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                <text>Lettre de Fausta Squatriti à Jacqueline et André Balthazar</text>
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                <text>Fausta Squatriti évoque sa séparation avec Sergio Tosi et sa lente reconstruction.&#13;
Elle annonce également la découverte d'affiches éditées dans le cadre du Centenaire de la Ville de La Louvière et demande à Jacqueline Balthazar si elle souhaite acheter le stock.</text>
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            <description>A name given to the resource</description>
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                <text>Sergio Tosi et Fausta Squatriti s'inquiètent du silence de Jacqueline et André Balthazar. Ils évoquent des souvenirs lors de leur passage en Belgique et notamment du Banquet organisé par le Daily-Bul.&lt;br /&gt;&lt;br /&gt;Le texte est rédigé sur une carte postale illustrée par une photo véritable du théâtre antique de la ville d'Orange (France).</text>
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Une brève allusion est faite à la mort de Marcel Lecomte.</text>
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&lt;li&gt;La lettre&lt;/li&gt;&#13;
&lt;li&gt;Une enveloppe (AEDB-0012/02-003-0 000 572)&lt;/li&gt;&#13;
&lt;li&gt;Une page composée d'aphorismes (AEDB-0012/02-003-0 000 573)&lt;/li&gt;&#13;
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            <description>An account of the resource</description>
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              <elementText elementTextId="20227">
                <text>Poèmes tirés de l'oubli et introduits par Marcel E. Denaeyer</text>
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            <name>Provenance</name>
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            <description>An account of the resource</description>
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              <elementText elementTextId="20199">
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                <text>&lt;span&gt;La couverture contient une cinétisation de Pol Bury représentant Manneken-Pis et la deuxième de couverture contient une carte politique de la Belgique à grande échelle&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span&gt;&lt;br /&gt;&lt;br /&gt;Les &lt;span style="text-decoration: underline;"&gt;articles&lt;/span&gt; présentés dans la revue sont les suivants :&amp;nbsp;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span&gt;- Textes indigènes / Ernest Pirotte&lt;/span&gt;&lt;br /&gt;&lt;span&gt;- Propos en formes de frites / Edmond Lefebure&lt;/span&gt;&lt;br /&gt;&lt;span&gt;- Anatomie de la frite / Campenaire&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span&gt;- Lettre de Pierre Alechinsky à Pol Bury à propos de l'introduction d'un sachet de frites dans le Palais des Beaux-Arts de Charleroi&lt;/span&gt;&lt;br /&gt;&lt;span&gt;- [Note sur l'utilisation de pu et su] / Pierre&lt;/span&gt;&lt;br /&gt;&lt;span&gt;- Hommage à la Belgique [rébus] / René Bertholo&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span&gt;- Portrait en forme de frite&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span&gt;- Lettre de Gaston Chaissac à André Balthazar&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span&gt;- Les gilles / Achille Chavée&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span&gt;- Je ne veux pas / Maurice Henry&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span&gt;- Une page illustrée par Lourdes Castro&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span&gt;- Une page d'aphorismes illustrés par un mannequin pissant de Jan Voss&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span&gt;- Dialogue / Lourdes Castro&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span&gt;- Oh Bury très cher ami / François Dufrene&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span&gt;- Extrait d'un inventaitre de la poche droite de mon veston noir qui n'a pas été acheté en Belgique / Daniel Spoerri&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span&gt;- Le cousin, la cousine et le technicien / Marcel et Gabriel Piqueray&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span&gt;- Le quoijaidit au quinquinpis / André Martel&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span&gt;- Il faut qu'ça va ! sculptures de Manneken-Pis en mie de pain / Reinhoud&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span&gt;- Les changements / Dotremont&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span&gt;- Note littéraire / Christian&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span&gt;- Note sur le roman policier / Paul Colinet&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span&gt;- On nous écrit / F. Caradec&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span&gt;- Les grandes frites / Campenaire&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span&gt;- Comment franchir la frontière linguistique / Robert Filliou&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span&gt;- [Emballage de papier hygiénique Belgica]&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span&gt;- Un peintre gai qui cherche son maître / Clovis François&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span&gt;- L'ode de la croûte belge / Théodore Koenig&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span&gt;- Du bois d'un sabot de gille / Gilbert Thuriaux&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span&gt;- Illustrations de femmes par Jan Voss Sic transit glorai Belgiae&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span&gt;&lt;span&gt;- Petit panthéon national et illustré des auteurs / Jan Voss et Ernest Pirotte ( Contient une note biographiques sur les artistes suivants :&amp;nbsp;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&#13;
&lt;ul&gt;&#13;
&lt;li&gt;Pierre Alechinsky, René Bertholo, Noël Arnaud, Gianni Bertini, André Balthazar, Pol Bury, Achille Campenaire, François Caradec, Lourdes Castro, Gaston Chaissac, Achille Chavée, Paul Colinet, Christian Dotremont, François Dufrene, Robert Filliou, Maurice Henry, Victor Hugo, Théodore koenig, Edmond Lefebure, Leopold II, André Martel, Marcel et Gabriel Piqueray, Ernest Pirotte, Jean Plumat, Lise Prunel, Jean Raine, Reinhoud, Pierre Restany, Daniel Spoerri, W. Spribille, Gilbert Thuriaux, Jan Voss&lt;/li&gt;&#13;
&lt;/ul&gt;&#13;
&lt;span&gt;- D'une poussière au pied de la colonne du congrès de Bruxelles, &amp;nbsp;D'un nuage sur le dome du palais de justice de Bruxelles, De gouttes d'eau et du Manneken-Pis de Bruxelles / Gilbert Thuriaux&lt;/span&gt;&lt;br /&gt;&lt;span&gt;- Une réussite de l'ethnographie contemporaine : La Louvière / Pol Bury &amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span&gt;- Jemeppe-sur-Sambre - Trois enfants&lt;br /&gt;&lt;br /&gt;Les &lt;span style="text-decoration: underline;"&gt;aphorismes&lt;/span&gt; présents dans la revue sont les suivants :&amp;nbsp;&lt;br /&gt;&lt;br /&gt;- Sois Belge et tais-toi !&lt;br /&gt;- Les Frites ne se mangent pas entre elles&lt;br /&gt;- In Frita Venenum&lt;br /&gt;- Soyez Belge envers les animaux&lt;br /&gt;- L'ami frite&lt;br /&gt;- Il faut de tout pour faire un Belge&lt;br /&gt;- La frite est toujours debout&lt;br /&gt;- Un gendarme est toujours à deux&lt;br /&gt;- Comme disait Vercingetorux, je suis un belge de grand luxe - Achille Chavée&lt;br /&gt;- J'admire comme les belges parlent flamand en français - Victor Hugo&lt;br /&gt;- Ronsard me célébrait du temps que j'étais belge...&lt;br /&gt;- Pas d'élites, pas d'histoires&lt;/span&gt;</text>
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                <text>Voyage au pays des Tarahumaras, le livre qui a fait connaître ce peuple indien du Mexique et son fameux rite du peyotl &#13;
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                <text>René Bertholo fait parvenir les dessins à André Balthazar et espère ne pas le décevoir. Il annonce le titre de la Poquette volante à savoir &lt;em&gt;L'Amour à l'Ita&lt;span style="text-decoration:underline;"&gt;l&lt;/span&gt;ie&lt;span style="text-decoration:underline;"&gt;n&lt;/span&gt;e&lt;/em&gt; en demandant à André Balthazar d'effectuer les corrections orthographiques nécessaires.&lt;br /&gt;&lt;br /&gt;Il cloture son courrier en demandant de ne pas tenir compte des chiffres au crayon sur les kodatrace.&lt;br /&gt;&lt;br /&gt;La lettre est illustrée par une petite &lt;em&gt;Tour Eiffel&lt;/em&gt; dessinée par René Bertholo.&lt;br /&gt;&lt;br /&gt;Une enveloppe accompagne la lettre ainsi que les kodatraces des dessins.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;</text>
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                <text>AEDB-0011/09-025-0 000 710</text>
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                <text>Lourdes Castro justifie sa présence en Belgique par le mariage d'un ami résidant à Ottignies. Une brève allusion est faite au père de Jacqueline Balthazar.&lt;br /&gt;&lt;br /&gt;Au verso de la lettre, René Bertholo prend la plume pour s'adresser à André Balthazar et l'interroger sur l'avenir de son "volume", en faisant référence aux dessins envoyés et destinés à être publiés dans la collection &lt;em&gt;Les Poquettes volantes&lt;/em&gt;.&lt;br /&gt;&lt;br /&gt;Une enveloppe accompagne la lettre (AEDB-0011/09-025-0 000 709)</text>
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