gt;A la page 71, un poème intitulé &lt;em&gt;&lt;strong&gt;La fin des colonies&lt;/strong&gt; &lt;/em&gt;est dédicacé à Luc Rémy.</text>
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&lt;li&gt;Les aventuriers&lt;/li&gt;
&lt;li&gt;Les ruines de Montaigle&lt;/li&gt;
&lt;li&gt;La douzième voyage de Gulliver&lt;/li&gt;
&lt;li&gt;Behrentanz&lt;/li&gt;
&lt;li&gt;Songe à la douceur, ou le retour d'Amyntas&lt;/li&gt;
&lt;li&gt;La fontaine miraculeuse&lt;/li&gt;
&lt;li&gt;Le musée de l'Homme&lt;/li&gt;
&lt;li&gt;Dorpendans&lt;/li&gt;
&lt;li&gt;Frascati ut tenebrae&lt;/li&gt;
&lt;li&gt;Fiat nox&lt;/li&gt;
&lt;li&gt;Ecological lamento&lt;/li&gt;
&lt;li&gt;Le parfum des choucas&lt;/li&gt;
&lt;li&gt;Une réclusion à l'estime&lt;/li&gt;
&lt;li&gt;Asmodée&lt;/li&gt;
&lt;li&gt;Une balancelle pour les Inuits&lt;/li&gt;
&lt;li&gt;La ronde de nuit&lt;/li&gt;
&lt;li&gt;Le fil de fer est là qui luit&lt;/li&gt;
&lt;li&gt;Un murmure tenace&lt;/li&gt;
&lt;li&gt;Thélème au quotidien&lt;/li&gt;
&lt;li&gt;A un astre mort&lt;/li&gt;
&lt;li&gt;De l'équinoxe et de ses installations&lt;/li&gt;
&lt;li&gt;New birds&lt;/li&gt;
&lt;li&gt;Quai de la Goffe et des gommes arabiques&lt;/li&gt;
&lt;/ul&gt;&lt;strong&gt;&lt;span style="text-decoration:underline;"&gt;Sheep&lt;br /&gt;&lt;/span&gt;&lt;/strong&gt;
&lt;ul&gt;&lt;li&gt;Un accident de parcours&lt;/li&gt;
&lt;li&gt;Le dos de la guitare&lt;/li&gt;
&lt;li&gt;Un éléphanteau dans la brume&lt;/li&gt;
&lt;li&gt;Sainte Mâchoire&lt;/li&gt;
&lt;li&gt;Le bois de campêche&lt;/li&gt;
&lt;/ul&gt;&lt;span style="text-decoration:underline;"&gt;&lt;strong&gt;Le temps qu'il fait &lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;&lt;ul&gt;&lt;li&gt;Le temps qu'il fait&lt;/li&gt;
&lt;li&gt;La demi-saison&lt;/li&gt;
&lt;li&gt;Le soleil de février&lt;/li&gt;
&lt;li&gt;La route de Louviers&lt;/li&gt;
&lt;li&gt;Ce que je sais de la Mélanésie&lt;/li&gt;
&lt;li&gt;Faites dresser  un lit&lt;/li&gt;
&lt;li&gt;Vintage Kodak&lt;/li&gt;
&lt;li&gt;La fin des colonnies&lt;/li&gt;
&lt;li&gt;Fragments de l'océan&lt;/li&gt;
&lt;li&gt;Renards&lt;/li&gt;
&lt;li&gt;Télétourisme&lt;/li&gt;
&lt;li&gt;Les sources du Nil&lt;/li&gt;
&lt;li&gt;Petits constats&lt;/li&gt;
&lt;/ul&gt;</text>
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                <text>« La Ville se creuse, se tapit, s’arrondit, se morcelle et se fend comme une noix d’arec, se défonce et s’enfonce avec le souvenir des cyclopes. Les pancartes errent sur les pavés. »&#13;
&#13;
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Nombreuses photos des personnes ayant fréquenté le Frère Isidore, notamment la foule compacte lors de la translation de ses restes à Kotrijk</text>
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                <text>Le bûcher des vanités&#13;
&#13;
Cet été, les Editions du Cerisier font paraître un texte d'un genre un peu particulier : un roman-théâtre sur la pauvreté. Dire qu'il s'agit d'un roman flanqué d'une pièce de théâtre racontant la même histoire serait encore trop simple. Le premier texte constituait au départ une longue note introductive destinée à combler de détails et d'intentions les insuffisances de la pièce (et donc les dénonçant). La richesse narrative, le travail stylistique dont il a pro­fité lui confèrent une qualité romanesque indubitable. Ceuppens tâche de montrer, en évitant les écueils de l'analyse sociolo­gique, ce qu'est la pauvreté aux abords d'une grande ville. Le caractère d'urgence et de nécessité motivant son entreprise a gagné son écriture : une précision obsessionnelle — et quasi puérile si elle n'était pas si bien maîtrisée — la sous-tend, qui pourrait faire songer d'un peu loin à Thomas Bernhard. En fait, c'est la difficulté à parler de la pau­vreté (dénonçant à rebours la difficulté à la saisir dans tous ses aspects) qui devient le sujet de ce texte double et inclassable, béné­ficiant d'une mise en abyme intéressante : Julius, père de trois enfants, pauvre dans un quartier d'ouvriers gagnant bien leur vie, distributeur de journaux quelques jours par semaine, privé d'identité administrative, multiplie les manœuvres de déclassement en se mettant à écrire. Il a déjà rédigé deux ar­ticles, trônant sous chemise plastifiée dans la pièce qui lui sert d'appartement, et vou­drait en rédiger davantage. Les lessives bruyantes de sa femme cristallisent les obs­tacles qui s'imposent à son ambition. Lorsqu'il ne travaille pas, Julius marche. Il se lève tôt. Il rentre tard. Il cherche le long du canal, dans les parkings souterrains, aux abords des terrains vagues. La nuit, il écrit ce qu'il a vu. Les regards dubitatifs que po­sent sur lui les autres pauvres, ses amis, la mère de sa femme, sont l'occasion de justi­fier ses veilles et ses errances : il veut que le monde sache. Et, peut-être, dans la pau­vreté même, « devenir presque accidentelle­ment une sorte d'incarnation de la plus dévas­tatrice rancœur et de la plus injuste et intolérable rage du plus total désespoir ». Comme Julius, Ceuppens, ouvrier-écrivain au parcours peu commun, ne cesse d'inter­roger la validité de son projet, sa maîtrise de l'écriture et des genres. Ce faisant, il par­vient à mettre en scène l'histoire des rap­ports d'un écrivain à son texte, compliqués par les difficultés inhérentes à son sujet, l'importance socio-politique qu'il revêt : dire la pauvreté vue de l'intérieur, sa géo­graphie, la gamme infinie des comporte­ments qu'elle induit, dire qu'elle est indi­cible.&#13;
&#13;
A cet égard, il est permis de penser que l'éclatement des genres, l'hybridité du texte, les dialogues constants entre roman et pièce de théâtre, et jusqu'aux défauts de cette der­nière (longues lectures à voix haute, manque de motivation des gestes et des par­cours... ) sont l'idéale mise en forme de son propos : ils sont « la puissance du manque ».&#13;
&#13;
 Françoise DELMEZ&#13;
&#13;
Raymond CEUPPENS, La Puissance du manque, Editions du Cerisier, 1993.</text>
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                <text>Écrivain discret, vivant en marge du sérail, cet amoureux des estuaires, ouvrier radoubleur de péniches, photographe, journaliste, sculpteur aussi, brièvement médiatisé quand il obtint, en 1982, le prix Rossel pour L'été Pourri, son troisième (et superbe) roman, Ceuppens pourrait être un personnage de Dhôtel - Escauts et ports contre Meuse et forêts -, comme les personnages de Ceuppens pourraient habiter les livres de Dhôtel. Des êtres instinctifs, solitaires, indifférents à ce qui fait courir le monde, habités par des rêves ou des lubies. Parfois fatalistes et paumés, mais sans désespoir, comme dans cette première nouvelle (L’engagement) où sourd une ambiance à la Tennessee Williams. Ou parfois désespérés par la souffrance du monde, comme dans Le Fardeau, où, là encore, la conscience d’être impuissant à partager cette souffrance partout présente et déclinée en spectacle permanent conduit un homme à sa propre mutilation. Parfois aussi, le texte campe un décor et profile un personnage avec une précision et une sensibilité toujours signifiantes et dispensatrices d’émotions qui se suffisent à elles-mêmes sans que l’auteur cherche nécessairement à « boucler » un récit.&#13;
© Ghislain Cotton.&#13;
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                <text>Sous la grand-voile</text>
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            <description>An entity primarily responsible for making the resource</description>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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              <elementText elementTextId="35635">
                <text>Denoël</text>
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            <name>Date</name>
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              <elementText elementTextId="35637">
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            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="35638">
                <text>14 X 21 cm</text>
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            <description>A language of the resource</description>
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              <elementText elementTextId="35639">
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              <elementText elementTextId="35641">
                <text>FLRB-CEU-S-0 000 059</text>
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              <elementText elementTextId="35642">
                <text>Une dernière fois le Bel-Espoir va appareiller en mer du Nord, puis ce sera la démolition. Triste voyage, assez mystérieux aussi à cause de la cargaison que le bateau transporte, et dangereux car l'équipage et son chef n'ont guère l'air d'être faits pour la navigation à voile. Mais l'exercice du métier, les périls surmontés, les heures de relâche, finiront par lier ces camarades de hasard. Ce roman de mer est une oeuvre réaliste au plus beau sens du terme.</text>
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          <element elementId="79">
            <name>Medium</name>
            <description>The material or physical carrier of the resource.</description>
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              <elementText elementTextId="35863">
                <text>257 p. </text>
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        <name>Raymond Ceuppens</name>
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            <elementText elementTextId="35631">
              <text>2-87145-000-5</text>
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          <name>Dépôt légal</name>
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            <elementText elementTextId="35632">
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            <name>Title</name>
            <description>A name given to the resource</description>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Ferrater, Gabriel</text>
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            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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                <text>Cliff, William</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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              <elementText elementTextId="35622">
                <text>Ercée</text>
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            <description>An account of the resource</description>
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                <text>Présentation, traduction et notes de William Cliff</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="35625">
                <text>14 X 22 cm</text>
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            <name>Language</name>
            <description>A language of the resource</description>
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              <elementText elementTextId="35626">
                <text>fr</text>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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              <elementText elementTextId="35627">
                <text>Ouvrage imprimé</text>
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            <name>Identifier</name>
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              <elementText elementTextId="35628">
                <text>FLRB-FER-P-0 000 058</text>
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          <element elementId="53">
            <name>Abstract</name>
            <description>A summary of the resource.</description>
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              <elementText elementTextId="35629">
                <text>À ceux qui ne lisent pas la poésie sous prétexte qu'il n'y a rien à comprendre -et c'est un préjugé encore très répandu-, il faut conseiller la lecture de William Cliff. Comme son nom ne l'indique pas, c'est un poète belge né en 1940, qui, rejetant tout masque, fait de sa façon d'être et de vivre la matière du poème. S'avançant sous les traits du Je le plus concret, il dit sa vérité d'homme, sans rien cacher de ses propres limites, de ses perversions ni de ses faiblesses. Adepte du parler vrai, il revendique un langage simple et direct. Ni symbole ni parabole, ni illumination ni démiurgie, ni formalisme ni pièces d'anthologie, mais l'évocation du plus urgent, du plus réel, du plus brutal : manger, dormir, boire, désirer. Il le dit sans détours et dans ce langage de tous les jours qui est l'apanage de ses "frères humains", ceux que, déjà, Villon et Rutebeuf avaient croisés sur leurs chemins. Richard Blin dans le Matricule des Anges, </text>
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            <name>Provenance</name>
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                <text>Fonds Luc Rémy</text>
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            <name>Medium</name>
            <description>The material or physical carrier of the resource.</description>
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              <elementText elementTextId="35866">
                <text>133 p.</text>
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        <name>Gabriel Ferrater</name>
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        <name>Poema inacabat</name>
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        <name>Poésie</name>
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      <tag tagId="1429">
        <name>William Cliff</name>
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          <name>Dépôt légal</name>
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            <name>Title</name>
            <description>A name given to the resource</description>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="35611">
                <text>14 X 21 cm</text>
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            <description>A language of the resource</description>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>FLRB-CLI-I-0 000 057</text>
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            <name>Abstract</name>
            <description>A summary of the resource.</description>
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              <elementText elementTextId="35615">
                <text>«Dans Immense existence, l’électricité propre à William Cliff produit de nouveau ce sourd rayonnement de lampe de poche qui se promène dans les recoins obscurs ou négligés des sentiments et de la vie. Elle les éclaire furtivement, comme pour ne pas effrayer leurs ombres, mais leur donne un relief en creux, d’une vérité troublante.» &#13;
Jacques Réda.</text>
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            <name>Provenance</name>
            <description>A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.</description>
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        <name>Poésie</name>
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            <elementText elementTextId="35604">
              <text>2-07-070713-X</text>
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        <element elementId="111">
          <name>Dépôt légal</name>
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            <elementText elementTextId="35605">
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        </element>
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                <text>Poèmes</text>
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            <name>Creator</name>
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              <elementText elementTextId="35595">
                <text>Cliff, William</text>
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              <elementText elementTextId="35598">
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            <description>A language of the resource</description>
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            <description>The nature or genre of the resource</description>
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            <description>An unambiguous reference to the resource within a given context</description>
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                <text>FLRB-CLI-O-0 000 056</text>
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                <text>William Cliff (né à Gembloux en 1940) est l'un des poètes les plus singuliers de l'actuel champ poétique belge. Usant d'une forme ostensiblement classique, il réussit, par les situations et les thèmes abordés, à créer de parfaits objets de scandale. Il a le verbe violent et voyou, l'inspiration à l'affût des désirs quotidiens, en tous lieux et en tous pays. &#13;
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                <text>Photo de couverture de Raymond Ceuppens &lt;br /&gt;Dédicace de l'auteur à Luc Rémy. &lt;br /&gt;Dessin de Raymond Ceuppens &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;span style="text-decoration:underline;"&gt;Titres des nouvelles :&lt;/span&gt; &lt;/strong&gt;&lt;br /&gt;- Le retour du vivant &lt;br /&gt;- On ne travaillera donc jamais ensemble &lt;br /&gt;- L'appartement de Véronika Mortenson &lt;br /&gt;- Femme de matelot &lt;br /&gt;- Jour de congé &lt;br /&gt;- Le meilleur du quartier &lt;br /&gt;- Chaque sa part</text>
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                <text>Lecture de Luc Rémy&#13;
Dédicace de l'auteur à Luc Rémy.&#13;
Aquarelle unique de l'auteur sur la page de garde.&#13;
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                <text>Au fil de ces six nouvelles se tisse peu à peu l'histoire de La Magda, vieux cargo presque en ruine qui se balade dans quelque port du Nord. Henk en est le capitaine, Peter le second.&#13;
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            <description>A name given to the resource</description>
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              <elementText elementTextId="35523">
                <text>Le Noël de Zéro-deux</text>
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                <text>Sigusse, Albert</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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              <elementText elementTextId="35525">
                <text>Jean Guenot</text>
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            <name>Date</name>
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                <text>1973</text>
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                <text>Nouvelle.</text>
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              <elementText elementTextId="35528">
                <text>11 X 21 cm</text>
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              <elementText elementTextId="35530">
                <text>Ouvrage imprimé</text>
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              <elementText elementTextId="35531">
                <text>8 p.</text>
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          <name>Tirage</name>
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        <element elementId="105">
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                <text>Mon ami Mesens</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="35515">
                <text>Dédicace de l'auteur à Pierre Puttemans.&#13;
Nombreuses photos et reproductions d'oeuvres d'artistes</text>
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            <name>Format</name>
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              <elementText elementTextId="35516">
                <text>11 X 28 cm</text>
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                <text>Ouvrage imprimé</text>
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                <text>FPPB-SCU-A-0 000 828</text>
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        <name>E.L.T. Mesens</name>
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          <element elementId="50">
            <name>Title</name>
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                <text>Alain Le Bras portrait en pied</text>
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                <text>Plaisirs solitaires (Savitzkaya/Izoard)</text>
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                <text>Le Bras, Alain</text>
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            <description>An entity responsible for making the resource available</description>
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              <elementText elementTextId="35500">
                <text>Atelier de l'agneau</text>
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            <name>Date</name>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Gravures de Alain Le Bras.&#13;
Jacques Izoard est co-auteur de Plaisirs solitaires</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="35503">
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              <elementText elementTextId="35504">
                <text>fr</text>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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              <elementText elementTextId="35505">
                <text>Ouvrage imprimé</text>
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                <text>L'intimité de Savitzkaya&#13;
Amateurs d'Eugène Savitzkaya, voici une bonne idée de l'Atelier de l'Agneau de rééditer "Alain Le Bras - Portrait en pied" de l'auteur dans un recueil illustré en couverture par un dessin d'Alain Le Bras et en quatrième, par l'illustration de la première édition de ce livre en 1987. Ce texte est suivi de "Plaisirs solitaires" écrit avec Jacques Izoard en 1979 et de "Trois lettres à R.V.", datant de 1974.&#13;
&#13;
Dans son portrait d'Alain Le Bras, qui est en réalité loin d'être un portrait académique, Savitzkaya s'interroge sur la nature de son ami, artiste-peintre, et sur ce qui compose sa vie. En explorant par le fragment ces petits riens qui font un tout, Eugène Savitzkaya trace l'image d'un homme complet, parfois difficile à saisir, qui évolue à travers divers éléments tout autant difficiles à cerner lorsqu'on tente de les compiler. &#13;
Par exemple: &#13;
"Ses animaux préférés sont le porc aux aimables petits pieds, le chat salaud, la lotte mafflue et la pintade joliment mouchetée" (page 8).&#13;
La nourriture occupe une grande place dans cette description, parmi d'autres renseignement qui bâtissent progressivement un univers, celui d'Alain Le Bras, cet ami que Savitzkaya rencontre en 1981 et qui lui apprend à ouvrir les yeux sur l'art et la beauté du monde. Car à travers cette alimentation qu'utilise l'auteur, c'est toute la gourmandise de Le Bras qui est explorée, son appétit pour les formes et les couleurs, pour l'inconnu et la découverte.&#13;
C'est un superbe hommage rendu par Savitzkaya à Le Bras, empli de respect et de tendresse.&#13;
&#13;
&#13;
Dans "Plaisirs solitaires", Savitzkaya alterne prose poétique et poésie versifiée pour pousser le langage dans les limites de l'évocation. En quelques mots se dressent des images fortes que le poète bouscule pour mieux les faire parler.&#13;
&#13;
"Nu, tu respires mieux.&#13;
Tu saccages tes effrois,&#13;
tes vêtements, tes neiges.&#13;
Tu perds l'ultime semence&#13;
du corps, du bleu battu.&#13;
Tu ne vois personne&#13;
vivre dans tes doigts"&#13;
(page 25)&#13;
&#13;
&#13;
Les "Trois lettres à R.V." séparant les deux parties citées plus haut sont touchantes d'intimité et de créativité; En quelques lignes, parfois très simples, Savitzkaya bâtit un monde poétique riche et attachant</text>
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              <elementText elementTextId="35509">
                <text>FPPB-SAV-A-0 002 647</text>
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          <element elementId="90">
            <name>Provenance</name>
            <description>A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.</description>
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              <elementText elementTextId="35510">
                <text>Fonds Pierre Puttemans</text>
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        <name>Alain Le Bras</name>
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      <name>Publication</name>
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        <element elementId="103">
          <name>Collection de l'éditeur</name>
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        <element elementId="104">
          <name>N° dans la collection</name>
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            <elementText elementTextId="35493">
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          <element elementId="50">
            <name>Title</name>
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                <text>Brieven van Jakob Smits</text>
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              <elementText elementTextId="35481">
                <text>Avermaete, Roger</text>
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              <elementText elementTextId="35482">
                <text>De Nederlandsche Boekhandel. Antwerpen</text>
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              <elementText elementTextId="35484">
                <text>Photos de Jakob Smits.</text>
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              <elementText elementTextId="35486">
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>Ouvrage imprimé</text>
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              <elementText elementTextId="35489">
                <text>83 p.</text>
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                <text>FPPB-AVE-B-0 002 646</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Geert Van Bruaene le petit homme du Rien</text>
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                <text>(Extrait d'une étude Dada en Belgique à paraître aux éditions Mallier à Saint-Aquilin-de-Pacy)</text>
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                <text>Sauwen, Rik</text>
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            <name>Contributor</name>
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              <elementText elementTextId="35470">
                <text>Graverol, Jane</text>
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          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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              <elementText elementTextId="35471">
                <text>Temps mêlés</text>
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            <name>Date</name>
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              <elementText elementTextId="35472">
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            <name>Description</name>
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              <elementText elementTextId="35473">
                <text>Frontispice de Jane Graverol.&#13;
Photos de Geert Van Bruaene.&#13;
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            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="35474">
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              <elementText elementTextId="35475">
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            <description>The nature or genre of the resource</description>
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                <text>Ouvrage imprimé</text>
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                <text>31 p.</text>
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            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="35478">
                <text>FPPB-SAU-G-0 002 645</text>
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            </elementTextContainer>
          </element>
          <element elementId="90">
            <name>Provenance</name>
            <description>A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.</description>
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              <elementText elementTextId="35479">
                <text>Fonds Pierre Puttemans</text>
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          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="1528">
        <name>Geert Van Bruaene</name>
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      <tag tagId="1145">
        <name>Jane Graverol</name>
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      <tag tagId="4137">
        <name>Rik Sauwen</name>
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      <tag tagId="2711">
        <name>Temps mêlés</name>
      </tag>
    </tagContainer>
  </item>
  <item itemId="2595" public="1" featured="0">
    <itemType itemTypeId="18">
      <name>Publication</name>
      <description/>
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    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="35454">
                <text>Ballade de Little-Rock</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="35455">
                <text>Teitelboim, Dora</text>
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          </element>
          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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              <elementText elementTextId="35456">
                <text>Dobzynski, Charles</text>
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              <elementText elementTextId="35457">
                <text>Masereel, Frans</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="35458">
                <text>Armand Henneuse. Lyon.</text>
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          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="35459">
                <text>1959</text>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="35460">
                <text>Avant-propos et traduction du yiddish par Charles Dobzynski.&#13;
Bois gravé de Frans Masereel</text>
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            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="35461">
                <text>14 X 20 cm</text>
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            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="35462">
                <text>fr</text>
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            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="35463">
                <text>Ouvrage imprimé</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="79">
            <name>Medium</name>
            <description>The material or physical carrier of the resource.</description>
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              <elementText elementTextId="35464">
                <text>71 p.</text>
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          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="35465">
                <text>FPPB-TEI-B-0 002 644</text>
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          </element>
          <element elementId="90">
            <name>Provenance</name>
            <description>A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.</description>
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              <elementText elementTextId="35466">
                <text>Fonds Pierre Puttemans</text>
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          </element>
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    <tagContainer>
      <tag tagId="2052">
        <name>Charles Dobzynski</name>
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      <tag tagId="9091">
        <name>Dora Teitelboim</name>
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      <tag tagId="9092">
        <name>Frans Masereel</name>
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      <tag tagId="15">
        <name>Poésie</name>
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    </tagContainer>
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  <item itemId="2594" public="1" featured="0">
    <itemType itemTypeId="18">
      <name>Publication</name>
      <description/>
      <elementContainer>
        <element elementId="95">
          <name>ISBN</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="35453">
              <text>2-85704-318-X</text>
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        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="35440">
                <text>Les Marx Brothers</text>
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          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="35441">
                <text>Tchernoff, Alexis</text>
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          </element>
          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="35442">
                <text>Richard, Pierre</text>
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            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="35443">
                <text>Pygmalion / Gérard Watelet</text>
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          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="35444">
                <text>1990</text>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="35445">
                <text>Préface de Pierre Richard.&#13;
Nombreuses photographies extraites des films des Marx Brothers.</text>
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            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="35446">
                <text>16 X 24 cm</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="35447">
                <text>fr</text>
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            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="35448">
                <text>Ouvrage imprimé</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="79">
            <name>Medium</name>
            <description>The material or physical carrier of the resource.</description>
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              <elementText elementTextId="35449">
                <text>158 p.</text>
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          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="35450">
                <text>FPPB-TCH-M-0 002 643</text>
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          </element>
          <element elementId="53">
            <name>Abstract</name>
            <description>A summary of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="35451">
                <text>Vous persistez à croire à l'existence des Marx Brothers, ces trois... quatre... ou cinq frères..., dont le père, Frenchie, serait, dit-on, né en Alsace près de Colmar ? Nul n'essaiera de vous contredire. On trouve trace en effet dans les registres de l'état-civil de New York d'une famille Marks ou Marx. Mais on n'est pas sûr de l'orthographe, le fonctionnaire...</text>
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            </elementTextContainer>
          </element>
          <element elementId="90">
            <name>Provenance</name>
            <description>A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="35452">
                <text>Fonds Pierre Puttemans</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="9089">
        <name>Alexis Tchernoff</name>
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      <tag tagId="136">
        <name>Cinéma</name>
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      <tag tagId="9090">
        <name>Marx Brothers</name>
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      <tag tagId="9088">
        <name>Pierre Richard</name>
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  <item itemId="2593" public="1" featured="0">
    <itemType itemTypeId="18">
      <name>Publication</name>
      <description/>
      <elementContainer>
        <element elementId="96">
          <name>Tirage</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="35439">
              <text>250 ex.</text>
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          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="35425">
                <text>Syllaben zonder lading</text>
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          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="35426">
                <text>Van Boxelaer, Franz Peter</text>
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            </elementTextContainer>
          </element>
          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="35427">
                <text>Schot, Carla M.</text>
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              <elementText elementTextId="35428">
                <text>De Blaere, Horst</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="35429">
                <text>Franz Peter Van Boxelaer</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="35430">
                <text>1979</text>
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            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="35431">
                <text>Illustrations de Carla M. Schot et Horst De Blaere</text>
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            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="35432">
                <text>21 X 29 cm</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="35433">
                <text>nl</text>
              </elementText>
              <elementText elementTextId="35434">
                <text>fr</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="35435">
                <text>Ouvrage imprimé</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="79">
            <name>Medium</name>
            <description>The material or physical carrier of the resource.</description>
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              <elementText elementTextId="35436">
                <text>69 p.</text>
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            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="35437">
                <text>FPPB-VAN-S-0 002 642</text>
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            </elementTextContainer>
          </element>
          <element elementId="90">
            <name>Provenance</name>
            <description>A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.</description>
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              <elementText elementTextId="35438">
                <text>Fonds Pierre Puttemans</text>
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          </element>
        </elementContainer>
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    <tagContainer>
      <tag tagId="9086">
        <name>Carla M. Schot</name>
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      <tag tagId="9085">
        <name>Franz Peter Van Boxelaere</name>
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      <tag tagId="9087">
        <name>Horst De Blaere</name>
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      <tag tagId="15">
        <name>Poésie</name>
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  <item itemId="2592" public="1" featured="0">
    <itemType itemTypeId="18">
      <name>Publication</name>
      <description/>
      <elementContainer>
        <element elementId="96">
          <name>Tirage</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="35421">
              <text>1060 ex.&#13;
N°445</text>
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        </element>
        <element elementId="105">
          <name>Justification du tirage ordinaire</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="35422">
              <text>1000 ex. sur bouffant Da Costa et numérotés de 1 à 1000</text>
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          </elementTextContainer>
        </element>
        <element elementId="106">
          <name>Justification du tirage de tête</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="35423">
              <text>10 ex. sur vergé de Hollande numérotés de I à X.</text>
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          </elementTextContainer>
        </element>
        <element elementId="107">
          <name>Justification du tirage personnel</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="35424">
              <text>50 ex. sur bouffant Da Costa réservés à la presse et marqués S.P.</text>
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          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="35407">
                <text>Dictionnaire de médecine amusante</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="35408">
                <text>Docteurs Montagnet et Desgosses</text>
              </elementText>
              <elementText elementTextId="35409">
                <text>Colinet, Paul</text>
              </elementText>
              <elementText elementTextId="35410">
                <text>Kinds, Edmond</text>
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              <elementText elementTextId="41874">
                <text>Docteur Desgosses</text>
              </elementText>
              <elementText elementTextId="41875">
                <text>Docteur Montagnet</text>
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            </elementTextContainer>
          </element>
          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="35411">
                <text>Willems, Robert</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="35412">
                <text>André de Rache</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="35413">
                <text>1971</text>
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            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="35414">
                <text>Couverture de Robert Willems. &lt;br /&gt;Précédé d'un portrait-souvenir de Paul Colinet par Edmond Kinds. &lt;br /&gt;&lt;br /&gt;Paul Colinet, écrivant sous le pseudonyme de Docteur Montagnet. &lt;br /&gt;&lt;br /&gt;Edmond Kinds écrivant sous le pseudonyme de Docteur Desgosses.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="35415">
                <text>17 X 26 cm</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="35416">
                <text>fr</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="35417">
                <text>Ouvrage imprimé</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="79">
            <name>Medium</name>
            <description>The material or physical carrier of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="35418">
                <text>60 p.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="35419">
                <text>FPPB-DOC-D-0 002 641</text>
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          </element>
          <element elementId="90">
            <name>Provenance</name>
            <description>A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.</description>
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              <elementText elementTextId="35420">
                <text>Fonds Pierre Puttemans</text>
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          </element>
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    <tagContainer>
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        <name>Docteurs Montagnet et Desgosses</name>
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      <tag tagId="1153">
        <name>Edmond Kinds</name>
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      <tag tagId="322">
        <name>Paul Colinet</name>
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      <tag tagId="746">
        <name>Robert Willems</name>
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  <item itemId="2591" public="1" featured="0">
    <itemType itemTypeId="18">
      <name>Publication</name>
      <description/>
      <elementContainer>
        <element elementId="96">
          <name>Tirage</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="35402">
              <text>300 ex.&#13;
N°66</text>
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          </elementTextContainer>
        </element>
        <element elementId="103">
          <name>Collection de l'éditeur</name>
          <description>Collection chez l'éditeur</description>
          <elementTextContainer>
            <elementText elementTextId="35403">
              <text>Epreuve d'artiste</text>
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          </elementTextContainer>
        </element>
        <element elementId="104">
          <name>N° dans la collection</name>
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          <elementTextContainer>
            <elementText elementTextId="35404">
              <text>N°6</text>
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        </element>
        <element elementId="105">
          <name>Justification du tirage ordinaire</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="35405">
              <text>250 ex. numérotés de 51 à 300. Imprimés sur Rivoli.</text>
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        </element>
        <element elementId="106">
          <name>Justification du tirage de tête</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="35406">
              <text>50 ex. signés et numérotés de 1 à 50 imprimés sur Rivoli.</text>
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          </elementTextContainer>
        </element>
      </elementContainer>
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    <elementSetContainer>
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                <text>Calendrier humoristique</text>
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                <text>Planches de sérigraphie de l'auteur.&#13;
Avant-propos de Jean-Claude Van Cauwenberghe&#13;
Préface de Christian Renard&#13;
Présentation de Pierre Puttemans&#13;
Brochure présentée à l'occasion de l'exposition "Luc Van Malderen au Bois du Cazier. Perspective - Rétrospective."&#13;
à Marcinelle du 6 juin au 29 août 2004.</text>
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                <text>C'est le travail d'une vie que Luc Van Malderen a choisi d'exposer dans le splendide décor du Bois du Cazier. L'artiste y présente des peintures acryliques, des mégalithes, des peintures sur papier, ainsi qu'un choix significatif des 140 estampes imprimées depuis 40 ans et une trentaine de pochades sérigraphiées. D'abord graphiste, Luc Van Malderen se consacre à la peinture et à la sérigraphie depuis 1978. Il est passé maître dans les compositions d'inspiration architecturales. Son travail est surtout consacré à l'espace généré par l'architecture: «Pour voir l'espace, il faut l'encombrer! Je ne m'en prive pas. Des structures aléatoires, des amoncellements de volumes, des configurations en perspective cavalière, des masses s'interpénétrant avec circonspection. Voilà bien la base de mon travail». Depuis 20 ans, l'artiste sillonne l'Europe en quête d'inspiration dans les sites industriels. Ce travail l'a notamment amené à réaliser le Grand dossier de l'architecture dont les éléments ont été exposés dans 24 villes en Europe, au Canada et au Japon. Ses réalisations lui ont valu de nombreuses distinctions.</text>
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              <text>D/2003/1802/16</text>
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                <text>Albert Dumont</text>
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                <text>Architecte 1853-1920&#13;
24 rue des Comédiens</text>
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                <text>Pirlot, Anne-Marie</text>
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                <text>Créplet, Nicolas</text>
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                <text>Piéreuse, Philippe</text>
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                <text>En 1892, l’architecte bruxellois d’origine française Albert Dumont (l853-l920) réalise un plan d’urbanisation des dunes d’Hardelot, à proximité du Touquet, en vue d’y créer une station balnéaire. C’est, pour l’architecte, le commencement d’une passion pour l’urbanisme et l’architecture des bords de mer qui s’exprimera dans l’étude de plans de villes et la construction de quelque deux cents villas côtières à Middelkerke, Saint-Idesbald, La Panne, Malo-les-Bains…&#13;
&#13;
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              <elementText elementTextId="35339">
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N°430</text>
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                <text>Coche de la Ferté, Etienne</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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Avec une note manuscrite de Pierre Puttemans à l'attention de son épouse</text>
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              <elementText elementTextId="35325">
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                <text>FPPB-HOF-H-0 002 635</text>
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ex. N°190</text>
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            <description>An entity primarily responsible for making the resource</description>
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                <text>Canonne, Xavier</text>
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          <element elementId="45">
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            <description>An entity responsible for making the resource available</description>
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              <elementText elementTextId="35306">
                <text>Une passerelle en papier</text>
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          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="35307">
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="35308">
                <text>22 illustrations de Claude Galand&#13;
Plus un feuillet volant "Prière d'insérer" de Xavier Canonne</text>
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              <elementText elementTextId="35309">
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            <elementTextContainer>
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              <elementText elementTextId="35313">
                <text>FPPB-THY-A-0 002 634</text>
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            <description>A name given to the resource</description>
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                <text>Variétés (Revue)&#13;
Numéro hors série : &#13;
Le surréalisme en 1929&#13;
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            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="35047">
                <text>Van Hecke, P.G.</text>
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            <description>An entity responsible for making contributions to the resource</description>
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              <elementText elementTextId="35048">
                <text>Freud, Sigmund</text>
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              <elementText elementTextId="35049">
                <text>Crevel, René</text>
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              <elementText elementTextId="35050">
                <text>Eluard, Paul</text>
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              <elementText elementTextId="35051">
                <text>Nougé, Paul</text>
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              <elementText elementTextId="35052">
                <text>Unik, Pierre</text>
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              <elementText elementTextId="35053">
                <text>Péret, Benjamin</text>
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              <elementText elementTextId="35054">
                <text>Sadoul, Georges</text>
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              <elementText elementTextId="35055">
                <text>Aragon, Louis</text>
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              <elementText elementTextId="35056">
                <text>Valentin, Albert</text>
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              <elementText elementTextId="35057">
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              <elementText elementTextId="35058">
                <text>Mesens, E.L.T.</text>
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              <elementText elementTextId="35059">
                <text>Queneau, Raymond</text>
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              <elementText elementTextId="35060">
                <text>Mégret, Frédéric</text>
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              <elementText elementTextId="35061">
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              <elementText elementTextId="35062">
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              <elementText elementTextId="35072">
                <text>Dewolf, Philippe</text>
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          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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              <elementText elementTextId="35063">
                <text>Didier Devillez Editeur</text>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="35065">
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              <elementText elementTextId="35066">
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          <element elementId="51">
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            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="35067">
                <text>Ouvrage imprimé</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="79">
            <name>Medium</name>
            <description>The material or physical carrier of the resource.</description>
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              <elementText elementTextId="35068">
                <text>80 p.</text>
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          <element elementId="43">
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                <text>Le numéro spécial de Variétés contient de nombreux poèmes, parmi lesquels plusieurs&#13;
d’Aragon (je transcris le titre et le début du premier vers) : Moderne (Bordel pour bordel…) ;&#13;
Symbole (La chronologie bras-dessus…) ; Très tard que jamais (Les choses du sexe…) ; Ancien&#13;
combattant (J’ai fait le mouvement…) ; Exagération (Oh ma Zizi…) ; 97-28 (Me voici sur mon&#13;
trente et un…).&#13;
Il contient aussi la pièce de théâtre d’Aragon et d’André Breton, intitulée Le Trésor des Jésuites.&#13;
Cette médiocre suite de sketches avait être jouée le 1er décembre 1928 au théâtre Apollo par&#13;
Musidora qui avait été, trente ans plus tôt, une vedette du cinéma muet.&#13;
Parmi les nombreuses photos de Man Ray illustrant le numéro, celle d’Aragon et de Breton, et&#13;
plusieurs (ainsi celle de la couverture) de la communauté surréaliste du 54 rue du Château,&#13;
qu’Aragon habita avant d’aménager avec Elsa. On y voit ainsi les toilettes aménagées avec des&#13;
ornements volés par Thirion dans une église : un crucifix en guise de poignée de chasse, etc.&#13;
Une photo devant figurer dans Variétés a finalement été publiée par André Thirion dans son &#13;
Révolutionnaires sans Révolution ; prise au cabaret Le Paradis, on y voit Elsa Triolet, Louis&#13;
Aragon, Camille Goemans (qui venait d’ouvrir l’éphémère Galerie surréaliste, 49 rue de Seine, à&#13;
Paris) et sa femme, Jean Arp, Jean Cauypenne, Georges Sadoul et une amie à lui, André&#13;
Breton, Pierre Unik, Yves Tanguy, Suzanne Musard, André Thirion et Frédéric Mégret.&#13;
La collaboration d’Aragon et de Breton avec la revue Variétés s’exprima aussi dans un tout autre&#13;
genre. Publié clandestinement (sans indication d’éditeur, de date ni de lieu d’édition) en 1929,&#13;
1929 est un calendrier poético-pornographique orné de quatre photos de Kiki de Montparnasse,&#13;
photographiée par Man Ray qui était son amant, et de poèmes de Benjamin Péret (premier&#13;
semestre) et d’Aragon (deuxième semestre). Les 215 exemplaires de cette plaquette furent&#13;
saisis à la frontière et n’arrivèrent jamais en France. C’est Pascal Pia qui attribue, dans Les&#13;
Livres de l’Enfer, l’édition de 1929 à Variétés.&#13;
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              <elementText elementTextId="35071">
                <text>Fonds Pierre Puttemans</text>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="35073">
                <text>Avant-Propos de Philippe Dewolf</text>
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        <name>Albert Valentin</name>
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      <tag tagId="396">
        <name>André Breton</name>
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      <tag tagId="301">
        <name>André Thirion</name>
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        <name>Georges Sadoul</name>
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      <tag tagId="1773">
        <name>Louis Aragon</name>
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      <tag tagId="4463">
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      <tag tagId="1673">
        <name>Paul Eluard</name>
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      <tag tagId="353">
        <name>Paul Nougé</name>
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      <tag tagId="1271">
        <name>Philippe Dewolf</name>
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      <tag tagId="6785">
        <name>Pierre Unik</name>
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      <tag tagId="580">
        <name>Raymond Queneau</name>
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      <tag tagId="1436">
        <name>René Crevel</name>
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      <tag tagId="1648">
        <name>Robert Desnos</name>
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      <tag tagId="1822">
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