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                <text>&lt;p&gt;Entre Tanger et Gibraltar, entre Ceuta et Tarifa, des gens partent, des gens passent. Venus du Maroc, de plus bas en Afrique ou d'ailleurs (Turquie, Asie, Tchétchénie). Ils quittent ville ou village, famille, maison (voire leur travail), laissent tout derrière eux et parfois leur avenir, franchissent le détroit dans la clandestinité, en désespoir de cause, aimantés par l'Occident. Ce sont les "brûleurs", ceux qui lachent tout et riquent tout (le détroit fait trois victimes par jour), ceux qui "brûlent" la frontière, comme on dit là-bas, mais brûlent aussi leurs papiers, sacrifiant leur identité à l'espoir de renâitre ailleurs, différents, une fois franchis les remparts sans cesse plus hostiles de l'Europe.&lt;/p&gt;
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                <text>Dans ce journal de bord tenu à la faveur d’un séjour dans l’Ile d’Emeraude, il y a tout ce que l’on aimerait conserver en soi de précieux souvenirs et, d’abord, les détails qui rendent la vie si différente du continent. Voici l’Irlande telle qu’en elle-même, portraiturée avec tendresse, ironie douce, gravité, enchantement. Voici sa sauvage beauté, et c’est l’essentielle qualité de ces poèmes, leur beauté. Ceci n’étant pas à démontrer : beaux parce que justes, point final. Lisez-les, c’est urgent. Pour donner sens nouveau à vos vieilles habitudes. Pour nourrir vos rêves. Pour redécouvrir l’ombre et la lumière des choses. Pour ponctuer votre prochaine escapade irlandaise.&#13;
« Ici&#13;
sur un tertre&#13;
des mégalithes de plusieurs tonnes&#13;
ont su garder&#13;
l’âme et l’esprit volatils des morts&#13;
&#13;
On peut leur parler pour peu qu’on&#13;
accepte que ce soit&#13;
l’herbe&#13;
qui réponde ou le ciel dans la flaque&#13;
d’eau »&#13;
&#13;
Evocations précises et ouvertes, réalistes et magiques, appuyées par le caractère celtique de la typographie. Géopoésie dont l’être est le centre secret. Werner Lambersy adore l’Irlande, et cela se devine à son regard plein d’empathie humaine, à sa langue poétique légère quoique enracinée, allumant, chez le lecteur, des images qui font danser la pensée.&#13;
&#13;
Chez cet Irlandais de coeur,&#13;
« les étoiles lisent&#13;
silencieuses le livre des toits&#13;
Et (...) le ciel&#13;
est un doux marbre de suies. &#13;
&#13;
(...)&#13;
la marée&#13;
à cause de son grand âge&#13;
grogne&#13;
en remontant&#13;
les plages de galets noirs »&#13;
&#13;
Emotions, sensations palpables, non loin, parfois, d’une Guinness qui reprend de l’avance sur/ la nuit. Poème du bonheur simple et grave d’exister, loin des péripéties loufoques, matérialistes et barbares de notre pauvre époque.&#13;
&#13;
On aime qu’un muret / de pierres sans ciment / couve le jardin. On apprend que l’Irlandais aime dieu / parce que c’est  un bon conteur / d’histoires. (...) L’eau amère / de l’exil nous rappelle le passé tourmenté de cette nation, fière et sage, qui s’enorgueillit de plusieurs Prix Nobel, en plus du splendide Livre de Kells et autres merveilles à admirer.&#13;
&#13;
Abbaye, horizon, pluie, chevaux, océan, estuaires, Armada, tours et thé, pop corn et phoques,...  Infiniment, un monde s’esquisse sous les doigts de ce conteur né qui excelle à recréer un pan d’éternité dans le présent continu de ses verbes comme à nous faire voyager à dos d’île, avec l’allant et le naturel d’une embellie déposant son présent sur le bord du monde.&#13;
&#13;
Béatrice Libert&#13;
Cointe, ce 30 décembre 2006&#13;
&#13;
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                <text>L'accent du secret</text>
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            <name>Creator</name>
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            <name>Publisher</name>
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            <name>Date</name>
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            <description>The nature or genre of the resource</description>
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          <element elementId="79">
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                <text>Fonds Pierre Puttemans</text>
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        <name>Marcel Lecomte</name>
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              <text>Métamorphoses</text>
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          <name>N° dans la collection</name>
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              <text>N°35</text>
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          <name>Dépôt légal</name>
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            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="26478">
                <text>Les rapports absolus</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="26479">
                <text>Lambrichs, Georges</text>
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          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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              <elementText elementTextId="26480">
                <text>Gallimard</text>
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            <name>Format</name>
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                <text>15 X 19 cm</text>
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            <description>A language of the resource</description>
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                <text>fr</text>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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              <elementText elementTextId="26484">
                <text>Ouvrage imprimé</text>
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          <element elementId="79">
            <name>Medium</name>
            <description>The material or physical carrier of the resource.</description>
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              <elementText elementTextId="26485">
                <text>89 p.</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>FPPB-LAM-R-0 001 773</text>
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            <name>Provenance</name>
            <description>A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.</description>
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                <text>Fonds Pierre Puttemans</text>
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        <name>Georges Lambrichs</name>
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          <name>N° dans la collection</name>
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            <elementText elementTextId="26572">
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        <element elementId="105">
          <name>Justification du tirage ordinaire</name>
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            <elementText elementTextId="26573">
              <text>450 exemplaires, dont 50 numérotés.</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="26491">
                <text>Brusquement les oiseaux</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="26492">
                <text>Lassalle, Jean-Pierre</text>
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          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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              <elementText elementTextId="26493">
                <text>Temps Mêlés </text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="26494">
                <text>1968</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="26495">
                <text>Avec des dessins de l'auteur</text>
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          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="26496">
                <text>15 X 19 cm</text>
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            </elementTextContainer>
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          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
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              <elementText elementTextId="26497">
                <text>fr</text>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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              <elementText elementTextId="26498">
                <text>Ouvrage imprimé</text>
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            </elementTextContainer>
          </element>
          <element elementId="79">
            <name>Medium</name>
            <description>The material or physical carrier of the resource.</description>
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              <elementText elementTextId="26499">
                <text>np</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="26500">
                <text>FPPB-LAS-B-0 001 774</text>
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          <element elementId="90">
            <name>Provenance</name>
            <description>A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.</description>
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                <text>Fonds Pierre Puttemans</text>
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        <name>Christian Beck</name>
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        <name>Jean-Pierre Lassalle</name>
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      <tag tagId="3014">
        <name>Louis Pierard</name>
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      <tag tagId="2296">
        <name>Oiseau</name>
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          <name>Dublin Core</name>
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            <elementText elementTextId="26512">
              <text>Poètes d'aujourd'hui</text>
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          <name>N° dans la collection</name>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Lautréamont</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="26503">
                <text>Soupault, Philippe</text>
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          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="26504">
                <text>Pierre Seghers</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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            <description>A language of the resource</description>
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            <description>The nature or genre of the resource</description>
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              <elementText elementTextId="26508">
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          <element elementId="79">
            <name>Medium</name>
            <description>The material or physical carrier of the resource.</description>
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              <elementText elementTextId="26509">
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>FPPB-SOU-L-0 001 775</text>
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            <description>A class of entity for whom the resource is intended or useful.</description>
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                <text>Fonds Pierre Puttemans</text>
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        <name>Isidore Ducasse</name>
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        <name>Lautréamont</name>
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      <tag tagId="1075">
        <name>Philippe Soupault</name>
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        <name>Poésie</name>
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          <name>Dépôt légal</name>
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            <description>A name given to the resource</description>
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                <text>Cérémonie</text>
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                <text>La Fère, Anne-Marie</text>
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                <text>Janssens, André</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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            <description>An account of the resource</description>
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Illustrations de André Janssens&#13;
Dédicace des auteurs à Pierre Puttemans</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="26520">
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            <description>The nature or genre of the resource</description>
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                <text>Ouvrage imprimé</text>
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            </elementTextContainer>
          </element>
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            <name>Medium</name>
            <description>The material or physical carrier of the resource.</description>
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              <elementText elementTextId="26523">
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>FPPB-LAF-C-0 001 776</text>
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            <name>Provenance</name>
            <description>A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.</description>
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            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="26590">
                <text>Fonds Luc Rémy</text>
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          <name>Mode d'acquisition</name>
          <description>Achat, don, ... ?</description>
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              <text>Don - Luc Rémy</text>
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                <text>Huile</text>
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              <elementText elementTextId="26602">
                <text>FLRA-OE-H-0 000 045</text>
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      <tag tagId="2238">
        <name>Jean Hick</name>
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          <name>Mode d'acquisition</name>
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            <name>Title</name>
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              <elementText elementTextId="26607">
                <text>Autoportrait de Claude Haumont</text>
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              <elementText elementTextId="26609">
                <text>1962</text>
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            <name>Rights</name>
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              <elementText elementTextId="26610">
                <text>Fonds Luc Rémy</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="26611">
                <text>30 x 40 cm</text>
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              <elementText elementTextId="26612">
                <text>Dessin</text>
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              <elementText elementTextId="26613">
                <text>FLRA-OE-H-0 000 046</text>
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                  <text>Bibliothèque de Pierre Puttemans - FPPB</text>
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              <text>Propositions</text>
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          <name>N° dans la collection</name>
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            <elementText elementTextId="26628">
              <text>N°2</text>
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          <name>Dépôt légal</name>
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              <text>2ème trim. 1946</text>
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        <element elementId="105">
          <name>Justification du tirage ordinaire</name>
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          <elementTextContainer>
            <elementText elementTextId="27208">
              <text>Ce volume, le deuxième de la collection &lt;em&gt;Propositions&lt;/em&gt;, a été tiré à 2 520 exemplaires dont 20 sur Vélin L.B.M. Voiron numérotés de 1 à 20 et achevé d'imprimer le 20 mai 1946 sur les presse des impressions Rivade (Paris).</text>
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="26616">
                <text>L'aventure achevée</text>
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              <elementText elementTextId="26617">
                <text>Lambrichs, Georges</text>
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            <name>Publisher</name>
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              <elementText elementTextId="26618">
                <text>Editions de Minuit</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="26619">
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            <name>Description</name>
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              <elementText elementTextId="26620">
                <text>Dédicace de l'auteur</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="26621">
                <text>14 X 19 cm</text>
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          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
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                <text>fr</text>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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              <elementText elementTextId="26623">
                <text>Ouvrage imprimé</text>
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          <element elementId="79">
            <name>Medium</name>
            <description>The material or physical carrier of the resource.</description>
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              <elementText elementTextId="26624">
                <text>86 p.</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="26625">
                <text>FPPB-LAM-A-0 001 779</text>
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          <element elementId="90">
            <name>Provenance</name>
            <description>A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.</description>
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              <elementText elementTextId="26626">
                <text>Fonds Pierre Puttemans</text>
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        <name>Georges Lambrichs</name>
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                <elementText elementTextId="7997">
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              <text>Signes des temps</text>
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        <element elementId="104">
          <name>N° dans la collection</name>
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            <elementText elementTextId="26642">
              <text>N°3</text>
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        <element elementId="111">
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            <elementText elementTextId="26643">
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="26630">
                <text>A la découverte des fresques du Tassili</text>
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              <elementText elementTextId="26631">
                <text>Lhote, Henri</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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              <elementText elementTextId="26632">
                <text>Arthaud</text>
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            <name>Date</name>
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              <elementText elementTextId="26634">
                <text> 16 X 21 cm                      </text>
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            <name>Type</name>
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              <elementText elementTextId="26636">
                <text>Ouvrage imprimé</text>
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          <element elementId="79">
            <name>Medium</name>
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                <text>265 p.</text>
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                <text>FPPB-LHO-D-0 001 780</text>
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            <name>Abstract</name>
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                <text>1956 : Henri Lhote organise la première expédition destinée à étudier les peintures préhistoriques découvertes par hasard dans le Tassili en 1933. On savait que le Sahara n'avait pas toujours été un désert. Mais qui eut cru que le Tassili renfermait de tels trésors archéologiques ? Au cours de longs mois, Henri Lhote et son équipe ont procédé au relevé de milliers de fresques produites entre 5000 et 2500 avant notre ère. &#13;
&#13;
Ce livre est aussi le récit d'une aventure : avec des moyens extrêmement réduits, vivant le plus souvent à la touarègue, l'expédition a été soumise aux rigueurs du climat et aux rigueurs du climat et aux aléas du ravitaillement. </text>
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                <text>Fonds Pierre Puttemans</text>
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      <tag tagId="2831">
        <name>Henri Lhote</name>
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                  <text>Bibliothèque de Pierre Puttemans - FPPB</text>
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&lt;p style="text-align:right;"&gt;L’image du « &lt;em&gt;temple&lt;/em&gt; » de l’amour fait résonner celui-ci de ses pierres luisantes depuis ses fondations. Temple vivant, sans cesse grandi par l’appel et le don de ses offrandes, l’édification et les ramifications de sa « &lt;em&gt;merveille&lt;/em&gt; » dans &lt;em&gt;l’éternité&lt;/em&gt;, ce &lt;em&gt;battement de cils&lt;/em&gt;. Sa force et sa fragilité, sa temporelle durabilité, que chante le poète, sont condensées par cette assertion aux accents liturgiques : « &lt;em&gt;Ceci est la merveille&lt;/em&gt; ».&lt;br /&gt;&lt;br /&gt;[...]&lt;br /&gt;&lt;em&gt;&lt;strong&gt;&lt;span&gt;Murielle Compère-Demarcy&lt;/span&gt;&lt;/strong&gt;&lt;/em&gt;&lt;/p&gt;</text>
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&#13;
M. N.&#13;
&#13;
De ce mouvement dont il fut un témoin privilégié au moment où il jetait ses derniers feux, Maurice Nadeau livre ici une histoire inscrite dans le contexte artistique, politique et social de l’entre-deux-guerres. Mais à travers les tensions et les crises que traversa le groupe réuni autour d’André Breton, c’est à une réflexion plus large sur le destin des avant-gardes que l’auteur nous invite.</text>
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                <text>El Canto General (titre original) est un hymne à l'Amérique latine et aux nations opprimées, en général.&#13;
&#13;
« Entrepris par le poète au mois de mai 1938, le lendemain de la mort de son père, Le Chant général fut achevé plus de dix ans plus tard. Il se termine par ces mots :&#13;
&#13;
"Ainsi finit ce livre, je laisse ici mon Chant général écrit dans la persécution, en chantant sous les ailes clandestines de ma patrie. Aujourd’hui 5 février, en cette année1949, au Chili, à Godomarde Chena, quelques mois avant la quarante-cinquième année de mon âge." &#13;
&#13;
Abandonnant l’idée primitive d’écrire un poème à la gloire du Chili, Neruda, lors d’une ascension au Macchu-Picchu en 1943, décida de composer un chant général américain. Le livre fut publié en 1950 au Mexique. Il comprend quinze parties, ensemble composite et divers qui brosse, en un panorama grandiose, une sorte d’immense fresque lyrique et épique du continent américain, depuis les temps précolombiens, la conquête et l’indépendance jusqu’à l’histoire la plus récente; il s’y mêle l’histoire des hommes, des indigènes, des clans, des factions, de leurs combats, de leurs révoltes, de leurs espoirs. La dernière partie, intitulée Je suis (Yo soy ), est une autobiographie poétique, une manière de testament et de profession de foi. Embrassant à la fois l’histoire d’un homme et celle de toute l’Amérique hispanique, Le Chant général s’élargit aussi aux dimensions de l’histoire universelle, des États-Unis d’Amérique aux nations opprimées comme l’Espagne ou la Grèce. Dans ce tableau démesuré, dans cette exaltation grandiose de la libération des hommes, le chantre a su faire passer toute la violence et l’humour, toute la tendresse et la force d’imprécation d’un lyrisme qui sait allier spontanément les formes les plus raffinées aux tonalités les plus âpres, la simplicité la plus sobre à l’invective la plus mordante, et les cris les plus discordants à la mélodie la plus envoûtante. » (extrait d'un article de Bernard Sesé, L'Encyclopedia Universalis, 2000)</text>
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                <text>Textes saccadés, découpés, d’une grande noirceur pour la plupart, ils montrent que Henri Michaux devait se battre avec ses démons intérieurs, avec les expériences liées à la guerre, et à la mort.&#13;
&#13;
Textes très forts, souvent très durs, ils mettent parfois mal à l’aise mais illustrent finalement très bien le mal être et la solitude du poète.&#13;
&#13;
&#13;
Ces poèmes, dont plusieurs étaient inédits, ont été publiés à titre posthume, et les textes ont été choisis par son exécutrice testamentaire et compagne (Micheline Phankim) selon ses choix personnels, parmi les textes les plus poétiques de Henri Michaux.&#13;
&#13;
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&lt;p&gt;L.C.&lt;/p&gt;
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                <text>Gallimard</text>
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            <name>Date</name>
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                <text>1946</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Traduction et postface de Roger Caillois</text>
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          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="26800">
                <text>12 x 19 cm</text>
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          <element elementId="44">
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            <description>A language of the resource</description>
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              <elementText elementTextId="26801">
                <text>fr</text>
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            <description>The nature or genre of the resource</description>
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                <text>Ouvrage imprimé</text>
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          <element elementId="79">
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              <elementText elementTextId="26803">
                <text>134 p.</text>
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                <text>FPPB-MIS-P-0 001 789</text>
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          <element elementId="90">
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                <text>Fonds Pierre Puttemans</text>
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        <name>Gabriela Mistral</name>
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        <name>Poésie</name>
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                  <text>Bibliothèque de Luc Rémy</text>
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        <element elementId="96">
          <name>Tirage</name>
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              <text>Ex. n° 99</text>
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              <text>Cet ouvrage familiale privé a été tiré à 200 exemplaires numérotés de 1 à 200.</text>
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            <name>Title</name>
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                <text>Paul Neuhuys : poésies</text>
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                <text>Neuhuys, Paul</text>
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            <name>Contributor</name>
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              <elementText elementTextId="26810">
                <text>Corbisier, Sandra</text>
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          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <text>Ca ira</text>
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                <text>2012</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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                <text>Ensemble de 3 tomes réunis sous un emboîtage cartonné. &#13;
Il s'agit d'une édition familiale privée.</text>
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          <element elementId="42">
            <name>Format</name>
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                <text>16,5 x 24 cm</text>
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                <text>A la mémoire de "Grand", l'ensemble de sa poésie, minutieusement réunie par ses fils Luc et Thierry.</text>
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          <element elementId="54">
            <name>Table Of Contents</name>
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                <text>Contient les poèmes suivants : &lt;br /&gt;&lt;ul&gt;&lt;li&gt;&lt;em&gt;La Source et l'Infini&lt;/em&gt;, illustrations de Paul Joostens, 1914&lt;/li&gt;
&lt;li&gt;&lt;em&gt;Loin du Tumulte&lt;/em&gt;, préface de Max Elskamp, 1919&lt;/li&gt;
&lt;li&gt;&lt;em&gt;Le Canari et la Cerise&lt;/em&gt;, 1921&lt;/li&gt;
&lt;li&gt;&lt;em&gt;Le Zèbre handicapé&lt;/em&gt;, portrait de Paul Neuhuys par Floris Jespers, 1923&lt;/li&gt;
&lt;li&gt;&lt;em&gt;L'Arbre de Noël&lt;/em&gt;, 1927&lt;/li&gt;
&lt;li&gt;&lt;em&gt;Le Marchand de Sable&lt;/em&gt;, 1931&lt;/li&gt;
&lt;li&gt;&lt;em&gt;Naissance d'Adonis&lt;/em&gt;, 1932&lt;/li&gt;
&lt;li&gt;&lt;em&gt;La Fontaine de Jouvence&lt;/em&gt;, 1936&lt;/li&gt;
&lt;li&gt;&lt;em&gt;Fables&lt;/em&gt;, Frontispice de Yetta Nyssens, 1939&lt;/li&gt;
&lt;/ul&gt;</text>
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            <name>Alternative Title</name>
            <description>An alternative name for the resource. The distinction between titles and alternative titles is application-specific.</description>
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                <text>Tome I</text>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="26822">
                <text>FLRB-NEU-P-0 000 047</text>
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          </element>
          <element elementId="90">
            <name>Provenance</name>
            <description>A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.</description>
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              <elementText elementTextId="35870">
                <text>Fonds Luc Rémy</text>
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    <tagContainer>
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        <name>Floris Jespers</name>
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      <tag tagId="2853">
        <name>Henri Chopin</name>
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      <tag tagId="1675">
        <name>Max Elskamp</name>
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      <tag tagId="2849">
        <name>Paul Joostens</name>
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      <tag tagId="351">
        <name>Paul Neuhuys</name>
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      <tag tagId="2851">
        <name>Yetta Nyssens</name>
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