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&lt;li&gt;La clef préfère la serrure au trousseau / Marcel Havrenne - p. 3&lt;/li&gt;
&lt;li&gt;Histoire et sémantique / Matila C. Ghyka - p. 4,5 &amp;amp; 6&lt;/li&gt;
&lt;li&gt;Quadril / Raoul Hausmann - p. 6&lt;/li&gt;
&lt;li&gt;&lt;em&gt;Le Jardin des Dahlias&lt;/em&gt; &amp;amp; &lt;em&gt;Automne&lt;/em&gt; / François Jacqmin - p. 7&lt;/li&gt;
&lt;li&gt;Poèmes naturels / Joseph Noiret - p. 8&lt;/li&gt;
&lt;li&gt;Comme une saveur de mensonge (fragments de Mirabilia)  / Théodore Koenig - p. 9&lt;/li&gt;
&lt;li&gt;Invitation au 5ème banquet de Phantomas (28 février 1958) - p. 12&lt;/li&gt;
&lt;li&gt;&lt;em&gt;Triquadre&lt;/em&gt; &amp;amp; &lt;em&gt;Elle&lt;/em&gt; &amp;amp; &lt;em&gt;Balladada&lt;/em&gt; / Kurt Schwitters (traductions de Raoul Hausmann autorisés par K. Schwitters) - p. 13 &amp;amp; 14&lt;/li&gt;
&lt;li&gt;Correspondance Raoul Hausmann - Kurt Schwitters : autour d'une nouvelle poésie - p. 15, 16, 17, 18 &amp;amp; 19&lt;/li&gt;
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Contient les &lt;span style="text-decoration:underline;"&gt;&lt;strong&gt;aphorismes&lt;/strong&gt;&lt;/span&gt; suivants : &lt;br /&gt;&lt;ul&gt;&lt;li&gt;Le Belge n'est pas plus gourmand qu'un Papou / Charles Baudelaire - p. 12&lt;/li&gt;
&lt;li&gt;Tant qu'on aura pas psychanalysé l'homme repu, on manquera des éléments affectifs primordiaux pour comprendre la psychologie de l'évidence réaliste / Gaston Bachelard - p. 12&lt;/li&gt;
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&lt;ul&gt;&#13;
&lt;li&gt;A chaque mot son dépôt d'allusion / Marcel Havrenne - p.1 &amp;amp; 2&lt;/li&gt;&#13;
&lt;li&gt;Ma Presqu'île / Marcel Havrenne - p. 2&lt;/li&gt;&#13;
&lt;li&gt;L'Auteur / Jorge-Luis Borges - p. 3&lt;/li&gt;&#13;
&lt;li&gt;Texte de Marcel Lecomte - p. 4&lt;/li&gt;&#13;
&lt;li&gt;Texte de Louis Scutenaire - p. 4&lt;/li&gt;&#13;
&lt;li&gt;Texte de Joseph Noiret - p. 5,6 &amp;amp; 7&lt;/li&gt;&#13;
&lt;li&gt;Lui écrire une lettre / Marcel Broodthaers - p. 7&lt;/li&gt;&#13;
&lt;li&gt;Le Témoin / Robert Giuette - p. 8&lt;/li&gt;&#13;
&lt;li&gt;Anecdotiquement / A. L. - p. 8&lt;/li&gt;&#13;
&lt;li&gt;Pour M.H. / Aubin Pasque - p. 8&lt;/li&gt;&#13;
&lt;li&gt;Texte de Achille Chavée - p. 9&lt;/li&gt;&#13;
&lt;li&gt;Déposition de témoin / Théodore Koenig - p. 11 &amp;amp; 12&lt;/li&gt;&#13;
&lt;li&gt;Texte de Christian Dotremont - p. 13&lt;/li&gt;&#13;
&lt;li&gt;Avoir la main heureuse / Paul Neuhuys - p. 13&lt;/li&gt;&#13;
&lt;li&gt;Origine / Marcel et Gabriel Piqueray - p. 14&lt;/li&gt;&#13;
&lt;li&gt;M.H. ou la flore de l'être / François Jacqmin - p. 14&lt;/li&gt;&#13;
&lt;li&gt;Texte de Pol Bury - p. 17&lt;/li&gt;&#13;
&lt;li&gt;Les Croque-morts / Paul Bourgoignie - p. 17&lt;/li&gt;&#13;
&lt;li&gt;Texte de Paul Colinet - p. 18&lt;/li&gt;&#13;
&lt;li&gt;Ce que dit l'écho aux jardins ou Havrenne a semé la tempête / Adouard Jaguer - p. 18&lt;/li&gt;&#13;
&lt;li&gt;Texte de Pierre Alechinsky - p. 19&lt;/li&gt;&#13;
&lt;li&gt;Certaines nuits étoilées / Franz Hellenz - p. 19&lt;/li&gt;&#13;
&lt;li&gt;Hommage à mon ami Marcel Havrenne / Gérard (Geert Van Bruaene) - p. 19&lt;/li&gt;&#13;
&lt;li&gt;Etude astrologique sur Marcel Havrenne / Gustave Lambert Brahy - p. 20&lt;/li&gt;&#13;
&lt;li&gt;Havrenne 1947, 8, 9 ... / Noël Arnaud - p. 21 &amp;amp; 22&lt;/li&gt;&#13;
&lt;/ul&gt;&#13;
Contient les &lt;span style="text-decoration: underline;"&gt;&lt;strong&gt;photographies&lt;/strong&gt;&lt;/span&gt; suivantes :&amp;nbsp;&lt;br /&gt;&#13;
&lt;ul&gt;&#13;
&lt;li&gt;Marcel Havrenne à 6 mois - p. 9&lt;/li&gt;&#13;
&lt;li&gt;Marcel Havrenne à 7 ans - p. 9&lt;/li&gt;&#13;
&lt;li&gt;Sergent Marcel Havrenne à 32 ans - p. 10&lt;/li&gt;&#13;
&lt;li&gt;Phantômas : Théodore Koenig, Marcel Havrenne et Joseph Noiret / Photo de Georges Thiry - p. 10&lt;/li&gt;&#13;
&lt;li&gt;Marcel Havrenne à 45 ans - p. 15&lt;/li&gt;&#13;
&lt;li&gt;Chez Havrenne / Photo de Georges Thiry - p. 15&lt;/li&gt;&#13;
&lt;/ul&gt;</text>
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              <text>&lt;ul&gt;&lt;li&gt;&lt;em&gt;La Main heureuse&lt;/em&gt;, plaquette de 24 pages. 25 x 19 cm. 10 dessins de Pol Bury, illutrés de textes de Marcel Havrenne. Editions Cobra. Bruxelles. 1950 (310 exemplaires.&lt;/li&gt;
&lt;li&gt;&lt;em&gt;Pour une physique de l'écriture&lt;/em&gt;. Plaquette de 16 pages 16,5 cm x 10,5 cm. Editions Temps mêlés. Verviers. 1953 (110 exemplaires)&lt;/li&gt;
&lt;li&gt;&lt;em&gt;Du Pain noir et des roses&lt;/em&gt;. Livre de 14 x 19 cm. 90 pages. avant-propos de Jean Paulhan. Editions Georges Houyoux. Bruxelles. 1957&lt;/li&gt;
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Revues, bulletins et périodiques : &lt;br /&gt;&lt;ul&gt;&lt;li&gt;&lt;em&gt;Bulletin international du Surréalisme révolutionnaire&lt;/em&gt; : n° 1&lt;/li&gt;
&lt;li&gt;&lt;em&gt;Cobra&lt;/em&gt; : n° 2, 4, 5, 6, 7&lt;/li&gt;
&lt;li&gt;&lt;em&gt;Daily-Bul&lt;/em&gt; : n° 1, 2, 3&lt;/li&gt;
&lt;li&gt;&lt;em&gt;La Carte d'après nature&lt;/em&gt; : n° janvier et juin 1954, août 1955&lt;/li&gt;
&lt;li&gt;&lt;em&gt;Le journal de poètes&lt;/em&gt; : n° ?&lt;/li&gt;
&lt;li&gt;&lt;em&gt;Marginales&lt;/em&gt;, n° 20, 29, 39, 54&lt;/li&gt;
&lt;li&gt;&lt;em&gt;Mauvais Temps&lt;/em&gt; : n° 1&lt;/li&gt;
&lt;li&gt;&lt;em&gt;Numéro&lt;/em&gt;, n° ?&lt;/li&gt;
&lt;li&gt;&lt;em&gt;n. N.R.F.&lt;/em&gt; : octobre 1955&lt;/li&gt;
&lt;li&gt;&lt;em&gt;Phantomas&lt;/em&gt; : n° 1, 2, 3, 4-5, 6, 7-8&lt;/li&gt;
&lt;li&gt;&lt;em&gt;Phases&lt;/em&gt; : n° 1&lt;/li&gt;
&lt;li&gt;&lt;em&gt;Synthèses&lt;/em&gt; : n° 110&lt;/li&gt;
&lt;li&gt;&lt;em&gt;Temps-Mêlés&lt;/em&gt; : de mars 1955 et n° 14&lt;/li&gt;
&lt;/ul&gt;
Publications diverses : &lt;br /&gt;&lt;ul&gt;&lt;li&gt;Préfaces des expositions des peintres : Pol Bury, Jacques Lacomblez, Hélène Locoge, Aubin Pasque&lt;/li&gt;
&lt;li&gt;Avant-dire pour &lt;em&gt;Les Pains d'Asopies&lt;/em&gt;, poèmes de Théodore Koenig.&lt;/li&gt;
&lt;li&gt;Préface au catalogue de l'exposition &lt;em&gt;L'apport wallon au Surréalisme&lt;/em&gt; (Liège, octobre-novembre 1955), intitulée : &lt;em&gt;Ecrivains Surréalistes Wallons&lt;/em&gt;.&lt;/li&gt;
&lt;/ul&gt;
Marcel Havrenne a écrit dans&lt;em&gt; La Carte d'après nature&lt;/em&gt;, &lt;em&gt;Phantomas&lt;/em&gt; et &lt;em&gt;Temps-Mêlés&lt;/em&gt; sous les pseudonymes suivants : &lt;br /&gt;Adrien Fell, Hélène Tramasure, Pol Viardeau, Désiré Viardot, et, fortuitement, dans le Pourquoi-Pas? sous le pseudonyme de Nicolas Mélotte.&lt;br /&gt;&lt;br /&gt;Sous le pseudonyme de Désiré Viardot, Marcel Havrenne a publié aux Editions de Phantomas un receuil d'antistrophes de 11 x 15 cm (16 p.), intitulé &lt;em&gt;Ripopés&lt;/em&gt;.</text>
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                <text>MARCEL HAVRENNE : Genre de tapir étonné, ainsi nommé lors d'un gala champêtre, où fut, avec succès, chassé le mérinos.&lt;br /&gt;Cachant bien la mine, il passait inaperçu aux yeux des cyclistes, mais le bout de la mêche qu'il laissait traîner dans son sillage permettait aux piétons de l'accoster.&lt;br /&gt;Mais si le cycliste est rapide, le piéton est rare.&lt;br /&gt;Artificier, l'allumette qu'il cachait dans sa plume suffisait pour mille girandoles, alimentées de jeux d'eau, de broutilles et de pain d'épices.&lt;br /&gt;Quoique marié, il fut monogastre et aussi l'inventeur d'objets utiles, comme la pelisse d'appartement et le chat de poche.&lt;br /&gt;Sur sa pelouse de cuisine, il se plaisait à croiser les grands voiliers revenant de Laeken, chargés de ciboires dérobés et de machines à coudre enfantines. Parce qu'il aimait les chats, il aima les oiseaux.&lt;br /&gt;&lt;div style="text-align:right;"&gt;&lt;strong&gt;Pol Bury&lt;/strong&gt;, dans Phantomas n°9, 1957.&lt;/div&gt;</text>
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                <text>Contient les &lt;span style="text-decoration:underline;"&gt;&lt;strong&gt;articles&lt;/strong&gt;&lt;/span&gt; suivants : &lt;br /&gt;&lt;ul&gt;&lt;li&gt;Je construisais parfois / Marcel Havrenne - p. 3&lt;/li&gt;
&lt;li&gt;Le jeu des portraits / Paul Colinet - p. 4-5&lt;/li&gt;
&lt;li&gt;Dans la nuit d'orient / Armand Parmentier - p. 5&lt;/li&gt;
&lt;li&gt;Petits gens / Robert Guiette - p. 5&amp;amp;6&lt;/li&gt;
&lt;li&gt;Lamal à Murenne ( A la mémoire de Paul Colinet qui, le premier, lut ce texte, et l'aima) / Marcel et Gabriel Piqueray - p. 7&lt;/li&gt;
&lt;li&gt;D'un Homme / Joseph Noiret - p. 8&lt;/li&gt;
&lt;li&gt;Ce gout des ruines / Joseph Noiret - p. 9&lt;/li&gt;
&lt;li&gt;Une fin d'exemplaire / Théodore Koenig - p. 10 &amp;amp; 11&lt;/li&gt;
&lt;li&gt;Nouvelle page polyphysique / Désiré Viardot - p. 11&lt;/li&gt;
&lt;li&gt;Apprenons à voir / Marcel Lecomte - p. 12 &amp;amp; 13&lt;/li&gt;
&lt;li&gt;Fragments de paléographie / Paul Dewalhens - p. 23&lt;/li&gt;
&lt;li&gt;La Rose de décembre / François Jacqmin - p. 24 &amp;amp; 25&lt;/li&gt;
&lt;li&gt;Le Cafard / Franz Hellens - p. 26 &amp;amp; 27&lt;/li&gt;
&lt;li&gt;Adoption ( A Madeleine Biefnot) / Achille Chavée - p. 28&lt;/li&gt;
&lt;li&gt;&lt;em&gt;Sur pilotis&lt;/em&gt; et autres poèmes / Madeleine Biefnot - p. 29 &amp;amp; 30&lt;/li&gt;
&lt;li&gt;&lt;em&gt;Ailefroide&lt;/em&gt; et autres poèmes / Franz Moreau - p. 31 &amp;amp; 32&lt;/li&gt;
&lt;li&gt;Ouye, Ouye, Ouye ! / André Blavier - p. 32&lt;/li&gt;
&lt;li&gt;Plouc / Max Gillaux - p. 33&lt;/li&gt;
&lt;li&gt;Le Tronc élémentaire / Jacques Piette - p. 34 &amp;amp; 35&lt;/li&gt;
&lt;li&gt;Poème / Léopold Plomteux - p. 35 &amp;amp; 36&lt;/li&gt;
&lt;li&gt;Extraits de : A rebours de rideaux / Paul Bourgoignie - p. 37, 38 &amp;amp; 39&lt;/li&gt;
&lt;li&gt;Blason du feu / Hubert Dubois - p. 40, 41 &amp;amp; 42&lt;/li&gt;
&lt;li&gt;L'appel du silence / Marc Eemans - p. 53&lt;/li&gt;
&lt;li&gt;J'affirme ( A Aubin Pasque) / Pol Le Roy ) p. 54 &amp;amp; 55&lt;/li&gt;
&lt;li&gt;Terrene Troubahi / Paul de Vree - p. 55&lt;/li&gt;
&lt;li&gt;Poème / Pol Le Roy - p. 56&lt;/li&gt;
&lt;li&gt;Véronique / Paul de Vree - p. 57&lt;/li&gt;
&lt;li&gt;Elegie / J. L. de Belder - p. 58 &amp;amp; 59&lt;/li&gt;
&lt;li&gt;Un scalp (traduit du néérlandais par Georges Adé) / Paul Snoek - p. 59&lt;/li&gt;
&lt;li&gt;Poèmes d'avant la fin / René Verbeeck - p. 60 &amp;amp; 61&lt;/li&gt;
&lt;li&gt;Judas Iskarioth / Jo Verbrugghen - p. 62 &amp;amp; 63&lt;/li&gt;
&lt;li&gt;Lauterbrunnen / Korban - p. 63&lt;/li&gt;
&lt;/ul&gt;
Contient les &lt;span style="text-decoration:underline;"&gt;&lt;strong&gt;illustrations&lt;/strong&gt; &lt;/span&gt;suivantes : &lt;br /&gt;&lt;ul&gt;&lt;li&gt;L'Au-delà du Voyage / Aubin Pasque - p. 13&lt;/li&gt;
&lt;li&gt;Le Signe retrouvé / Aubin Pasque - p. 14&lt;/li&gt;
&lt;li&gt;Ramikaze / Armand Sivestre - p. 15&lt;/li&gt;
&lt;li&gt;La baleine / Joska Soos - p. 16&lt;/li&gt;
&lt;li&gt;Les jardins du temps / Dandoy - p. 17&lt;/li&gt;
&lt;li&gt;Au seuil de la connaissance / Dandoy - p. 18&lt;/li&gt;
&lt;li&gt;Gravure de Raoul Ubac - p. 19&lt;/li&gt;
&lt;li&gt;Sculpture Opus / Servranckx - p. 20, 21 &amp;amp; 22&lt;/li&gt;
&lt;li&gt;Aquatique / F. Lamberechts - p. 43&lt;/li&gt;
&lt;li&gt;Peinture / Antoine Mortier - p. 44&lt;/li&gt;
&lt;li&gt;Etoile du matin / Jos de Cock - p. 45&lt;/li&gt;
&lt;li&gt;La vie à bord (collage) / Marcel et Gabriel Piqueray - p. 46&lt;/li&gt;
&lt;li&gt;Cheval / Octave Landuyt - p. 47&lt;/li&gt;
&lt;li&gt;Genèse / Marc Eemans - p. 48&lt;/li&gt;
&lt;li&gt;Paf n° 1 / Walter Hoeboer - p. 49&lt;/li&gt;
&lt;li&gt;Paaf n° 2 / Walter Hoeboer - p. 50&lt;/li&gt;
&lt;li&gt;Peinture / Léonard - p. 51&lt;/li&gt;
&lt;li&gt;Composition sur le nombre 53 / Valère Rijckmans - p. 52&lt;/li&gt;
&lt;li&gt;&lt;/li&gt;
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                <text>L'effet cabillaud&#13;
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Lorsque, dans une grande librairie lié­geoise, l'on présente, au début de dé­cembre, un livre, un disque, et deux vidéos consacrés au plus Marcel des ju­meaux Piqueray, et que le magnétoscope, frappé de mutisme, refuse d'obtempérer aux injonctions du responsable du matériel, un employé de bureau présent dès le début de la présentation, et possédant un carnet de notes vermillon qu'il ne tient ni en main, ni en poche, mais sur ses genoux, peut, par la bande, intervenir et forcer la récalcitrante machine à former sur l'écran de télévision la silhouette corpulente de ce jumeau, sans que l'assistance puisse déterminer, du fait de l'absence du plus Gabriel des Piqueray et d'appareils de mesure ad hoc, s'il est mono­zygote ou pas. Quoi qu'il en soit, un esprit de « Belgique sauvage » plane sur cette as­semblée désarmée par la prestance de cet homme qui, toujours à l'écran, s'avance vers une table, s'assied sur une chaise dispo­sée devant ladite table, sort un papier plié de sa poche, le déplie, et, ayant observé un temps de silence d'une rigueur toute théâ­trale, se met à lire, avec une élégance trop honnête pour être étudiée, un long poème évident dédié au grand chien courant saintongeois.&#13;
&#13;
Ce grand chien, on le trouve dans Jam ses­sion, livre posthume de Marcel Piqueray, que Pierre Puttemans, qui en a rassemblé les textes avec Luc Rémy et Robert Willems, et Françoise Favretto, qui l'a édité sous son label l'Atelier de l'agneau, sont venus révéler dans la grande librairie. Les poèmes, à propos desquels on ne sait jamais s'il faut rire ou en redemander, y côtoient de nombreux documents, rassemblés sous le nom de « Commentaires » : des lettres ou des hommages que quatre des sept types en or ne portant pas le nom de Piqueray — François Jacqmin, Paul Bourgoignie, Théo­dore Kœnig et Pierre Puttemans - adressent à Marcel ; d'autres textes et d'autres hom­mages d'artistes ou d'écrivains ayant tra­vaillé avec lui ou l'ayant fréquenté — Pol Bury, Armand Permantier, Paul Collinet, Camille de Taeye, Boris Lehman, Alain Borer... Enfin, last but not least, une très belle iconographie en couleur — gouaches de Piqueray lui-même, photographies de Luc Rémy et autres encore — enrichit le volume et permet au lecteur de visualiser le sourire du poète, qui aurait pu lui valoir l'inimitié de plus d'un latin lover. L'originalité de ce livre, qui est de donner à voir une chose contre-nature — un seul des brothers Piqueray —, et de souligner com­bien les personnalités de Marcel et Gabriel différaient l'une de l'autre, fait aussi sa fai­blesse, lorsqu'il nous montre combien elles étaient complémentaires. Aussi le lira-t-on comme un excellent appendice à Au delà des gestes, texte des deux célèbres Bruxellois, ré­édité en 1993 dans la collection Espace Nord, chez Labor. Aussi l'employé de bu­reau attendra-t-il l'indéniable effet cabillaud que provoque la lecture de ces recueils, pour ensuite comptabiliser les yeux ronds, les bouches ouvertes et les langues pen­dantes, les consigner dans le petit carnet vermillon, et les ressortir à la première occa­sion qui se présentera à lui de séduire un jockey malinois.&#13;
&#13;
Noël Lebrun</text>
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&lt;li&gt;De L'innervation des colloques&lt;/li&gt;
&lt;li&gt;De l'Art de tirer parti d'une fenêtre ouverte&lt;/li&gt;
&lt;li&gt;De l'établissement d'une liaison entre les ânes et les coqs&lt;/li&gt;
&lt;li&gt;La Balle senson&lt;/li&gt;
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&lt;li&gt;Proverbes et pensées / Jean Avijl - p. 3&lt;/li&gt;
&lt;li&gt;La pensée dépourvue de mots / François Jacqmin - p. 4&lt;/li&gt;
&lt;li&gt;Chewing gum (à Marcel et Gabriel Piqueray ) / Jacob Teillard - p. 5 &amp;amp; 6&lt;/li&gt;
&lt;li&gt;Entre amis (à Georges Thiry) / Emile de Zondiche - p. 7 &amp;amp; 8&lt;/li&gt;
&lt;li&gt;Entrées en matières / Théodore Koenig - p. 9 &amp;amp; 10&lt;/li&gt;
&lt;li&gt;&lt;em&gt;Un aimable instrument&lt;/em&gt; &amp;amp; &lt;em&gt;In extremis&lt;/em&gt;/ Robert Willems - p. 11&lt;/li&gt;
&lt;li&gt;Recette / Paul Bourgoignie - p. 12&lt;/li&gt;
&lt;li&gt;Le Chérubin de Banquerussard / John Marsden - p. 13&lt;/li&gt;
&lt;li&gt;Paysage Cultive / Joseph Noiret - p. 14&lt;/li&gt;
&lt;li&gt;L'astronomie populaire / Pierre Puttemans - p. 15 &amp;amp; 16&lt;/li&gt;
&lt;li&gt;A propos du coordinateur / Léon Mouton - p. 16&lt;/li&gt;
&lt;li&gt;Lettre à Eudoxie Anapet de Contregramme (à Andy Souré) / Jean-Joseph Blafart - p. 17 &amp;amp; 18&lt;/li&gt;
&lt;li&gt;Poème / H. Nabouzec - p. 19&lt;/li&gt;
&lt;li&gt;&lt;em&gt;Chicken's Jumping&lt;/em&gt; &amp;amp; &lt;em&gt;Anatomy of a love&lt;/em&gt; / Marcel et Gabriel Piqueray - p. 19 &amp;amp; 20&lt;/li&gt;
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&lt;li&gt;Portrait de François Jacqmin - p. 4&lt;/li&gt;
&lt;li&gt;Portrait de Jacob Teillard - p. 5&lt;/li&gt;
&lt;li&gt;Portrait de Théodore Koenig - p. 10&lt;/li&gt;
&lt;li&gt;Portrait de Robert Willems - p. 11&lt;/li&gt;
&lt;li&gt;Portrait de Paul Bourgoignie - p. 12&lt;/li&gt;
&lt;li&gt;Portrait de John Marsden - p. 13&lt;/li&gt;
&lt;li&gt;Portrait de Joseph Noiret - p. 14&lt;/li&gt;
&lt;li&gt;Portrait de Pierre Puttemans - p. 15&lt;/li&gt;
&lt;li&gt;Portrait de Léon Mouton - p. 16&lt;/li&gt;
&lt;li&gt;Portrait de Jean-Joseph Blafart - p. 18&lt;/li&gt;
&lt;li&gt;Portrait de H. Nabouzec - p. 19&lt;/li&gt;
&lt;li&gt;Portrait de Marcel et Gabriel Piqueray - p. 20&lt;/li&gt;
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